+

Stairways in the Dark: Sound, Syntax and the Sublime in Haas’s in vain

Hutchinson, Mark (2018) Stairways in the Dark: Sound, Syntax and the Sublime in Haas’s in vain. Tempo. (In Press)

[img] Text
Hutchinson%202018%20text.pdf - Accepted Version
Restricted to Repository staff only

Download (106kB)

Abstract

The glowing critical response to Georg Friedrich Haas’s in vain (2000) has focussed particularly on the visceral effect created by Haas’s use of ‘endless’ scales, richly saturated microtonal chords, and passages that take place in total darkness. Discussion of these features has often led reviewers and commentators to use forms of description and praise which evoke the old (but lately rejuvenated) aesthetic category of the sublime. This paper will explore these connections with sublime aesthetics in more detail as a way of clarifying both philosophical and interpretative perspectives on in vain. The idea of the sublime serves as a thread connecting aspects of spectral technique and aesthetics, the mathematical visions of M.C. Escher, and the charged socio-political context in which the work was written.

Item Type: Article
Status: In Press
Subjects: B Philosophy. Psychology. Religion > B Philosophy (General)
B Philosophy. Psychology. Religion > BH Aesthetics
M Music and Books on Music > M Music
M Music and Books on Music > ML Literature of music
School/Department: School of Performance & Media Production
URI: http://ray.yorksj.ac.uk/id/eprint/3459

University Staff: Request a correction | RaY Editors: Update this record