Minors, Professor Helen Julia

• Head of School of the Arts
• School of Arts

Link to Public Profile

Hamer, Laura and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2024) Conductors and Impresarios: Conductors and Impresarios: An Introduction. In: Hamer, Laura and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, (eds.) The Routledge Companion to Women and Musical Leadership : The Nineteenth Century and Beyond. Routledge

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2024) From ‘Women’s Revolutions Per Minute’, Through ‘Taking Race Live’ to Co-Founding ‘Equality, Diversity and Inclusion in Music Studies Network’: Supporting, Developing and Establishing Collaborative Networks for Change. In: Hamer, Laura Hamer and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, (eds.) The Routledge Companion to Women and Musical Leadership : The Nineteenth Century and Beyond. Routledge

Hamer, Laura and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2024) Performance and the Music Industries: An Introduction. In: Hamer, Laura and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, (eds.) The Routledge Companion to Women and Musical Leadership : The Nineteenth Century and Beyond. Routledge

Hamer, Laura and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, eds. (2024) The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge

Hamer, Laura and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2024) Women’s Practices in Music Education: An Introduction. In: Hamer, Laura and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, (eds.) The Routledge Companion to Women and Musical Leadership : The Nineteenth Century and Beyond. Routledge

Friend, Hilary and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2024) Women’s Revolutions Per Minute: Access to, Distribution, and Recognition of Music. In: Hamer, Laura and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, (eds.) The Routledge Companion to Women and Musical Leadership : The Nineteenth Century and Beyond. Routledge

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2024) 12. Employability Skills within an Inclusive Undergraduate and Postgraduate Performance Curriculum in the UK. In: Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, Östersjö, Stefan, Dalagna, Gilvano and Salgado Correia, Jorge Salgado, (eds.) Teaching Music Performance in Higher Education. Open Book Publishers, pp. 287-306

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 and Östersjö, Stefan ORCID: https://orcid.org/0000-0002-4704-5420 (2024) 13. Conclusion. In: Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, Östersjö, Stefan, Dalagna, Gilvano and Salgado Correia, Jorge, (eds.) Teaching Music Performance in Higher Education. Open Book Publishers, pp. 307-314

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2024) Introduction to Part III. In: Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, Östersjö, Stefan, Dalagna, Gilvano and Salgado Correia, Jorge, (eds.) Teaching Music Performance in Higher Education. Open Book Publishers, pp. 221-224

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, Stefan Östersjö, Stefan Östersjö, Gilvano Dalagna, Gilvano Dalagna and Jorge Salgado Correia, Jorge Salgado Correia, eds. (2024) Teaching Music Performance in Higher Education : Exploring the Potential of Artistic Research. Open Book Publishers

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, Östersjö, Stefan ORCID: https://orcid.org/0000-0002-4704-5420, Dalagna, Gilvano ORCID: https://orcid.org/0000-0001-9123-1733 and Salgado Correia, Jorge ORCID: https://orcid.org/0000-0002-2255-2063 (2024) Introduction. In: Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, Östersjö, Stefan, Dalagna, Gilvano and Salgado Correia, Jorge, (eds.) Teaching Music Performance in Higher Education. Open Book Publishers, pp. 1-8

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, ed. (2023) Music, Dance and Translation. Bloomsbury

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2023) Music-Dance Dialogues in Translation: creating La Parade in Paris (1917). In: Music, Dance and Translation. Bloomsbury

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2023) Club Inégales, Curation and Processes of Public Musicology. In: Dormey, Chris, (ed.) Routledge Companion to Applied Musicology. Routledge, pp. 98-107

Hamer, Laura and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2023) Introducing WMLON: The Women’s Musical Leadership Online Network. In: Nenic, Iva and Cimardi, Linda, (eds.) Women's Leadership in Music. Musik und Klangkultur (63). De Gruyter, pp. 141-152

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2023) Eurovision 2023: voting changes show the contest has always been political. The Conversation.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2022) Music Speaks: the role of emotional expression in music for sci-fantasy films. In: Petrilli, Susan and Ji, Meng, (eds.) Intersemiotic Perspectives on Emotions Translating across Signs, Bodies and Values. Routledge

