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ISSN 1749-8716 Particip@tions
Volume 1, Issue 2 (May 2004) |
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Contents
| Editorial |
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Barker, Martin
(Editor) & Ernest Mathijs (Chair of Editorial Board) |
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'Introduction
to Issue 2' |
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| Articles |
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Barker, Martin: |
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'A
Response to Stephen Kline' (Read the original article:
Stephen Kline) |
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Carruthers, Fiona: |
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'Fanfic
is Good for Two Things - Greasing Engines and Killing Brain
Cells' |
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Hijmans, Ellen: |
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'Reading
YES. Interpretive Repertoires and Identity Construction
in Dutch Teenage Magazines' |
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Qureshi, Karen:
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'Respected
and Respectable: The Centrality of 'Performance' and
'Audiences' in the (Re)production and Potential Revision of
Gendered Ethnicities' |
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Reason, Matthew: |
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'Theatre
Audiences and Perceptions of 'Liveness' in Performance' |
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| Reviews |
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Annette Kuhn: |
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An
Everyday Magic: Cinema and Cultural Memory. London, I.
B. Tauris
(2002).
ISBN 1-86064-791 (pbk), pp. vii + 273
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Vamsee Juluri: |
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Becoming a Global Audience: Longing and Belonging in Indian
Music Television.
New York, Peter Lang Publishing (2003). ISBN 0-8204-5579-2 (pbk), pp.
155 |
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Neil Blackadder: |
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Performing Opposition: Modern Theater and the Scandalized
Audience.
Westpoint, Connecticut, Praeger (2003). ISBN 0-275-98056-1 (hbk), pp.
xviii + 228 |
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Susan Kattwinkel (Ed.): |
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Audience Participation: Essays on Inclusion and Performance.
Westpoint, Connecticut, Praeger (2003). ISBN 0-313-31671-6 (hbk), pp.
xviii + 221 |
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