Article

Baumgartner, Adi ORCID: https://orcid.org/0000-0001-7042-0308, Sampol-Lopez, M, Cemeli, E, Schmid, Thomas E, Evans, AA, Donahue, Randolph E and Anderson, Diana (2012) Genotoxicity assessment of birch-bark tar - a most versatile prehistoric adhesive. Advances in Anthropology, 2 (02). p. 49.

Bryning, Emily, Kendall, Charlie, Leyland, Megan, Mitman, Tyson ORCID: https://orcid.org/0000-0003-4093-8485 and Schofield, John (2022) Fame and recognition in historic and contemporary graffiti: examples from New York City (US), Richmond Castle and Bristol (UK). World Archeology, 53 (3). pp. 435-450.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) The Sedimentation of the Social: Spiral Jetty and the Ruins of the Death Drive. The Sculpture Journal, 26 (2). pp. 193-216.

Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 and King, Liesl (2022) A geography beyond the Anthropocene: Ursula Le Guin’s Always Coming Home as topophilia for survival. Cultural geographies.

Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 and Symons, Kate (2020) The Geographies of extinction: Exploring the spatio-temporal relations of species death. Environmental Humanities, 12 (1). pp. 296-320.

Mitman, Tyson ORCID: https://orcid.org/0000-0003-4093-8485 (2019) DEAD GRAFFITI WRITERS NEVER DIE, THEY JUST FADE AWAY: MEMORIALISING AND REMEMBERING GRAFFITI WRITERS. Nuart Journal, 2 (1). pp. 32-39.

Moreh, Chris ORCID: https://orcid.org/0000-0002-7739-1455 (2016) Inhabiting Heritage: Living with the Past in the Albayzín of Granada. Open Library of Humanities, 2 (1). pp. 1-33.

Moreh, Chris ORCID: https://orcid.org/0000-0002-7739-1455 (2014) Prestige and Status in the Migration Process: The Case of Social Differentiation in a Romanian ‘Community’ in Spain. Journal of Ethnic and Migration Studies, 40 (11). pp. 1758-1778.

Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2021) Historical Perspective of Gender Typed Participation in the Performing Arts in Sri Lanka During the Pre-Colonial, The Colonial Era, and the Post- Colonial Eras. International Journal of Social Science And Human Research, 4 (5). pp. 989-997.

Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2021) Performing arts & Ethnicity: Sinhalese and Tamil ethnicity influences the performing arts and the artiste’s practice in SriLanka. Technium Social Sciences Journal, 22 (1). pp. 819-831.

Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2021) What influence do the Sri Lankan Folk theatre and Dance traditions have on Sri Lankan society? Technium Social Sciences Journal, 18 (1). pp. 697-711.

Book Section

Mitman, Tyson ORCID: https://orcid.org/0000-0003-4093-8485 (2015) Advertised Defiance: How New York City Graffiti went from “Getting Up” to “Getting Over”. In: Lovata, Troy R. and Olton, Elizabeth, (eds.) Understanding Graffiti. Multidisciplinary Studies from Prehistory to the Present . Left Coast Press, pp. 195-206

Conference or Workshop Item

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2018) ‘Formless, Bataille and the re-materialisation of the social’. In: Art, Materiality and Representation, 1-3 June 2018, British Museum/SOAS, London. (Unpublished)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) ‘The Sedimentation of the Social: Smithson’s Egypt and the ruins of the death drive’. In: Society for Literature, Science and the Arts European Annual Conference, 20-24 June 2017, Basel.

Book

Mitman, Tyson ORCID: https://orcid.org/0000-0003-4093-8485 and Shumar, Wesley (2023) Producing and Consuming the Craft Beer Movement. Taylor and Francis

Moreh, Chris ORCID: https://orcid.org/0000-0002-7739-1455 (2014) Alcalái Románok. Migráció és társadalmi differenciálódás [Romanians of Alcalá. Migration and Social Differentiation]. Budapest, Hungary, L'Harmattan

Other

Mitman, Tyson ORCID: https://orcid.org/0000-0003-4093-8485 (2023) Desmascarando Banksy - o artista de rua não seria um homem, mas um coletivo de pessoas. The Converstion.

Mitman, Tyson ORCID: https://orcid.org/0000-0003-4093-8485 (2023) Unmasking Banksy – the street artist is not one man but a whole brand of people. The Converstion.