Adair, Christy (2011) Within between: engaging communities in contemporary dance practice in East Africa. In: African Theatre 10 : Media and performance. African Theatre (10). Boydell & Brewer

Burrows, Ben ORCID: https://orcid.org/0009-0005-1212-2173 (2011) Composing by Numbers: Anatomy of a Film Score. In: Partners in Suspense, 24th-26th March 2011, York. (Unpublished)

Burrows, Ben ORCID: https://orcid.org/0009-0005-1212-2173 (2011) Double Vision: Bernard Herrmann's Collaboration in the Audiovisual Experience. In: Film Music Conference: Celebrating the Centennials of Bernard Herrmann and Nino Rota, 6th-8th September 2011, University of Leeds. (Unpublished)

Burrows, Ben ORCID: https://orcid.org/0009-0005-1212-2173 (2011) The Lodger: A Story of the London Fog. [Composition] (Unpublished)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2011) 'Say What You See: The Drawings of Sally Taylor'. In: Sally Taylor Drawings. Duckett and Jeffrey's Gallery, Malton., pp. 5-9

Galloway, Morag ORCID: https://orcid.org/0000-0002-3103-0611 (2011) Dream of You [Composition/CD Track]. Perf/Label: Juice Vocal Ensemble/Nonclassical. [Composition]

Hind, Claire (2011) Peep. [Performance]

Hind, Claire and Winters, Gary (2011) Ghost Track and Kong Lear. [Show/Exhibition]

Lancaster, David ORCID: https://orcid.org/0000-0002-1691-4320 (2011) The Enemy Within. [Composition]

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2011) Experiencing Musical Composition in the DAW: The Software Interface as Mediator of the Musical Idea. Journal on the Art of Record Production (5).

Mellor, Liz (2011) What is 'known' in community music in higher education? Engagement, emotional learning and an ecology of ideas from the student perspective. International Journal of Community Music, 4 (3). pp. 257-275.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2011) ‘Cultural and Religious Contexts behind the Deliberately Ambiguous Mythological, Religious (and arguably Feminist) Sources of Paul Dukas’s La Péri (1911/1912) and Ariane et Barbe-Bleue (1907)’. In: France the Lewd, France the Prude", Lyrica Society's 5th annual Dialogues, 8 April 2011. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2011) ‘Gesturing across the divide: unities and disunities in music-dance pieces. In: Moving Music / Sounding Dance: Intersections, Disconnections, and Alignments between Dance and Music. The Annual Conference of the Congress on Research in Dance and the Society for Ethnomusicology, 17–20 November 2011, Philadelphia USA. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2011) ‘Improvisation, Guided Improvisation or Real-time Composition: a workshop in Soundpainting'. In: The Improvised Space: Techniques, Traditions and Technologies, 6 April 2011, Kingston University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2011) ‘Paul Dukas’s Appropriation of Maeterlinck’s Text: Surveying a Primary Source of Ariane et Barbe-Bleue (1907)’. Ars Lyrica, 20. pp. 80-98.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2011) ‘A gestural analysis of music and dance through live composition’. In: Moving Dialogues Conference, February 2011, University of Montreal, McGill University, Société de recherché en musique, Concordia University and the Observatoire international de la création et des cultures musicales. (Unpublished)

Nedelkopoulou, Eirini (2011) Walking out on our bodies. Participation as ecstasis in Janet Cardiff's walks. Performance Research, 16 (4). pp. 117-123.

Rowe, Nick, Jones, Colin H., Seeger, Lesley, Greaves, Gill, Holman, Cathy and Turner, Helen (2011) Forgetting the machine: patients' experiences of engaging in artwork while on renal dialysis. Journal of Applied Arts & Health, 2 (1). pp. 57-72.

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 and Piasecki, Simon (2011) Authentic replicants: brothers between decades between Kraftwerk(s). In: Albiez, S. and Pattie, D., (eds.) Kraftwerk: music non-stop. Continuum, pp. 80-96