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Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2019) Grace Jones: Cyborg Memoirist. In: Mann, Fraser, Pleasance, Helen and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, (eds.) Music, Memory, and Memoir. London, Bloomsbury, pp. 65-80

Brence, Sintija (2022) 1990s US Pacific Northwest: Sociomusicology and Politics. Masters thesis, York St John University.

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Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2016) The Aesthetics of the Arena: Live and Recorded. In: The Arena Concert: Music, Media and Mass Entertainment. Bloomsbury, pp. 193-216

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2022) Chatting With Jarvis - Venue Stories and Music Memoir. In: IASPM Conference, 26-28th May 2022, University of Michigan. (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2023) Chatting with Jarvis. In: Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen, (eds.) Venue Stories From Backroom to Rave Room, from the Toilet Circuit to the Town Hall. Equinox, pp. 40-50

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2016) Creativity, Practice and Praxis. In: IASPM Conference, BIMM Brighton.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2017) Hiatus: Music, Memory and Liminal Authenticity. In: Storying the Self, Brighton University.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2021) Venue Stories: music venues as creative, transformative territories. In: Bodies Territories Touch 8th International Conference of Autoethnography, 18-20th July 2021, Online. (Submitted)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2018) Music, Memory and Memoir – an emerging genre. In: Subculture Network, University of Reading.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2023) Venue Stories From Backroom to Rave Room, from the Toilet Circuit to the Town Hall. Equinox

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Shelton, Julia (2016) Rocking around Watford: Trying to find what I was looking for. In: The Arena Concert: Music, Media and Mass Entertainment. Bloomsbury, pp. 181-192

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Halligan, Benjamin, Fairclough-Issacs, Kirsty, Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Spelman, Nicola (2015) The Arena Concert: Music, Media and Mass Entertainment. New York, Bloomsbury

Higgins, Lee (2015) Hospitable Music Making Community Music as a Site for Social Justice. In: The Oxford Handbook of Social Justice and Music Education. New York, Oxford University Press, pp. 446-455

Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 (2014) Dreams, Gardens, Mirrors: Layers of Narrative in Takemitsu’s Quotation of Dream. Contemporary Music Review, 33 (4). pp. 428-446.

Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 (2016) Review of Judy Lochhead, Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis (New York and London: Routledge, 2016). Tempo, 70 (208). pp. 104-106.

Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 (2017) Review of Transformations of Musical Modernism, edited by Erling E. Guldbrandsen and Julian Johnson (Cambridge: Cambridge University Press, 2015). Tempo, 71 (279). pp. 101-103.

Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 (2021) ‘Strange and dead the ghosts appear’: Mythic absence in Hölderlin, Adorno and Kurtág. In: Kostka, Violetta, de Castro, Paulo F. and Everett, William A., (eds.) Intertextuality in Music since 1900. Routledge, pp. 185-201

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Jagger, Sharon ORCID: https://orcid.org/0000-0002-3012-4755 and Turner, Helen (2020) The Female Music Producer and the Leveraging of Difference. In: Gender in Music Production. 1 ed. Routledge, pp. 251-267

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Mann, Fraser (2023) Finding the Dirt: Nesh at Electrowerkz. In: Pleasance, Helen, Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Mann, Fraser, (eds.) Venue Stories: Narratives, Memories and Histories from Britian's Independent Music Spaces. Sheffield, Equinox

Mann, Fraser (2019) Portrait of the Artists as an Indie Star: Kristin Hersh and the memoir of process. In: Mann, Fraser, Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Pleasance, Helen, (eds.) Music, Memory and Memoir. London, Bloomsbury Academic, pp. 39-51

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Reese, Sam ORCID: https://orcid.org/0000-0003-0023-3333 (2024) The Notebooks of Sonny Rollins. New York, NYRB