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Dr Robert Wilsmore

  • Head of School
  • School of Performance and Media
Group by: Item Type | No Grouping
Number of items: 11.

Article

Wilsmore, Robert (2010) Intermezzo No.1: ‘The time between the notes’ (the ‘Yes’ of consonancein absentia). Parallax, 16 (3). pp. 28-31.

Wilsmore, Robert (2010) The demonic and the divine: unfixing replication in the phenomenology of sampling. Journal of Music, Technology and Education, 3 (1). pp. 5-16.

Wilsmore, Robert (2009) The Last Performance [dot org]: an impossible collaboration. Journal of writing in creative practice, 2 (1). pp. 15-25.

Wilsmore, Robert (2002) Techno, trance and the modern chamber choir: intellectual game or music to groove to? Leonardo music journal, 12. pp. 61-63.

Book Section

Wilsmore, Robert (2018) Coproduction: Towards a Typology of Collaborative Practice in Music Production. In: Hepworth-Sawyer, Russ and Hodgson, Jay, (eds.) Production: Perspectives on Music Production. 1 ed. Routledge (In Press)

Wilsmore, Robert (2018) The Pink Floyd Intensity: Humanity, aesthetics and the breathless fan. In: Hart, C., Gregory, G. and Morrison, S., (eds.) Pink Floyd. A Multi-disciplinary Understanding of a Global Music Brand. London and New York, Routledge (In Press)

Wilsmore, Robert and Johnson, Christopher (2017) The mix is. The mix is not. In: Hepworth-Sawyer, Russ and Hodgson, Jay, (eds.) Mixing music. New York, Routledge, pp. 188-198

Wilsmore, Robert and Piasecki, Simon (2011) Authentic replicants: brothers between decades between Kraftwerk(s). In: Albiez, S. and Pattie, D., (eds.) Kraftwerk: music non-stop. Continuum, pp. 80-96

Show/Exhibition

Wilsmore, Robert (2006) Building sounds: the architecture of the sonic and the solid. [Show/Exhibition]

Composition

Wilsmore, Robert (2004) Selection 44: The ancient art of Remixing: Exploration of the use of existing music in new compositions and developing new compositional techniques through practice and reflection. [Composition]

Performance

Wilsmore, Robert (2005) The music before the music: Exploring the liminal spaces in sound as music for dance installation and dance theatre: i) Threshold:Fleshfold; and ii) Myths and Stories about her. [Performance]

This list was generated on Wed Aug 21 08:13:39 2019 UTC.