Dr Robert Wilsmore

Contact
Biography
My Latest
My Most Viewed

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Contact

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Name:

Dr Robert Wilsmore

Email:

R.Wilsmore1@yorksj.ac.uk

Department:

School of Performance and Media

Biography

Job title:

Head of School

Biography:

Robert attended Bristol Grammar School, studied Music at Bath College and then postgraduate composition at Nottingham University studying with composer Nicholas Sackman and gaining a doctorate in 1994. Prior to starting at York St John University in 2007, Robert was Assistant Head of Music at Leeds College of Music.

Qualifications:

Robert's research into collaborative practices currently focuses on the notion of popular music as multiplicity where a distributed model of collaboration (Vera John-Steiner) is viewed alongside other models of the One and the Many from Plato to Deleuze and Guattari.

My Latest

Hind, Claire and Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2024) Dancing Under Dark Skies [by The Long dead Stars]. [Composition]
Hind, Claire and Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2024) Walking with the Long Dead Stars. [Performance] (Unpublished)
Hind, Claire and Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2023) Whitby mudstone / performed by The Long Dead Stars (Claire Hind and Rob Wilsmore). [Audio]
Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2019) Coproduction: Towards a Typology of Collaborative Practice in Music Production. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149 and Hodgson, Jay, (eds.) Producing Music. 1 ed. Perspectives on Music Production . Routledge
Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2009) The Last Performance [dot org]: an impossible collaboration. Journal of writing in creative practice, 2 (1). pp. 15-25.
Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2004) Selection 44: The ancient art of Remixing: Exploration of the use of existing music in new compositions and developing new compositional techniques through practice and reflection. [Composition]
Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2005) The music before the music: Exploring the liminal spaces in sound as music for dance installation and dance theatre: i) Threshold:Fleshfold; and ii) Myths and Stories about her. [Performance]
Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2006) Building sounds: the architecture of the sonic and the solid. [Show/Exhibition]
Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 and Piasecki, Simon (2011) Authentic replicants: brothers between decades between Kraftwerk(s). In: Albiez, S. and Pattie, D., (eds.) Kraftwerk: music non-stop. Continuum, pp. 80-96
Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2010) Intermezzo No.1: ‘The time between the notes’ (the ‘Yes’ of consonancein absentia). Parallax, 16 (3). pp. 28-31.

My Most Viewed

#	Item title
1	The music before the music: Exploring the liminal spaces in sound as music for dance installation and dance theatre: i) Threshold:Fleshfold; and ii) Myths and Stories about her	372
2	The Pink Floyd Intensity: Humanity, aesthetics and the breathless fan.	311	3
3	The Last Performance [dot org]: an impossible collaboration.	179
4	The mix is. The mix is not	178
5	Building sounds: the architecture of the sonic and the solid	156
6	Coproduction: Towards a Typology of Collaborative Practice in Music Production	146	66
7	The demonic and the divine: unfixing replication in the phenomenology of sampling	142
8	Techno, trance and the modern chamber choir: intellectual game or music to groove to?	127
9	Authentic replicants: brothers between decades between Kraftwerk(s)	120
10	Intermezzo No.1: ‘The time between the notes’ (the ‘Yes’ of consonancein absentia)	117