Stephenson, Lauren
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My Latest
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Stephenson, Lauren
(2024)
Eat the Rich: The Monstrous Super-Wealthy in Contemporary Horror Cinema.
In: Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175, (eds.)
Monstrosity and Global Crisis in Transnational Film, Media and Literature.
Cambridge Scholars
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Stephenson, Lauren
(2023)
Restoring Relics: Re-releasing Antrum (2018) and film as folk horror.
In: Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Johnson, Wayne, (eds.)
The Routledge Companion to Folk Horror.
Routledge, pp. 173-180
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Stephenson, Lauren
(2022)
Vicky Cristina Barcelona (2008) and the politics of female friendship.
In: Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175, (ed.)
Women in the Work of Woody Allen.
Transgressive Media Culture
.
Amsterdam University Press, pp. 79-98
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Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043 and Marland, John
(2024)
Horrifying Children: Hauntology and the Legacy of Children's Television.
Bloomsbury
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Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043
(2021)
Eden Lake and the British ‘hoodie horror’ genre: how they reinforced policies to demonise the working class.
The Conversation.
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Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043
(2020)
British 'Hoodie' Horror.
In:
The Palgrave Handbook of Contemporary Gothic.
Palgrave, pp. 193-210
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Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043
(2019)
“I’m pissed off, and I’m angry, and we need your permission to kill someone”: Frustrated Masculinities in Charlie Brooker’s Dead Set (2008).
In: Gerrard, Steven, Holland, Samantha and Shail, Robert, (eds.)
Gender and Contemporary Horror in Television.
Emerald Studies in Popular Culture and Gender
.
Emerald, pp. 107-116
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