Dr Helen Pleasance

• Senior Lecturer : Creative Writing
• School of Humanities, Religion & Philosophy

Link to Public Profile

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2023) Venue Stories From Backroom to Rave Room, from the Toilet Circuit to the Town Hall. Equinox

Pleasance, Hele (2023) Virginia Woolf would have loved The Great British Sewing Bee – as three of her novels prove. The Conversation.

Hurley, Ursula and Pleasance, Helen, eds. (2019) Purple Reign. First ed. Liverpool, UK, Erbacce-press

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2019) Music, Memory and Memoir. London, Bloomsbury

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2019) Music, Memory and Memoir: Critical and creative engagement with an emerging genre. Journal of Writing in Creative Practice, 12 (1-2). pp. 181-199.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2018) Music, Memory and Memoir – an emerging genre. In: Subculture Network, University of Reading.

Pleasance, Helen (2015) Ghosts of the real: the spectral memoir. In: Tansley, Laura and Maftei, Micaela, (eds.) Writing creative non-fiction: determining the form. Canterbury, Gylphi, pp. 71-88

Pleasance, Helen (2013) The essential subject? The very documented life of Myra Hindley. In: Stanley, Liz, (ed.) Documents of life revisited : narrative and biographical methodology for a 21st century critical humanism. Ashgate, pp. 45-58

Pleasance, Helen (2011) Lost Children, the Moors & Evil Monsters: the photographic story of the Moors murders. Image & Narrative, 12 (4). pp. 18-38.