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Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) The Sedimentation of the Social: Spiral Jetty and the Ruins of the Death Drive. The Sculpture Journal, 26 (2). pp. 193-216.

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Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 and Hunt, Rachel (2022) Landscape. In: Ballamingie, Patricia and Szanto, David, (eds.) Showing Theory to Know Theory. Ottowa, ON, Canada, Showing Theory Press, pp. 232-241

Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 and King, Liesl (2022) A geography beyond the Anthropocene: Ursula Le Guin’s Always Coming Home as topophilia for survival. Cultural geographies.

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McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2009) “Funny Books” – Comics and Reader Response Theory. In: Possibilities and Perspectives: A Conference on Comics.

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2024) Guillermo del Toro's Multiple Masculinities: Review. in Transition, 11 (2).

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2007) The Host (Gwoemul). The Irish Journal of Gothic and Horror Studies (3). pp. 113-115.

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2016) Interview with Guillermo del Toro. In: Salvesen, Britt, Shedden, Jim and Welsh, Matthew, (eds.) Guillermo del Toro: At Home with the Monsters. 1st ed. London, Titan, pp. 29-40

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2018) Memoir, Melancholia and Nostalgia. In: ‘Twisting my Memory Man’ conference, York St John University, 9 Jun 2018, York St John. (Unpublished)

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2017) The Past is Never Dead: Monsters as Nostalgia Vehicles. In: Fear 2000 Conference Sheffield Hallam University, 7 July 2017, Sheffield.

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 and Johnson, Wayne (2019) ‘Something Like a Circus or a Sewer’ The thrill and threat of New York City in American culture. In: Lovell, Jane and Hitchmough, Sam, (eds.) Authenticity in North America Place, Tourism, Heritage, Culture and the Popular Imagination. 1st ed. Contemporary Geographies of Leisure, Tourism and Mobility . London, Routledge, pp. 19-29

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Peters, Gary (2016) Fragments Of/On Memory. Memory Connection, 2 (1).

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Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2021) Historical Perspective of Gender Typed Participation in the Performing Arts in Sri Lanka During the Pre-Colonial, The Colonial Era, and the Post- Colonial Eras. International Journal of Social Science And Human Research, 4 (5). pp. 989-997.

Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2021) Performing arts & Ethnicity: Sinhalese and Tamil ethnicity influences the performing arts and the artiste’s practice in SriLanka. Technium Social Sciences Journal, 22 (1). pp. 819-831.

Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2021) What influence do the Sri Lankan Folk theatre and Dance traditions have on Sri Lankan society? Technium Social Sciences Journal, 18 (1). pp. 697-711.

Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2018) The performing artistes in Sri Lanka: the contribution to ethno-religious cohesion through their shaping and challenging of socio-cultural norms. Doctoral thesis, The University of Leeds.

Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043 (2019) “I’m pissed off, and I’m angry, and we need your permission to kill someone”: Frustrated Masculinities in Charlie Brooker’s Dead Set (2008). In: Gerrard, Steven, Holland, Samantha and Shail, Robert, (eds.) Gender and Contemporary Horror in Television. Emerald Studies in Popular Culture and Gender . Emerald, pp. 107-116