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2021) Music and Multimodal Translation. In: Martín de León, Celia and Gisela Marcelo Wirnitzer, Gisela Marcelo Wirnitzer, (eds.) En más de un sentido : Multimodalidad y construcción e interpretatión. Collection Tibón (3). Las Palmas de Gran Canaria, Universidad de Las Palmas de Gran Canaria, pp. 165-184

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2020) Opera and Intercultural Musicology as a mode of Translation. In: Serban, Adriana and Chan, Kelly Kar Yue, (eds.) Opera and translation : unity and diversity. Benjamins Translation Library (153). Amsterdam, Netherlands, John Benjamins, pp. 13-33

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2020) Introduction: Defining the Territory: Interrogating the Collaborative Processes, Issues and Concepts. In: Blain, Martin and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, (eds.) Artistic research in performance through collaboration. Springer, pp. 3-10

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2020) The Place of Artistic Research in Higher Education. In: Blain, Martin and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, (eds.) Artistic research in performance through collaboration. Palgrave MacMillan, pp. 11-36

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2020) ‘BTS: translating music and intercultural dialogue’. In: BTS: A global conference project, 4-5th January 2020, Kingston University. (Unpublished)

Blain, Martin and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, eds. (2020) Artistic Research in Performance through Collaboration. Springer

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2019) Le Tombeau de Ronsard, La Revue musicale (1924): memory and historical interplay. In: Mawer, Deborah, (ed.) Historical Interplay in French Music and Culture, 1860-1960. Routledge

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2019) Translations between Music and Dance: Analysing the choreomusical gestural interplay in Twentieth and twenty-first century dance works. In: https://www.routledge.com/Translation-and-Multimodality-Beyond-Words/Boria-Carreres-Noriega-Sanchez-Tomalin/p/book/9781138324435. Routledge, pp. 158-178

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2019) ‘Translating Intercultural Intersections through Music: movements between Text, Music and Animation in The Sorcerer’s Apprentice’. In: International Conference on ‘Musical Intersections in Practice’ (MIP2019), 25-26th October 2019, University of Cambridge. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2019) Soundpainting: a Tool for Collaborating during Performance. In: Blain, Martin and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, (eds.) Artitsic research in performance through collaboration. Palgrave MacMillan, pp. 113-138

Sharma, Sonya, Catalano, Elena, Seetzen, Heidi, Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 and Collins-Mayo, Sylvia (2019) Taking Race Live: Exploring experiences of race through interdisciplinary collaboration in higher education. London Review of Education, 17 (2). pp. 193-205.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2019) ‘Performing (Musical) Great Expectations: the reality of higher music education in the neo-liberal global context’. In: Performance Studies in Higher Music Education, 11-13th April 2019, Lulea, Sweden. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 and Watson, Laura, eds. (2019) Paul Dukas: Legacies of a French Musician. Routledge

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2019) Panel lead, Improvisation and Performance, with Jenni Roditi and The Improvisers Choir, International Women in/and Musical Leadership Conference, Senate House London 8th March. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2019) Panel lead, Diversity and Performance, with Ensemble Inégales and Peter Wiegold, International Women in/and Musical Leadership Conference, Senate House London 7th March 2019. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2019) ‘Soundpainting and the female presence’. In: International Women in/and Musical Leadership Conference, 7-9th March, Senate House London. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 and Watson, Laura (2019) ‘Introducing Dukas’s Legacy’. In: Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 and Watson, Laura, (eds.) Paul Dukas: Legacies of a French Musician. Taylor & Francis

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2019) Le Tombeau in La Revue musicale’. In: Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 and Watson, Laura, (eds.) Paul Dukas: Legacies of a French Musician. Taylor & Francis, pp. 86-109

