Items where Subject is "AZ History of Scholarship The Humanities"
- Library of Congress Subject Areas (30)
- A General Works (30)
- AZ History of Scholarship The Humanities (30)
- A General Works (30)
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Brierley-Beare, Amy ORCID: https://orcid.org/0000-0003-0675-3268
(2026)
“Are babies worth it?”: Mediated Representations of Children in Digital Gaming.
In: Digital Games Research Association (DiGRA) Australia 2026, 16 December 2025, University of the Sunshine Coast, Queensland, Australia.
Brierley-Beare, Amy ORCID: https://orcid.org/0000-0003-0675-3268
(2022)
Communicating Love: Dialogue Icons, Control and Diminishing Social Complexity in Cyberpunk 2077.
Platform: Journal of Media and Communication, 9 (2).
pp. 37-54.
Brierley-Beare, Amy ORCID: https://orcid.org/0000-0003-0675-3268
(2025)
“Congradulations on Owing Me Money!”:
Dispelling the Myth of the Magnanimous
Flipper in Landlord's Super.
In: Digital Games Research Association (DiGRA) Australia, 16 January 2025, University of South Australia.
Brierley-Beare, Amy ORCID: https://orcid.org/0000-0003-0675-3268
(2024)
Romance as the “real challenge”?: The implications of absent dialogue icons in Baldur’s Gate 3.
In: DiGRA Australia, 2 February 2024, University of Melbourne.
Brierley-Beare, Amy ORCID: https://orcid.org/0000-0003-0675-3268
(2025)
Romance in the Digital Game.
Routledge
C
Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195
(2017)
The Sedimentation of the Social: Spiral Jetty and the Ruins of the Death Drive.
The Sculpture Journal, 26 (2).
pp. 193-216.
G
Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 and Hunt, Rachel
(2022)
Landscape.
In: Ballamingie, Patricia and Szanto, David, (eds.)
Showing Theory to Know Theory.
Ottowa, ON, Canada, Showing Theory Press, pp. 232-241
Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 and King, Liesl
(2022)
A geography beyond the Anthropocene: Ursula Le Guin’s Always Coming Home as topophilia for survival.
Cultural geographies.
H
Henty, Dylan ORCID: https://orcid.org/0009-0002-8853-5765
(2025)
Emergency Alert systems and affective historical sound in Analog Horror.
In: Haunted Soundscapes Symposium October 2025, 22 October 2025, York St John University.
Hudson Beare, Alexander and Brierley-Beare, Amy ORCID: https://orcid.org/0000-0003-0675-3268
(2023)
“You Know There’s No ‘It’ Right? ‘It’ Was Just Us” Magic as a Tool for Audience Empathy in <em>Yellowjackets</em>.
M/C Journal, 26 (5).
M
McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963
(2009)
“Funny Books” – Comics and Reader Response Theory.
In: Possibilities and Perspectives: A Conference on Comics.
McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963
(2024)
Guillermo del Toro's Multiple Masculinities: Review.
in Transition, 11 (2).
McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963
(2007)
The Host (Gwoemul).
The Irish Journal of Gothic and Horror Studies (3).
pp. 113-115.
McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963
(2016)
Interview with Guillermo del Toro.
In: Salvesen, Britt, Shedden, Jim and Welsh, Matthew, (eds.)
Guillermo del Toro: At Home with the Monsters.
1st ed.
London, Titan, pp. 29-40
McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963
(2018)
Memoir, Melancholia and Nostalgia.
In: ‘Twisting my Memory Man’ conference, York St John University, 9 Jun 2018, York St John.
(Unpublished)
McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963
(2017)
The Past is Never Dead: Monsters as Nostalgia Vehicles.
In: Fear 2000 Conference Sheffield Hallam University, 7 July 2017, Sheffield.
McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 and Johnson, Wayne
(2019)
‘Something Like a Circus or a Sewer’
The thrill and threat of New York City in American culture.
