Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2023) Djent and the Aesthetics of Post-Digital Metal. In: Herbst, Jan-Peter, (ed.) The Cambridge Companion to Metal Music. Cambridge Companions to Music . Cambridge University Press, pp. 265-280

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2021) The Classical Guitar in the Early Period of Recording: Spain. In: Recording the Classical Guitar. Routledge

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2021) Recording the Classical Guitar. Routledge

Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149, Hodgson, Jay, King, Liesl and Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2020) Gender in music production. Routledge

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2020) Women in Music Production: A Contextualized History From the 1890s to the 1980s. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149, Hodgson, Jay, King, Liesl and Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546, (eds.) Gender in Music Production. New York, Routledge, pp. 11-34

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2019) The DAW electronic music aesthetics and genre transgression in music production. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149, Hodgson, Jay and Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546, (eds.) Producing music. Routledge, pp. 52-74

Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149 and Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2018) Editorial. Journal of Music, Technology & Education, 11 (3). pp. 231-233.

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2017) From DJ to djent-step: Technology and the re-coding of metal music since the 1980s. Metal Music Studies, 3 (2). pp. 251-268.

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2017) Composing with the Digital Audio Workstation. In: Williams, Justin and Williams, Katherine, (eds.) The singer-songwriter handbook. Bloomsbury

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2017) Paradigms of Music Software Interface Design and Musical Creativity. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149, Hodgson, Jay, Paterson, Justin and Toulson, Rob, (eds.) Innovation in Music II. 1 ed. KES Transactions on Innovation in Music (2). Shoreham-by-Sea, Future Technology Press, pp. 52-63

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2016) Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149 and Hodgson, Jay, (eds.) Mixing music. 1 ed. Perspectives on Music Production (1). New York, Routledge, pp. 199-215

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2016) Reconciling theory with practice in the teaching of songwriting. In: Williams, Katherine and Williams, Justin A., (eds.) Cambridge Companion to the Singer Songwriter. Cambridge, Cambridge University Press, pp. 267-277

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2015) Serial technique in the early works of Denis ApIvor. British Music: the journal of the British Music Society, 38 (2). pp. 3-24.

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2014) Music of the Cactus Land’: a consideration of musical style and text setting in Denis ApIvor’s The Hollow Men. British Music: the journal of the British Music Society, 36 (1). pp. 25-38.

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2011) Experiencing Musical Composition in the DAW: The Software Interface as Mediator of the Musical Idea. Journal on the Art of Record Production (5).