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2019) Women’s Voices at Club Inégales, curated and presented a series of 4 pore concert panel sessions with Layale Chaker 2 May, Rebecca Saunders performed by BCMG 16 May, Gazelle Twin 30 May, and Jasmin Kent Rodgman 13 June. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2018) ‘Mickey Mouse: from Goethe, to French music, to American animation’. In: 4th International Conference on Itineraries in Translation History, 13-15 December 2018, Tartu, Estonia. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2018) ‘Panel with Bruno Faria: Soundpainting: The Education of Professional Musicians’. In: Royal Musical Association Annual Conference, 13-15th September 2018, University of Bristol. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2018) ‘Translations between Music and Dance: Analysing the choreomusical gestural interplay in Twentieth and twenty-first century dance works’. In: Beyond Words: Multimodal Encounters in Translation, 5-6th July 2018, The University of Cambridge. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2018) ‘Taking Race Live: an inclusive curriculum’. In: Music Research Seminar Series, Middlesex University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2017) ‘If Hope were to Write to Music’, Hoping, Kingston Writers’ Centre, Minima Yacht Club, 7th December. In: Hoping, Kingston Writers’ Centre, 7th December 2017, Minima Yacht Club. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, Burnard, Pamela, Wiffen, Charles, Shihabi, Zaina and van der Walt, J. Simon (2017) Mapping trends and framing issues in higher music education: Changing minds/changing practices. London Review of Education, 15 (3). pp. 457-473.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2017) ‘Taking race live: liveness and inclusion in higher music education’. In: 7th Annual Conference of the Society for Music Education in Ireland, 10-11 November 2017, Dundalk, Ireland.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2017) Improvisation and an Inclusive HE Music Curriculum. In: Taking Race Live, November 2017, UCL. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2017) ‘Improvisation and an Inclusive HE Music Curriculum: “Taking Race Live”’. In: 54th Royal Musical Association Annual Conference, 7-9 September 2017, Liverpool University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2017) ‘Taking Race Live’. In: Student Partners, UNESCO event, June 2017, Kingston University, UK. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2017) ‘Snakes and Ladders: NAMHE’s view on the TEF landscape’. In: NAMHE Annual Conference, 2 May 2017, Faculty of Education, The University of Cambridge. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2017) ‘Researching, Constructing and Applying an Inclusive HE Music Curriculum: sharing the processes, practices and findings of the project, “Taking Race Live”. In: 10th International Research in Music Education Conference, 24-27 April 2017, Bath Spa University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2017) ‘Practice Research Action Group’, discussion lead, Joint Conference of the subject associations, SCUDD, NAMHE, DANCEHE, The University of Huddersfield, April. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2017) ‘Dance and Music: relating score and choreography’. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2017) ‘Lost and Found in Translation: intercultural music research’. In: Canterbury Christ Church University Research Seminar series, January 2017, Canterbury Christ Church University. (Unpublished)

Burnard, Pamela, Ross, Valerie, Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, Powell, Kimberly, Dragovic, Tatjana and Mackinlay, Elizabeth (2017) Building Intercultural and Interdisciplinary Bridges: Where Theory Meets Research and Practice. Cambridge, BIBACC

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2017) ‘Intercultural Arts Practice explored in “Pictures at our Exhibition” (2016)’. In: Pamela Burnard, Pamela Burnard, Valerie Ross, Valerie Ross, Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, Kimberley Powell, Kimberley Powell, Tatjana Dragovic, Tatjana Dragovic and Elizabeth Mackinley, Elizabeth Mackinley, (eds.) Building Intercultural and Interdisciplinary Bridges: Where Theory Meets Research and Practice. Bibacc Publishing

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) Panel: ‘Advocacy and Policy: National Association for Music in Higher Education’, with Pamela Burnard Charles Wiffen and Zaina Shihabi,. In: International Society for Music Education, July 2016, Glasgow. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) Redefining intercultural musicology as a mode of artistic and cultural translation: reassessing the National Gallery’s soundscapes exhibition (2015), with critical comparison to 'Pictures at Our Exhibition', Aldworth Philharmonic Orchestra (2016). In: Building Interdisciplinary Bridges Across Cultures (BIBAC2016), 30 July - 1 August 2016, Cambridge.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Taking Race Live: Interdisciplinary Challenges and Opportunities’. In: Higher Education Race Action Group Think Tank, 20 June 2016, London, UK. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Lost and Found in Translation’, Club Inégales, in conversation with composer Michael Finnisey, London, June. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Redefining Intercultural musicology as a mode of artistic and cultural translation: reassessing the National Gallery’s Soundscape exhibition (2015)’. In: Annual general meeting of Aldworth Philharmonic Orchestra, September 2016, Reading, UK. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Mediating Cultures and Musics: an intercultural production of A Midsummer Night’s Dream’. In: Burnard, Pamela, MacKinley, Elizabeth and Powell, Kimberly, (eds.) The Routledge international handbook of intercultural arts research. Routledge international handbooks . Abingdon, U.K., Routledge, pp. 417-430

