McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2024) Guillermo del Toro's Multiple Masculinities: Review. in Transition, 11 (2).

Text (Review) index.html - Published Version Available under License Creative Commons Attribution. Download (47kB)

Abstract

Review of:

This video essay traces the thematic and aesthetic links between Guillermo del Toro’s The Devil’s Backbone (2001), Pan’s Labyrinth (2006), The Shape of Water (2017), and Pinocchio (2022), showing that the through-line spanning a twenty-year period involves a critique of the relationship between militarism, masculinity, and violence.

Item Type:	Article
Status:	Published
DOI:	https://doi.org/10.16995/intransition.16394
Subjects:	A General Works > AZ History of Scholarship The Humanities E History America > E11 America (General) F History United States, Canada, Latin America > F1201 Latin America (General) N Fine Arts > N Visual arts (General) For photography, see TR
School/Department:	School of Humanities
URI:	https://ray.yorksj.ac.uk/id/eprint/10231

University Staff: Request a correction | RaY Editors: Update this record