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Number of items at this level: 51.

B

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2010) 'New Times' Television? Channel 4 and My Beautiful Laundrette. In: Hadley, Louisa and Ho, Elizabeth, (eds.) Thatcher and after: Margaret Thatcher and her afterlife in contemporary culture. Palgrave Macmillan, pp. 53-74

C

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 and Wallers, Christo (2022) Hallsong. [Video]

Chan, Melanie (2010) Beings in Japanese Cyberpunk Anime. Film and Film Culture, 5. pp. 28-51.

Chan, Melanie (2010) Twenty-First Century Gothic Representations of Post-Human Existence in Ghost in the Shell, Appleseed Ex-Machina and Vexille’. In: Cherry, D., Howell, P. and Ruddell, C., (eds.) 21st Century Gothic. Newcastle, Cambridge Scholars Press, pp. 85-98

Chan, Melanie (2008) Virtually Real and Really Virtual: Baudrillard’s Procession of Simulacrum and The Matrix. International Journal of Baudrillard Studies, 5 (2).

Clark, Roger and McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2010) “A Constant Transit of Finding”: Fantasy as Realisation in Pan’s Labyrinth. Children's Literature in Education, 41 (1). pp. 52-63.

Clarke, Matthew ORCID: https://orcid.org/0000-0003-4693-248X (2018) Education beyond reason and redemption: A detour through the death drive. Pedagogy, Culture and Society.

E

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2009) Basics Film-Making 03: Directing Fiction. 1st ed. London, Bloomsbury

Evans, Anne-Marie (2012) Wharton's writings on screen. In: Edith Wharton in Context. Cambridge University Press, pp. 167-176

H

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2014) Is there any magic in the moonlight? Woody Allen and the absurdity of perfection. Comedy Studies, 5 (2). pp. 104-112.

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2019) John Coltrane’s ‘lost’ film soundtrack and five more must-see movies for jazz lovers. The Conversation.

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2017) Roman Polanski's treatment of mutable identity in his film, The Tenant (1976). Cogent Social Sciences, 3 (1). pp. 1-7.

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2013) The Silver Locusts on the Silver Screen: How Ray Bradbury’s Mars confronts the British-Art Cinema of the 1960s. In: McMillan, Gloria, (ed.) Orbiting Ray Bradbury’s Mars: biographical, anthropological, literary, scientific and other perspectives. London, McFarland and Co.

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2015) “Thank God the French Exist” The referentiality in the formal elements of film. In: Szlezak, Klara and Wynter, D. E., (eds.) Deconstructing Harry’ in Referentiality and the films of Woody Allen. London, Palgrave Macmillan, pp. 51-67

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2018) Tom Waits in a cowboy hat: five musicians who were born to be in Westerns. The Conversation.

K

Kerrigan, Finola and Dennis, Noel (2011) The secret jazz fan: a tale of sublimation featuring film and music. Arts Marketing: An International Journal, 1 (1). pp. 56-69.

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2017) "How do you like my darkness now?": Women, Violence, and the 'Good Bad' Girl in Buffy the Vampire Slayer. In: Chappell, Julie and Young, Mallory, (eds.) Bad girls and transgressive women in popular television, fiction and film. USA, Palgrave Macmillan, pp. 15-31

M

Manghani, Sunil (2006) Public (re)visions: critical pictures of the fall of the Berlin Wall. Film International, 4 (6). pp. 16-27.

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2018) ‘I’m Not with the Band’: Revising the Rock ‘n’ Roll Groupie Narrative through the #MeToo Campaign. In: Memory Colloquium, 20 May 2018, University of Sheffield. (Unpublished)

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2022) Guillermo del Toro’s Pinocchio review: this tale of a lost child is the filmmaker’s destiny. The Conversation.

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2023) Oscars 2023: Guillermo del Toro’s Pinocchio offers a new vision for animated films that explore our humanity. The Conversation.

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 and Clark, Roger (2014) Guillermo del Toro : film as alchemic art. London, Bloomsbury

O

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2019) More Human Than Humans. In: Bunce, Robin and McCrossin, Trip, (eds.) Blade Runner 2049 and Philosophy: This Breaks the World. & Philosophy series (127). Open Court Publishing, pp. 51-59

R

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2023) ‘Every Kaiju Movie ever made’: fan collecting and curation of the kaijū film. Frames Cinema Journal (21).

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2021) Globalizing Legendary Entertainment: Transnational Finance meets Transculturality. In: Baloğlu, Uğur and Birincioğlu, Yıldız Derya, (eds.) Transcultural Images in Hollywood Cinema: Debates on Migration, Identity, and Finance. Lexington, pp. 9-32

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2009) Hal Hartley and the Re-Presentation of Repetition. Film Criticism, 34 (1). pp. 58-75.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2012) Hal Hartley’s “Look-out-Martin-Donovan’s-in the-house! shot”: The transformative cult indie star-director relationship and performance “idiolect”. In: Egan, Kate and Thomas, Sarah, (eds.) Cult Film Stardom: Offbeat Attractions and Processes of Cultification. Palgrave MacMillan, pp. 126-143

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2018) Hollywood’s mega-monsters head back east. The Conversation.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2016) How Could You Possibly be a Hitchcocko-Herrmannian?: Digitally Re-narrativizing Collaborative Authorship. In: Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Donnelly, Kevin J., (eds.) Partners in Suspense: Critical Essays on Bernard Herrmann and Alfred Hitchcock. Manchester, Manchester University Press, pp. 197-210

