Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2019) Grace Jones: Cyborg Memoirist. In: Mann, Fraser, Pleasance, Helen and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, (eds.) Music, Memory, and Memoir. London, Bloomsbury, pp. 65-80

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2018) "Race, Literacy, and Decolonising the Library". In: in User Experience in Libraries Yearbook 2018: inclusivity, diversity, belonging. UX In Libraries, pp. 10-16

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2018) 'Passing for white': how a taboo film genre is being revived to expose racial privilege. The Guardian.

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2018) Parodying Racial Passing in Chappelle’s Show and Key & Peele. In: Illot, Sarah and Davies, Helen, (eds.) Comedy and the Politics of Representation : Mocking the Weak. Palgrave Studies in Comedy . Palgrave Macmillan, pp. 79-97

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2016) Grappling and ga(y)zing: gender, sexuality, and performance in the WWE debut of Goldust and Marlena. In: Chow, Broderick, Laine, Eero and Warden, Claire, (eds.) Performance and professional wrestling. Routledge, pp. 107-117

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2013) Black, female and postgraduate: why I cannot be the only one. The Guardian.

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2013) Critical reception: Zora Neale Hurston and the paradox of patronage. In: Jones, Sharon, (ed.) Zora Neale Hurston. Critical insights . Salem Press