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Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2015) Power Tug of War: Hegemonic and Posthegemonic Text Control in Gustavo Sainz’s Obsesivos días circulares (1969). In: Thakkar, Amit and Harris, Chris, (eds.) Men, Power and Liberation: Readings of Masculinities in Spanish American Literatures. Routledge

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2015) Strings, Branes and Hidden Texts in Obsesivos días circulares (1969) by Gustavo Sainz. In: Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555, (ed.) Interface between Literature and Science: Cross-disciplinary Approaches to Latin American Texts. Cambridge Scholars Publishing, pp. 141-158

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2015) ‘You Want the Truth? You Can't Handle the Truth’: Poetic Representations of the 1968 Tlatelolco Massacre. Journal of Iberian and Latin American Research, 21 (1). pp. 35-49.

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 and Halpern, Paul (2015) Out of the Darkness into the Darkness: Time Travel in Ernesto Sábato’s El túnel and Connie Willis’ Blackout and All Clear. In: Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555, (ed.) Interface between Literature and Science: Cross-disciplinary Approaches to Latin American Texts. Cambridge Scholars Publishing, pp. 91-114

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Key, Laura ORCID: https://orcid.org/0009-0000-7249-2778 (2015) “Pull My Daisy ”, “Dreams that Money Can Buy”, “New American Cinema”, “Willard Maas”, “James Broughton”. In: Routledge Encyclopedia of Modernism. Routledge