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) Keynote Panel, Panel contribution: ‘Succeeding in Music in HE, RMA Research Students Conference’, January 2016. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2015) ‘Paul Dukas’s Modern Aesthetic Revealed in Funereal Mode: Le Tombeau in La Revue musicale’. In: Royal Musical Association Annual Conference, 9-11 September 2015, University of Birmingham, UK. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2015) ‘Dukas @ 150 : philosopher and comparative artist’. In: Dukas2015 Conference, 5-6 July 2015, National University of Ireland, Maynooth. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2015) ‘Paul Dukas’s Modern Aesthetic Revealed in Funereal Mode: Le Tombeau in La Revue musicale’. In: Historical Interplay in French Music, 4 July 2015, Birmingham Conservatoire. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2015) ‘The Value and Range of Music and Creative Practice in UK HEIs’. In: Symposium on Music in Higher Education in Ireland: Challenges, Possibilities and Future Directions, 1 April 2015, Trinity College, Dublin, Ireland,. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2015) ‘What is Soundpainting: composing in the moment’, Bath Spa University, 8 January. In: Research Forum, Centre for Musical Research and Performance Research Centre, 8 January 2015, Bath Spa University, Bath, UK. (Unpublished)

Newmark, Pater and Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2014) ‘Art Song in Translation’, co-written with Peter Newmark. In: Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, (ed.) Music, Text and Translation. Bloomsbury Advances in Translation . Bloomsbury, pp. 59-68

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2014) ‘How can music deliver the story of A Midsummer Night’s Dream?’. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2014) ‘Fusing Words and Music: A Midsummer Night’s Dreams’. In: Music Research Seminar Series, 24 February 2014, Kingston University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2014) ‘Paul Dukas’ Appropriation of Mæterlinck’s Text: Surveying a progress of musical translation in Ariane et Barbe-Bleue (1907)’. In: Improvisation and Digital Arts Festival, 20 February 2014, Kingston University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘Soundpainting: the use of space in creating music-dance pieces’. In: Wyers, Marilyn and Glieca, Osvaldo Lorenzo, (eds.) Sound music and the Moving-Thinking Body. Cambridge Scholars Publishing, pp. 27-34

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘Fusing Words and Music: the case of a new production of A Midsummer Night’s Dreams’. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘Experiencing inter-art dialogue in Erik Satie’s Sports et divertissements (1914/ 1922)’. In: Potter, Caroline, (ed.) Erik Satie: music, art and literature. Farnham, U.K., Ashgate, pp. 115-135

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘Music in motion: proposing a gestural and spatial analysis of music-dance works’. In: RMA Annual Conference, 19th September 2013, Senate House, London. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘Exploring interart dialogue in Erik Satie’s Sports et divertissements (1914/1922)’ Panel Session. In: Leisure and Pleasure during Les Années folles ‘Biennial International Conference on Music Since 1900, 12–15 September 2013, Liverpool Hope University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘Reputation and Remembrance: the tombeau supplement, La Revue musicale’, 8th Biennial International Conference on Music Since 1900, Liverpool Hope University 12–15 September. In: 8th Biennial International Conference on Music Since 1900, 12–15 September 2013, Liverpool Hope University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘Translating Music, Translating Sense: interpreting meaning in multimodal works’. In: ‘Multimodalities: Aesthetic Dimensions in Music and Education Practices’, 18-21 June 2013, Volda University College in Western Norway. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘The PhD presentation medium must correlate to the needs of the research – reflecting on supervising practice research doctorates’. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘Making the most of your creative practice: practice-led research, research-led practice and gaining higher degrees’. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘Exploring interart cultural dialogue in Erik Satie’s Sports et divertissements (1914/1922)’. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘How Performance Thinks’. Practice Research Unit, Kingston University and Performance and Philosophy Working Group, PSi.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2013) ‘Soundpainting: Navigating Creativity’. Choreologica, European Association of Dance Historians, 6 (1). pp. 79-90.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2012) ‘Erik Satie: Music translating images’. In: Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030, (ed.) Music, Text and Translation. Bloomsbury Advances in Translation . Bloomsbury, pp. 107-120

