Lorenz, Dr James
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My Latest
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Lorenz, James
ORCID: https://orcid.org/0000-0002-7681-8103
(2026)
The Garden and the Gardener: Film, Creativity, and the Gift of Creation.
Modern theology.
(In Press)
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Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103
(2026)
‘AI needs to be disarmed’: Pope Leo sees threat to humanity in technological arms race.
The Conversation.
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Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103
(2026)
The Bread her Work Consecrates: rethinking art and religious experience through sacramental theology.
International Journal of Philosophy and Theology, 86 (5).
pp. 404-419.
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Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103
(2024)
The Theological Power of Film.
1st ed.
Routledge Studies in Religion and Film
.
London, U.K, Routledge
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Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103
(2020)
The End of Desire: The Soteriological Significance of Desire, Hope, and Belief in Andrei Tarkovsky’s STALKER (USSR 1979).
JRFM, 6 (1).
pp. 37-52.
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Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103
(2022)
The Cinematic Gaze as ‘A Long Loving Look at the Real’: Andrei Tarkovsky and Walter Burghardt’s Theology of Contemplation.
The Heythrop Journal, 63 (3).
pp. 425-437.
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Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103
(2023)
Terrence Malick’s Ephemeral and Eternal Images: Deleuze, Time-Image, and Montage.
In: DeLay, Steven, (ed.)
Life Above the Clouds: Philosophy in the Films of Terrence Malick.
SUNY Press
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Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103
(2023)
The Eschatological Rhythms of Beauty in Jean-Louis Chrétien's Phenomenology.
In: Gonzales, Philip and McMeans, Joseph Micah, (eds.)
Finitude's Wounded Praise: Responses to Jean-Louis Chrétien.
Wipf & Stock
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