Hind, Claire and Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2024) Dancing Under Dark Skies [by The Long dead Stars]. [Composition]

Hind, Claire and Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2024) Walking with the Long Dead Stars. [Performance] (Unpublished)

Hind, Claire and Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2023) Dancing with Mudstone, with Siltstone and Peak Steel, and the Dogger Formations of the Ravenscar Coastline. In: The 2023 GMHC-T2M Annual Conference, 26 October 2023, Konkuk University, South Korea (online). (Unpublished)

Hind, Claire and Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2023) Whitby mudstone / performed by The Long Dead Stars (Claire Hind and Rob Wilsmore). [Audio]

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2022) The Pink Floyd Intensity: Humanity, aesthetics and the breathless fan. In: Hart, C., Gregory, G. and Morrison, S., (eds.) Tear Down The Wall Pink Floyd: An Interdisciplinary Interrogation of the Music and Significance of Pink Floyd. London and New York, Routledge

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2019) Coproduction: Towards a Typology of Collaborative Practice in Music Production. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149 and Hodgson, Jay, (eds.) Producing Music. 1 ed. Perspectives on Music Production . Routledge

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 and Johnson, Chris ORCID: https://orcid.org/0000-0002-5053-8832 (2017) The mix is. The mix is not. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149 and Hodgson, Jay, (eds.) Mixing music. New York, Routledge, pp. 188-198

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 and Piasecki, Simon (2011) Authentic replicants: brothers between decades between Kraftwerk(s). In: Albiez, S. and Pattie, D., (eds.) Kraftwerk: music non-stop. Continuum, pp. 80-96

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2010) Intermezzo No.1: ‘The time between the notes’ (the ‘Yes’ of consonancein absentia). Parallax, 16 (3). pp. 28-31.

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2010) The demonic and the divine: unfixing replication in the phenomenology of sampling. Journal of Music, Technology and Education, 3 (1). pp. 5-16.

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2009) The Last Performance [dot org]: an impossible collaboration. Journal of writing in creative practice, 2 (1). pp. 15-25.

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2006) Building sounds: the architecture of the sonic and the solid. [Show/Exhibition]

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2005) The music before the music: Exploring the liminal spaces in sound as music for dance installation and dance theatre: i) Threshold:Fleshfold; and ii) Myths and Stories about her. [Performance]

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2004) Selection 44: The ancient art of Remixing: Exploration of the use of existing music in new compositions and developing new compositional techniques through practice and reflection. [Composition]

Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2002) Techno, trance and the modern chamber choir: intellectual game or music to groove to? Leonardo music journal, 12. pp. 61-63.