Items where Author is "Rawle, Steven"
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Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2024)
The Dark Pedagogies of Kaijū in the Anthropocene.
In: Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin
ORCID: https://orcid.org/0000-0001-5671-8175, (eds.)
Monstrosity and Global Crisis in Transnational Film, Media and Literature.
Cambridge Scholars Publishing, pp. 169-187
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin
ORCID: https://orcid.org/0000-0001-5671-8175
(2024)
Monstrosity and Global Crisis in Transnational Film, Media and Literature.
1 ed.
Newcastle, Cambridge Scholars Publishing
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2023)
Learning from kaijū fans: genrifying, cultural value, and the ethics of citing fan-scholarship.
Journal of Fandom Studies, 11 (3).
pp. 99-116.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin
ORCID: https://orcid.org/0000-0001-5671-8175
(2023)
The Workforce Gap in North Yorkshire Screen Industries: Perceptions of Skills and Inclusion Gaps Amongst Screen Industry Workers.
Project Report.
York St John University.
(Unpublished)
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2023)
‘Every Kaiju Movie ever made’: fan collecting and curation of the kaijū film.
Frames Cinema Journal (21).
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2022)
Transnational Kaiju: Globalisation, Exploitation and Cult Monster Movies.
Edinburgh University Press
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2022)
The Silent (Film) Woman: Sweet and Lowdown’s mute muse.
In: Hall, Martin
ORCID: https://orcid.org/0000-0001-5671-8175, (ed.)
Women in the Films of Woody Allen.
Amsterdam, Amsterdam University Press
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2021)
Globalizing Legendary Entertainment: Transnational Finance meets Transculturality.
In: Baloğlu, Uğur and Birincioğlu, Yıldız Derya, (eds.)
Transcultural Images in Hollywood Cinema: Debates on Migration, Identity, and Finance.
Lexington, pp. 9-32
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2021)
How Godzilla vs. Kong Memes Turned Titans into Pandemic Superheroes.
In: Fong, Elise and Paul, Booth, (eds.)
A Celebration of Superheroes.
De Paul Popular Culture Conference, pp. 280-302
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2019)
Sam Mendes’ 1917 – and five other films that really are continuous single takes.
The Conversation.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2019)
"The biggest star in the world": re-animating the king in Godzilla: King of the Monsters (2019).
Fantasy/Animation.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2018)
Hollywood’s mega-monsters head back east.
The Conversation.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2018)
Transnational Cinema : an introduction.
Palgrave MacMillan
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2018)
‘Ōru kaijū dai shingeki (All monsters attack!): The regional and transnational exploitation of the kaijū eiga’.
In: Provencher, Ken and Dillon, Mike, (eds.)
Exploiting East Asian cinemas.
Global exploitation cinemas
.
London, Bloomsbury, pp. 32-56
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2016)
How Could You Possibly be a Hitchcocko-Herrmannian?: Digitally Re-narrativizing Collaborative Authorship.
In: Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 and Donnelly, Kevin J., (eds.)
Partners in Suspense: Critical Essays on Bernard Herrmann and Alfred Hitchcock.
Manchester, Manchester University Press, pp. 197-210
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2016)
The locality of Hal Hartley: the aesthetics and business of smallness.
In: Rybin, Steve, (ed.)
The Cinema of Hal Hartley: flirting with formalism.
New York, Wallflower Press, pp. 60-76
Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Marland, John and Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249
(2015)
The Language of Film.
2nd ed.
Basics filmmaking
.
London, Bloomsbury
Rawle, Steven (2015) Ringing One Missed Call: Franchising, transnational flows and genre production. East Asian Journal of Popular Culture, 1 (1). pp. 97-112.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2015)
Waitress (2007): Tragedy and Authorship in an Indie ‘Meta-movie'.
In: Perkins, Claire and Verevis, Constantine, (eds.)
U.S Independent Filmmaking After 1989: Possible Films.
Edinburgh, Edinburgh University Press, pp. 177-186
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2013)
The Ultimate Super-Happy-Zombie-Romance-Murder-Mystery-Family-Comedy-Karaoke-Disaster-Movie-Part-Animated-Remake-All-Singing-All-Dancing-Musical-Spectacular-Extravaganza: Miike Takashi’s The Happiness of the Katakuris as “cult” hybrid”.
In: Hunt, Leon, Lockyer, Sharon and Williamson, Milly, (eds.)
Screening the Undead: Vampires and Zombies in Film and Television.
London, IB Tauris, pp. 208-232
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2012)
Hal Hartley’s “Look-out-Martin-Donovan’s-in the-house! shot”: The transformative cult indie star-director relationship and performance “idiolect”.
In: Egan, Kate and Thomas, Sarah, (eds.)
Cult Film Stardom: Offbeat Attractions and Processes of Cultification.
Palgrave MacMillan, pp. 126-143
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2012)
Reconstructing the Past: Visual Virtuality in Eternal Sunshine of the Spotless Mind.
In: Sinha, Amresh and McSweeney, Terence, (eds.)
Millennial Cinema: Memory in Global Film.
Columbia University Press, pp. 37-54
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2011)
Transnational, Transgeneric, Transgressive: Tracing Miike Takashi’s Yakuza Cyborgs to Sukiyaki Westerns.
Asian Cinema, 22 (1).
pp. 83-98.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2011)
Performance in the cinema of Hal Hartley.
Cambria Press
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2010)
Real-imagining terror in Battlestar Galactica: negotiating real and fantasy in BSG’s political metaphor.
In: Kaveney, Roz and Stoy, Jennifer, (eds.)
Battlestar Galactica: investigating flesh, spirit and steel (Investigating Cult TV Series).
I B Taurus, pp. 129-154
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2010)
Video killed the movie: cultural translation in Ringu and The Ring.
In: Lacefield, Kristen, (ed.)
The scary screen: media anxiety in the Ring.
Ashgate, pp. 97-114
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2009)
From The Black Society to The Isle: Miike Takashi and Kim Ki-Duk at the intersection of Asia Extreme.
Journal of Japanese & Korean Cinema, 1 (2).
pp. 167-184.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2009)
Hal Hartley and the Re-Presentation of Repetition.
Film Criticism, 34 (1).
pp. 58-75.