This ongoing project is motivated by the intersecting subjects of coastal architecture, topography and the changing climate. The process of walking provides the impulse for making images and traversing coastal paths, sparsely populated seafronts, exploring borders, boundaries and domestic architecture on the edge of land.

In my practice, walking is an instrument of contemplation, establishing conditions through the rhythms that mediate between departure and arrival. As Rebecca Solnit once remarked 'The rhythm of walking generates a kind of rhythm of thinking and the passage through a landscape echoes or stimulates the passage through a series of thoughts’ (2000 pp.5-6)