Edgar, Robert

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Contact

profile_image:

Name:

Edgar, Robert

Email:

r.edgar@yorksj.ac.uk

Department:

School of Humanities

Organisation:

York St John University

Address:

York St John University Lord Mayor's Walk York YO23 1NG

Country:

Homepage:

https://www.yorksj.ac.uk/our-staff/staff-profiles/rob-edgar.php

Biography

Expertise:

Scriptwriting, Film Adaptation, Popular Music Memoirs, Folk Horror and the Eerie, Theories of Comedy, Adaptation, Genre Writing, Film Theory, Uncanny, Music Venues, Hauntology

Job title:

Professor of Writing and Popular Culture

Biography:

Robert Edgar is Professor of Writing and Popular Culture in the York Centre for Writing based in the School of Humanities, Religion and Philosophy at York St John University. His teaching specialisms include scriptwriting, memoir and genre fiction. He has published on Screenwriting (AVA 2009), Directing Fiction (AVA 2009), The Language of Film (Bloomsbury 2010 and 2015), The Music Documentary (Routledge 2013), The Arena Concert (Bloomsbury 2015), Music, Memory and Memoir (Bloomsbury 2019), Film Adaptation for Scriptwriters (Bloomsbury 2019), Venue Stories (Equinox 2023) and Thomas Hardy and the Folk Horror Tradition (Bloomsbury 2023), and The Routledge Companion to Folk Horror (2024), and Horrifying Children: Hauntology and the Legacy of Children's Television (Bloomsbury 2024).

Qualifications:

BA, PhD, SFHEA

My Latest

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2026) Strandloper, Treacle Walker and Unified Field Theory. In: Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Johnson, Wayne and Marland, John, (eds.) Alan Garner and the Work of Time. Twenty-First Century Perspectives . Manchester University Press, pp. 143-153
Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2026) Strandloper, Treacle Walker and Unified Field Theory. In: Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Johnson, Wayne and Marland, John, (eds.) Alan Garner and the Work of Time. Twenty-First Century Perspectives . Manchester University Press, pp. 143-153
Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2026) Encountering Holmes: Adaptation, Appropriation and Cultural Memory. In: Trifles: a quarterly for devotees of Sherlock Holmes. Vol.1, Issue 3. Foolscap and Quill
Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2026) Liquid Realism: Hauntology, Lack, and Mourning as Method. Open Philosophy, 9 (1). p. 20250116.
Pleasance, Helen, Mann, Fraser ORCID: https://orcid.org/0000-0003-0682-8944 and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2025) John Lewis Christmas advert reveals music as a time machine that creates connection. The Conversation.
Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2025) The Wandspringer. Colorado, Foolscap and Quill
Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2027) “Mohawk this guy”: New York Wyrd. In: American Folk Horror. University of Wales Press (In Press)
Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2026) Monitoring as developmental practice in the supervision of PhD students. In: Innovative Approaches to Doctoral Supervision: Selected Case Studies. Edward Elgar
Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2024) ‘If a bunch of ‘em tell you, it must be true.’: Lonely Boy, The Sex Pistols and Adaption. In: The Routledge Companion to the Sex Pistols. Routledge (Submitted)
Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2025) Graphically Speaking: CUD, Graphic Memoir, Indie Authenticity, and Autofiction. In: Rereading Musicians And Their Audiences: Popular Music Autobiographies. Bloomsbury Academic

My Most Viewed

#	Item title
1	The Routledge Companion to Folk Horror	603
2	Alan Garner and the Work of Time	467
3	Horrifying Children: Hauntology and the Legacy of Children's Television	441
4	Music, Memory and Memoir: Critical and creative engagement with an emerging genre	418	266
5	Science fiction for survival	384	1
6	Music, Memory and Memoir	373
7	The Music Documentary: Acid Rock to Electropop	355
8	Venue Stories: Narratives, Memories, and Histories from Britain’s Independent Music Spaces	339
9	The Language of Film	323	3
10	Thomas Hardy and the Folk Horror Tradition	311