Meredith, Margaret ORCID: https://orcid.org/0000-0003-4541-3821, Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 and Madondo, Nkosinathi (2026) Knowing better: knowledge justice in universities. In: York Festival of Ideas, 12 June 2025, York. (Unpublished)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2025) ‘Well, I think that’s quite sufficient’, the irresolvable deadlock of class struggle in the arts. In: Visual arts, narrative and social class, 24-25 April 2025, University of Turku, Finland.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2024) Arts can help foster social cohesion – but only if its class problem is dealt with first. The Conversation.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2024) ‘I’m good at art, but stupid’: time to check and challenge the state of the National Curriculum. Council of Higher Education in Art and Design (CHEAD), online. (In Press)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2024) Art, prejudice and privilege: disciplinary elitism, students from poor and working-class communities and epistemic justice. In: Meredith, Margaret ORCID: https://orcid.org/0000-0003-4541-3821, (ed.) Knowing better: Universities and epistemic justice in a plural world. Knowing better: Universities and epistemic justice in a plural world . Springer

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2024) Corby, V. 'Spectacularly missing the point' in Baker, S. Plaques and Tangles. In: Baker, Steve, (ed.) Plaques and Tangles. Singular Publishing (In Press)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2023) 'I'm good at art but stupid' Five blogs on the state of Art & Design Education in England. Council for Higher Education in Art & Design.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 and O'Donnell, Lucy (2021) 'Editorial' TRACEY: Drawing, Visualisation, Research. Tracey, 15 (1).

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2021) Maternity beyond metaphor: painting, the studio, and the lived experience of sexual difference in the work of Virginia Bodman. Journal Visual Art Practice, 7 (1-2). pp. 3-38.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195, Clarke, Matthew ORCID: https://orcid.org/0000-0003-4693-248X and Wood, Margaret ORCID: https://orcid.org/0000-0001-5067-1978 (2020) From the Ground Up: Ecosystems of Art and Education in/of and from Yorkshire. Institute of Social Justice, York St John University. (Unpublished)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2019) Turning the Material: Miscarriage, Not Knowing and Matter. In: Sitting with Uncertainty. Artist's Publication

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2018) ‘Formless, Bataille and the re-materialisation of the social’. In: Art, Materiality and Representation, 1-3 June 2018, British Museum/SOAS, London. (Unpublished)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) The Affirmation of Social Class in the Drawings of Sally Taylor. Drawing: Research, Theory, History, Practice, 2 (2). pp. 363-374.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) ‘”Painting out patriarchy”: The matter of the maternal and the work of Virginia Bodman and Griselda Pollock. In: ‘A Feminist Space at Leeds: Looking Back to Think Forward’, 15-17 December 2017, University of Leeds.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) The Sedimentation of the Social: Spiral Jetty and the Ruins of the Death Drive. The Sculpture Journal, 26 (2). pp. 193-216.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) ‘Going along together: drawing and the curation of the work of Sally Taylor’. In: Taylor, Sally, Brindley, Kate and Taylor, Anita, (eds.) Sally Taylor: Head Drawings. Artists Book, pp. 26-30

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) ‘The Sedimentation of the Social: Smithson’s Egypt and the ruins of the death drive’. In: Society for Literature, Science and the Arts European Annual Conference, 20-24 June 2017, Basel.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2016) Art Matters: Studios, Material Diversity and Neoliberalism. In: Future Now : Aesthetica Art Prize Anthology 2016. York, Aesthetica Magazine, pp. 10-12

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2014) Artist Animal (By Steve Baker). Visual Studies, 30 (1). pp. 116-117.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2011) 'Say What You See: The Drawings of Sally Taylor'. In: Sally Taylor Drawings. Duckett and Jeffrey's Gallery, Malton., pp. 5-9

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2010) Eva Hesse: Longing, Belonging and Displacement. London, I B Tauris

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2007) Something to show for it? Preliminary notes on termination and creativity in the work of Tracey Emin. In: Pollock, Griselda and Turvey-Sauron, Victoria, (eds.) The sacred and the feminine: imagination and sexual difference. New encounters: arts, cultures, concepts . London, I B Tauris & Co Ltd, pp. 213-229

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 and Pollock, Griselda (2006) Encountering Eva Hesse. Munich, Prestel Verlag