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2012) ‘Introduction: Translation in Music Discourse’. In: Music, Text and Translation. Bloomsbury

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2012) Music, Text and Translation London: Bloomsbury. Bloomsbury Advances in Translation Studies . Bloomsbury

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2012) ‘Soundpainting: navigating the creative space within and between dance and music.’. In: En cadence, s'il vous plait! A two-day conference on the relationship(s) between theatre dance and music, 9-10 November 2012, European Dance History Scholars, Paris, France. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2012) Music and Movement in Dialogue: Exploring Gesture in Soundpainting. Les Cahiers de la Société québécoise de recherche en musique, 13 (1-2). pp. 87-96.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2012) ‘Soundpainting: choreographing and composing in the moment’. In: Composer/Choreographer/Performer Collaboration Conference of Contemporary Music and Dance: Sound, Music and the Moving-Thinking Body, 19 April 2012, Institute for Musical Research, University of London. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2012) ‘In Collaboration: toward a gestural analysis of music and dance’. In: Schroedter, Stephanie, (ed.) Bewegungen zwischen Horen und Sehen: Denkbewegungen uber Bewegungskunste. Konigshausen & Neumann, pp. 163-180

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2012) ‘Paul Dukas et Claude Debussy: Identité dans l'opéra français’. In: Terrien, Pascal, Terrien, Pascal, (ed.) La musique francaise : esthetique et identite en mutation 1892-1992. Collection Pensee Musicale . Paris, France, Editions Delateur, pp. 227-240

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2012) ‘Practice-Based and Practice-Led Doctorates: Supervision and Success’ Bath Spa University, UK Council for Graduate Education Newsletter. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2012) ‘The end of literacy?’. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2011) ‘Gesturing across the divide: unities and disunities in music-dance pieces. In: Moving Music / Sounding Dance: Intersections, Disconnections, and Alignments between Dance and Music. The Annual Conference of the Congress on Research in Dance and the Society for Ethnomusicology, 17–20 November 2011, Philadelphia USA. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2011) ‘Cultural and Religious Contexts behind the Deliberately Ambiguous Mythological, Religious (and arguably Feminist) Sources of Paul Dukas’s La Péri (1911/1912) and Ariane et Barbe-Bleue (1907)’. In: France the Lewd, France the Prude", Lyrica Society's 5th annual Dialogues, 8 April 2011. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2011) ‘Improvisation, Guided Improvisation or Real-time Composition: a workshop in Soundpainting'. In: The Improvised Space: Techniques, Traditions and Technologies, 6 April 2011, Kingston University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2011) ‘A gestural analysis of music and dance through live composition’. In: Moving Dialogues Conference, February 2011, University of Montreal, McGill University, Société de recherché en musique, Concordia University and the Observatoire international de la création et des cultures musicales. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2011) ‘Paul Dukas’s Appropriation of Maeterlinck’s Text: Surveying a Primary Source of Ariane et Barbe-Bleue (1907)’. Ars Lyrica, 20. pp. 80-98.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2010) ‘Composers as Translators: intersemiotic transference, adaptation and interpretation’, Portsmouth Tenth International Translation Conference, 10 November 2010. In: Tenth International Translation Conference, 10 November 2010, Portsmouth. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2010) ‘Music Iconography Study Group, Open Session and AGM’, Courtauld Institute of Art, The Royal Musical Association, 26 July 2010, RMA Newsletter. RMA. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2010) ‘Dance History Scholars: Politics, Perspectives and Practices’, Society of Dance Research. London, Roehampton University

