Book Section

Stephenson, Lauren (2024) Eat the Rich: The Monstrous Super-Wealthy in Contemporary Horror Cinema. In: Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175, (eds.) Monstrosity and Global Crisis in Transnational Film, Media and Literature. Cambridge Scholars

Stephenson, Lauren (2023) Restoring Relics: Re-releasing Antrum (2018) and film as folk horror. In: Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Johnson, Wayne, (eds.) The Routledge Companion to Folk Horror. Routledge, pp. 173-180

Stephenson, Lauren (2022) Vicky Cristina Barcelona (2008) and the politics of female friendship. In: Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175, (ed.) Women in the Work of Woody Allen. Transgressive Media Culture . Amsterdam University Press, pp. 79-98

Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043 (2020) British 'Hoodie' Horror. In: The Palgrave Handbook of Contemporary Gothic. Palgrave, pp. 193-210

Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043 (2019) “I’m pissed off, and I’m angry, and we need your permission to kill someone”: Frustrated Masculinities in Charlie Brooker’s Dead Set (2008). In: Gerrard, Steven, Holland, Samantha and Shail, Robert, (eds.) Gender and Contemporary Horror in Television. Emerald Studies in Popular Culture and Gender . Emerald, pp. 107-116

Book

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043 and Marland, John (2024) Horrifying Children: Hauntology and the Legacy of Children's Television. Bloomsbury

Other

Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043 (2021) Eden Lake and the British ‘hoodie horror’ genre: how they reinforced policies to demonise the working class. The Conversation.