Dr Steven Rawle
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Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 (2022) The Silent (Film) Woman: Sweet and Lowdown’s mute muse. In: Hall, Martin
ORCID: https://orcid.org/0000-0001-5671-8175, (ed.) Women in the Films of Woody Allen. Amsterdam, Amsterdam University Press
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Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 (2021) Globalizing Legendary Entertainment: Transnational Finance meets Transculturality. In: Baloğlu, Uğur and Birincioğlu, Yıldız Derya, (eds.) Transcultural Images in Hollywood Cinema: Debates on Migration, Identity, and Finance. Lexington, pp. 9-32
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Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 (2021) How Godzilla vs. Kong Memes Turned Titans into Pandemic Superheroes. In: Fong, Elise and Paul, Booth, (eds.) A Celebration of Superheroes. De Paul Popular Culture Conference, pp. 280-302
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Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 (2022) Transnational Kaiju: Globalisation, Exploitation and Cult Monster Movies. Edinburgh University Press
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Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 (2019) Sam Mendes’ 1917 – and five other films that really are continuous single takes. The Conversation.
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Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 (2018) Hollywood’s mega-monsters head back east. The Conversation.
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Edgar, Robert
ORCID: https://orcid.org/0000-0003-3483-8605, Marland, John and Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 (2015) The Language of Film. 2nd ed. Basics filmmaking . London, Bloomsbury
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Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 (2018) ‘Ōru kaijū dai shingeki (All monsters attack!): The regional and transnational exploitation of the kaijū eiga’. In: Provencher, Ken and Dillon, Mike, (eds.) Exploiting East Asian cinemas. Global exploitation cinemas . London, Bloomsbury, pp. 32-56
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Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 (2016) The locality of Hal Hartley: the aesthetics and business of smallness. In: Rybin, Steve, (ed.) The Cinema of Hal Hartley: flirting with formalism. New York, Wallflower Press, pp. 60-76
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Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 (2012) Hal Hartley’s “Look-out-Martin-Donovan’s-in the-house! shot”: The transformative cult indie star-director relationship and performance “idiolect”. In: Egan, Kate and Thomas, Sarah, (eds.) Cult Film Stardom: Offbeat Attractions and Processes of Cultification. Palgrave MacMillan, pp. 126-143
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