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2009) La Péri, poème dansé (1911–12): A Problematic Creative-Collaborative Journey. Dance Research, 27 (2). pp. 227-252.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2009) ‘Gesture as a tool for analysing music and dance’. In: Bewegungen zwischen Horen und Sehen: Musik, Tanz, Theater, Performance und Film, 19–21 November 2009, Bayreuth, Germany. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2009) ‘Paul Dukas’s critical response of Richard Wagner’, McGill University, Montréal, 9–11 November. Invited and Funded by Social Sciences and Humanities Research Council of Canada. Francophone Criticism Network; grant application led by Steven Huebner. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2009) ‘Gesture in and Between Music and Dance’. In: Centre for Interdisciplinary Music Research, 27th October 2009, Roehampton University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2009) ‘Erik Satie: responding to images’. In: Sixth Biennial Conference on Music Since 1900, 2-5 July 2009, Keele University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2009) ‘Erik Satie “fashion milieu”: Sports et divertissements (1914/1922)’, Nostalgia and Innovation in Twentieth-Century French Music. In: Symposium, Lancaster Institute for the Contemporary Arts, 8–9 May 2009, Lancaster University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 and Morris, Geraldine, eds. (2009) Conference Proceedings, ‘Dance Research Conference’ Society for Dance Research and the Centre for Interdisciplinary Music Research. Society for Dance Research

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2008) ‘In Collaboration: practical learning through gesture’. In: Dance, Timing and Musical Gesture, An International Conference, 13–15 June 2008, University of Edinburgh. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2008) ‘Paul Dukas and Claude Debussy: French Operatic Identity’, 1892–1992. In: Colloque Internationale Musique Française: Esthétique et identité en mutation, 29-30 April 2012, Université Catholique de l’ouest, Angers, Pays de la Loire, France. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2008) ‘Paul Dukas: A Collaborative–Creative Journey’. In: Dance Research Conference, 15 March 2008, Society for Dance Research in collaboration with the Centre for Interdisciplinary. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2008) ‘Paul Dukas and French Musical Identity’. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2007) Lecture–recital, presented original research and performed (trumpet), Invited by the dean of Southland’s College, ‘Stravinsky’s Histoire du soldat: The Concept of Voice’, Roehampton University, cond. Leslie Anne Lewis, 22–24 October 2007. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2007) Paul Dukas' La Peri as Interpreted by Two Balletic Collaborators. The Opera Quarterly, 22 (1). pp. 117-135.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2006) ‘Perpetual malleability: Paul Dukas’s La Péri (1911) — the phoenix’. In: Music Research Forum, 12 November 2006, University of Huddersfield. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2006) ‘Interdisciplinary Nineteenth Century Studies International Conference. Interdisciplinary Nineteenth–Century Studies (INCS), The Centre for Nineteenth– Century Music & St Chad's College, Durham University, UK 6–9 July 2006’, RMA Newsletter. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2006) ‘Paul Dukas’s Critical Writings: A Concept of Drama’. In: Interdisciplinary Nineteenth–Century Studies International Conference, 6-9 July 2006, University of Durham. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2006) ‘Paul Dukas’s Concept of Drama in Music’. In: RMA Research Students’ Conference, 5 January 2006, Leeds University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2005) ‘Paul Dukas’s La Péri as interpreted by two balletic collaborators’. In: Sound Moves International Conference on Music and Dance, 6 November 2005, Roehampton University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2005) ‘Paul Dukas’s La Péri as interpreted by two balletic collaborators’. In: Sound Moves International Conference on Music and Dance, 6 November 2005, Roehampton University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2005) ‘The Visual Dimension in Paul Dukas’s La Péri’. In: Musical Iconography, RMA Study Day, 30 July 2005, Sheffield University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2005) ‘“Music necessarily has to express something”: Paul Dukas’s approach to balletic orchestration’. In: RMA Research Students’ Conference, 30 March 2005, International Centre for Music Studies, University of Newcastle Upon Tyne. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2004) ‘I will destroy it”: Paul Dukas’s La Péri and variation form’. In: Symposium on Music in France 1830–1940, An International Conference, 17 July 2004, University of Melbourne, Victoria, Australia. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2004) ‘Active Listening in the Learning Process’. In: CiLTHE Conference, 1 July 2004, Lancaster University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2004) ‘Variation Form and an Exotic Ballet’. In: Departmental Research Seminar, 12 May 2004, Lancaster University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2004) ‘Reassessing Paul Dukas’s La Péri (1911)’. In: RMA Research Students’ Conference, 9 January 2004, Royal Holloway University of London. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (0207) ‘The Criticisms of Paul Dukas (1865–1935): Interpreting French Theatre Performance’, French Music: Performance and Analysis. In: French music: performance and analysis : An International Conference, 15-19 November 2007, Brigham Young University, Laie, Hawaii. (Unpublished)