Dr Steven Rawle

• Associate Professor
• School of Performance & Media Production

Link to Public Profile

Article

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2023) Learning from kaijū fans: genrifying, cultural value, and the ethics of citing fan-scholarship. Journal of Fandom Studies, 11 (3). pp. 99-116.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2023) ‘Every Kaiju Movie ever made’: fan collecting and curation of the kaijū film. Frames Cinema Journal (21).

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2011) Transnational, Transgeneric, Transgressive: Tracing Miike Takashi’s Yakuza Cyborgs to Sukiyaki Westerns. Asian Cinema, 22 (1). pp. 83-98.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2009) From The Black Society to The Isle: Miike Takashi and Kim Ki-Duk at the intersection of Asia Extreme. Journal of Japanese & Korean Cinema, 1 (2). pp. 167-184.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2009) Hal Hartley and the Re-Presentation of Repetition. Film Criticism, 34 (1). pp. 58-75.

Book Section

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2022) The Silent (Film) Woman: Sweet and Lowdown’s mute muse. In: Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175, (ed.) Women in the Films of Woody Allen. Amsterdam, Amsterdam University Press

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2021) Globalizing Legendary Entertainment: Transnational Finance meets Transculturality. In: Baloğlu, Uğur and Birincioğlu, Yıldız Derya, (eds.) Transcultural Images in Hollywood Cinema: Debates on Migration, Identity, and Finance. Lexington, pp. 9-32

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2021) How Godzilla vs. Kong Memes Turned Titans into Pandemic Superheroes. In: Fong, Elise and Paul, Booth, (eds.) A Celebration of Superheroes. De Paul Popular Culture Conference, pp. 280-302

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2018) ‘Ōru kaijū dai shingeki (All monsters attack!): The regional and transnational exploitation of the kaijū eiga’. In: Provencher, Ken and Dillon, Mike, (eds.) Exploiting East Asian cinemas. Global exploitation cinemas . London, Bloomsbury, pp. 32-56

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2016) How Could You Possibly be a Hitchcocko-Herrmannian?: Digitally Re-narrativizing Collaborative Authorship. In: Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Donnelly, Kevin J., (eds.) Partners in Suspense: Critical Essays on Bernard Herrmann and Alfred Hitchcock. Manchester, Manchester University Press, pp. 197-210

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2016) The locality of Hal Hartley: the aesthetics and business of smallness. In: Rybin, Steve, (ed.) The Cinema of Hal Hartley: flirting with formalism. New York, Wallflower Press, pp. 60-76

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2015) Waitress (2007): Tragedy and Authorship in an Indie ‘Meta-movie'. In: Perkins, Claire and Verevis, Constantine, (eds.) U.S Independent Filmmaking After 1989: Possible Films. Edinburgh, Edinburgh University Press, pp. 177-186

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2013) The Ultimate Super-Happy-Zombie-Romance-Murder-Mystery-Family-Comedy-Karaoke-Disaster-Movie-Part-Animated-Remake-All-Singing-All-Dancing-Musical-Spectacular-Extravaganza: Miike Takashi’s The Happiness of the Katakuris as “cult” hybrid”. In: Hunt, Leon, Lockyer, Sharon and Williamson, Milly, (eds.) Screening the Undead: Vampires and Zombies in Film and Television. London, IB Tauris, pp. 208-232

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2012) Hal Hartley’s “Look-out-Martin-Donovan’s-in the-house! shot”: The transformative cult indie star-director relationship and performance “idiolect”. In: Egan, Kate and Thomas, Sarah, (eds.) Cult Film Stardom: Offbeat Attractions and Processes of Cultification. Palgrave MacMillan, pp. 126-143

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2012) Reconstructing the Past: Visual Virtuality in Eternal Sunshine of the Spotless Mind. In: Sinha, Amresh and McSweeney, Terence, (eds.) Millennial Cinema: Memory in Global Film. Columbia University Press, pp. 37-54

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2010) Real-imagining terror in Battlestar Galactica: negotiating real and fantasy in BSG’s political metaphor. In: Kaveney, Roz and Stoy, Jennifer, (eds.) Battlestar Galactica: investigating flesh, spirit and steel (Investigating Cult TV Series). I B Taurus, pp. 129-154

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2010) Video killed the movie: cultural translation in Ringu and The Ring. In: Lacefield, Kristen, (ed.) The scary screen: media anxiety in the Ring. Ashgate, pp. 97-114

Monograph

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2023) The Workforce Gap in North Yorkshire Screen Industries: Perceptions of Skills and Inclusion Gaps Amongst Screen Industry Workers. Project Report. York St John University. (Unpublished)

Book

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2022) Transnational Kaiju: Globalisation, Exploitation and Cult Monster Movies. Edinburgh University Press

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2018) Transnational Cinema : an introduction. Palgrave MacMillan

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Donnelly, K. J., eds. (2016) Partners in Suspense: Critical Essays on Bernard Herrmann and Alfred Hitchcock. Manchester, Manchester University Press

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Marland, John and Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2015) The Language of Film. 2nd ed. Basics filmmaking . London, Bloomsbury

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2011) Performance in the cinema of Hal Hartley. Cambria Press

Other

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2019) Sam Mendes’ 1917 – and five other films that really are continuous single takes. The Conversation.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2019) "The biggest star in the world": re-animating the king in Godzilla: King of the Monsters (2019). Fantasy/Animation.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2018) Hollywood’s mega-monsters head back east. The Conversation.