Marrington, Dr Mark

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Contact

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Name:

Marrington, Dr Mark

Email:

m.marrington@yorksj.ac.uk

Department:

School of Performance & Media Production

Biography

Job title:

Senior Lecturer

Biography:

Mark began his career teaching guitar privately in Leeds from 1996 and 2001 and also worked as a peripatetic guitar teacher for Roundhay Music (North Leeds) and later Calderdale local authority. He taught at Leeds College of Music between 1998-2011, initially at Further Education level and then Higher Education for undergraduate and Masters degree levels, on a variety of music-related modules across the Classical, Jazz, Popular Music and Music Production degrees offered by the college. More recently he was a Teaching Fellow and the Programme Manager for the BSc Music, Multimedia and Electronics at the University of Leeds, School of Electronic and Electrical Engineering (2011-15). He has also worked as an external examiner, previously for the University of Brighton (City College) and curremore...

Qualifications:

His academic writing is currently concentrated in the areas of popular music studies, music technology and education, 20th century British art music (with particular reference to the composer, Denis ApIvor (1916-2004)) and the modern classical guitar repertoire.

My Latest

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2023) Djent and the Aesthetics of Post-Digital Metal. In: Herbst, Jan-Peter, (ed.) The Cambridge Companion to Metal Music. Cambridge Companions to Music . Cambridge University Press, pp. 265-280
Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2021) The Classical Guitar in the Early Period of Recording: Spain. In: Recording the Classical Guitar. Routledge
Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149, Hodgson, Jay, King, Liesl and Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2020) Gender in music production. Routledge
Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2021) Recording the Classical Guitar. Routledge
Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2020) Women in Music Production: A Contextualized History From the 1890s to the 1980s. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149, Hodgson, Jay, King, Liesl and Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546, (eds.) Gender in Music Production. New York, Routledge, pp. 11-34
Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149 and Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2018) Editorial. Journal of Music, Technology & Education, 11 (3). pp. 231-233.
Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2019) The DAW electronic music aesthetics and genre transgression in music production. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149, Hodgson, Jay and Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546, (eds.) Producing music. Routledge, pp. 52-74
Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149, Hodgson, Jay and Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546, eds. (2019) Producing music. Perspectives on Music Production . Routledge
Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2017) From DJ to djent-step: Technology and the re-coding of metal music since the 1980s. Metal Music Studies, 3 (2). pp. 251-268.
Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2016) Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149 and Hodgson, Jay, (eds.) Mixing music. 1 ed. Perspectives on Music Production (1). New York, Routledge, pp. 199-215

My Most Viewed

#	Item title
1	From DJ to djent-step: Technology and the re-coding of metal music since the 1980s	255	511
2	Composing with the Digital Audio Workstation	202
3	Paradigms of Music Software Interface Design and Musical Creativity	198
4	Experiencing Musical Composition in the DAW: The Software Interface as Mediator of the Musical Idea	177
5	Djent and the Aesthetics of Post-Digital Metal	137	61
6	The DAW electronic music aesthetics and genre transgression in music production	132	623
7	Serial technique in the early works of Denis ApIvor	121
8	Reconciling theory with practice in the teaching of songwriting	93
9	Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing	92
10	Music of the Cactus Land’: a consideration of musical style and text setting in Denis ApIvor’s The Hollow Men	85