Lorenz, James

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Name:

Lorenz, James

Email:

j.lorenz@yorksj.ac.uk

Department:

School of Humanities

Biography

Job title:

Lecturer in Philosophy of Religion

My Latest

Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103 (2020) The End of Desire: The Soteriological Significance of Desire, Hope, and Belief in Andrei Tarkovsky’s STALKER (USSR 1979). JRFM, 6 (1). pp. 37-52.
Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103 (2022) The Cinematic Gaze as ‘A Long Loving Look at the Real’: Andrei Tarkovsky and Walter Burghardt’s Theology of Contemplation. The Heythrop Journal, 63 (3). pp. 425-437.
Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103 (2023) Terrence Malick’s Ephemeral and Eternal Images: Deleuze, Time-Image, and Montage. In: DeLay, Steven, (ed.) Life Above the Clouds: Philosophy in the Films of Terrence Malick. SUNY Press
Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103 (2023) The Eschatological Rhythms of Beauty in Jean-Louis Chrétien's Phenomenology. In: Gonzales, Philip and McMeans, Joseph Micah, (eds.) Finitude's Wounded Praise: Responses to Jean-Louis Chrétien. Wipf & Stock

My Most Viewed

#	Item title
1	The End of Desire: The Soteriological Significance of Desire, Hope, and Belief in Andrei Tarkovsky’s STALKER (USSR 1979)	116	57
2	Terrence Malick’s Ephemeral and Eternal Images: Deleuze, Time-Image, and Montage	62	53
3	The Eschatological Rhythms of Beauty in Jean-Louis Chrétien's Phenomenology	40	1
4	The Cinematic Gaze as ‘A Long Loving Look at the Real’: Andrei Tarkovsky and Walter Burghardt’s Theology of Contemplation	33	83