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2021) How Godzilla vs. Kong Memes Turned Titans into Pandemic Superheroes. In: Fong, Elise and Paul, Booth, (eds.) A Celebration of Superheroes. De Paul Popular Culture Conference, pp. 280-302

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2023) Learning from kaijū fans: genrifying, cultural value, and the ethics of citing fan-scholarship. Journal of Fandom Studies, 11 (3). pp. 99-116.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2010) Real-imagining terror in Battlestar Galactica: negotiating real and fantasy in BSG’s political metaphor. In: Kaveney, Roz and Stoy, Jennifer, (eds.) Battlestar Galactica: investigating flesh, spirit and steel (Investigating Cult TV Series). I B Taurus, pp. 129-154

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2012) Reconstructing the Past: Visual Virtuality in Eternal Sunshine of the Spotless Mind. In: Sinha, Amresh and McSweeney, Terence, (eds.) Millennial Cinema: Memory in Global Film. Columbia University Press, pp. 37-54

Rawle, Steven (2015) Ringing One Missed Call: Franchising, transnational flows and genre production. East Asian Journal of Popular Culture, 1 (1). pp. 97-112.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2019) Sam Mendes’ 1917 – and five other films that really are continuous single takes. The Conversation.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2022) The Silent (Film) Woman: Sweet and Lowdown’s mute muse. In: Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175, (ed.) Women in the Films of Woody Allen. Amsterdam, Amsterdam University Press

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2018) Transnational Cinema : an introduction. Palgrave MacMillan

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2022) Transnational Kaiju: Globalisation, Exploitation and Cult Monster Movies. Edinburgh University Press

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2011) Transnational, Transgeneric, Transgressive: Tracing Miike Takashi’s Yakuza Cyborgs to Sukiyaki Westerns. Asian Cinema, 22 (1). pp. 83-98.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2013) The Ultimate Super-Happy-Zombie-Romance-Murder-Mystery-Family-Comedy-Karaoke-Disaster-Movie-Part-Animated-Remake-All-Singing-All-Dancing-Musical-Spectacular-Extravaganza: Miike Takashi’s The Happiness of the Katakuris as “cult” hybrid”. In: Hunt, Leon, Lockyer, Sharon and Williamson, Milly, (eds.) Screening the Undead: Vampires and Zombies in Film and Television. London, IB Tauris, pp. 208-232

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2010) Video killed the movie: cultural translation in Ringu and The Ring. In: Lacefield, Kristen, (ed.) The scary screen: media anxiety in the Ring. Ashgate, pp. 97-114

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2015) Waitress (2007): Tragedy and Authorship in an Indie ‘Meta-movie'. In: Perkins, Claire and Verevis, Constantine, (eds.) U.S Independent Filmmaking After 1989: Possible Films. Edinburgh, Edinburgh University Press, pp. 177-186

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2019) "The biggest star in the world": re-animating the king in Godzilla: King of the Monsters (2019). Fantasy/Animation.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2016) The locality of Hal Hartley: the aesthetics and business of smallness. In: Rybin, Steve, (ed.) The Cinema of Hal Hartley: flirting with formalism. New York, Wallflower Press, pp. 60-76

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2018) ‘Ōru kaijū dai shingeki (All monsters attack!): The regional and transnational exploitation of the kaijū eiga’. In: Provencher, Ken and Dillon, Mike, (eds.) Exploiting East Asian cinemas. Global exploitation cinemas . London, Bloomsbury, pp. 32-56

S

Selway, Matt ORCID: https://orcid.org/0000-0003-0692-3773 (2022) Brains for Hire: Exploring the Role of Psychiatric Consultancy in The Aviator. In: Friedman, Lester D. and Jones, Therese, (eds.) Routledge Handbook of Health and Media. Routledge

Selway, Matt ORCID: https://orcid.org/0000-0003-0692-3773 (2014) Gender, Melancholia and the ‘Fallen Woman’: Gendered Visions of Mental Illness in The Hours. In: Guimaraes Guerra, Lolita and Nicdao, Jose A., (eds.) Narratives of suffering, meaning and experience in a transcultural approach. Oxford, Inter-Disciplinary Press, pp. 95-104

Selway, Matt ORCID: https://orcid.org/0000-0003-0692-3773 (2019) The sound of the unsound: the role of film sound design in depicting schizophrenia and schizophrenic hallucination in The Soloist. Sound Studies, 5 (2). pp. 140-154.

Starzynski, Joanna Louise (2016) “We’re all in our private traps… and none of us can ever get out” (Psycho, Hitchcock, 1960) - How depictions of Identity and Alienation in the City vary within the films of Alfred Hitchcock. Masters thesis, York St John University.

Stephenson, Lauren (2021) Eden Lake and the British ‘hoodie horror’ genre: how they reinforced policies to demonise the working class. The Conversation.

Y

Yore, Sue (2015) 'Seeing Paradise in the Dust of the Streets': A Reflection on Student's Art Projects. In: Kim, Sebastian, Kollontai, Pauline and Yore, Sue, (eds.) Mediating Peace: Reconciliation Through Art, Music and Film. Cambridge Scholars, pp. 74-98

This list was generated on Fri Mar 29 13:55:22 2024 UTC.