In: Lovell, Jane and Hitchmough, Sam, (eds.)
Authenticity in North America Place, Tourism, Heritage, Culture and the Popular Imagination.
1st ed.
Contemporary Geographies of Leisure, Tourism and Mobility
.
London, Routledge, pp. 19-29
McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 and Johnson, Wayne
(2025)
The Spectral West: Supenature and the Gothic in the Western Film.
United Kingdom, Anthem Press
Mcdonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963
(2025)
Edited by Louis Bayman and K. J. Donnelly. Folk Horror on Film: Return of the British Repressed. Manchester: Manchester University Press, 2023. 264pp, hardcover. £90.00.
The Journal of Gods and Monsters, 5 (1).
pp. 65-67.
P
Peters, Gary (2016) Fragments Of/On Memory. Memory Connection, 2 (1).
S
Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500
(2021)
Historical Perspective of Gender Typed Participation in the Performing Arts in Sri Lanka During the Pre-Colonial, The Colonial Era, and the Post- Colonial Eras.
International Journal of Social Science And Human Research, 4 (5).
pp. 989-997.
Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500
(2021)
Performing arts & Ethnicity: Sinhalese and Tamil ethnicity
influences the performing arts and the artiste’s practice in SriLanka.
Technium Social Sciences Journal, 22 (1).
pp. 819-831.
Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500
(2021)
What influence do the Sri Lankan Folk theatre and Dance traditions have on Sri Lankan society?
Technium Social Sciences Journal, 18 (1).
pp. 697-711.
Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500
(2018)
The performing artistes in Sri Lanka: the contribution to ethno-religious cohesion through their shaping and challenging of socio-cultural norms.
Doctoral thesis, The University of Leeds.
Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043
(2019)
“I’m pissed off, and I’m angry, and we need your permission to kill someone”: Frustrated Masculinities in Charlie Brooker’s Dead Set (2008).
In: Gerrard, Steven, Holland, Samantha and Shail, Robert, (eds.)
Gender and Contemporary Horror in Television.
Emerald Studies in Popular Culture and Gender
.
Emerald, pp. 107-116
Straner, Katalin ORCID: https://orcid.org/0000-0002-5237-5758, Surman, Jan and Haslinger, Peter
(2014)
Nomadic concepts in the history of biology.
Studies in History and Philosophy of Biological and Biomedical Sciences, 48 (Part B).
pp. 127-129.
Stráner, Katalin ORCID: https://orcid.org/0000-0002-5237-5758
(2018)
Wissenschaft und Öffentlichkeit: Die Rezeption des Darwinismus in ungarischen Zeitschriften des 19. Jahrhunderts.
In:
Darwin in Zentraleuropa: Die wissenschaftliche, weltanschauliche und populäre Rezeption im 19. und frühen 20. Jahrhundert.
Ignaz-Lieben-Gesellschaft: Studien zu Wissenschaftsgeschichte
.
Lit Verlag, pp. 395-423
Stráner, Katalin ORCID: https://orcid.org/0000-0002-5237-5758
(2018)
The natural sciences and their public at the meetings of the Hungarian Association for the Advancement of Science in Budapest and beyond, 1841-1896.
In:
Urban Histories of Science: Making Knowledge in the City.
Routledge Studies in the History of Science, Technology, and Medicine
.
United States, Routledge, pp. 59-79
Surman, Jan, Straner, Katalin ORCID: https://orcid.org/0000-0002-5237-5758 and Haslinger, Peter
(2014)
Nomadic concepts: Biological concepts and their careers beyond biology.
Contributions to the History of Concepts, 9 (2).
pp. 1-17.
Surman, Jan, Straner, Katalin ORCID: https://orcid.org/0000-0002-5237-5758 and Haslinger, Peter
(2014)
Special Section - Nomadic concepts for the study of biology.
Elsevier.
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