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Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2024) Art, prejudice and privilege: disciplinary elitism, students from poor and working-class communities and epistemic justice. In: Meredith, Margaret ORCID: https://orcid.org/0000-0003-4541-3821, (ed.) Knowing better: Universities and epistemic justice in a plural world. Knowing better: Universities and epistemic justice in a plural world . Springer

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2023) 'I'm good at art but stupid' Five blogs on the state of Art & Design Education in England. Council for Higher Education in Art & Design.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2025) ‘Well, I think that’s quite sufficient’, the irresolvable deadlock of class struggle in the arts. In: Visual arts, narrative and social class, 24-25 April 2025, University of Turku, Finland.

Cullen, Charlotte (2023) Touch-Space: The Tactile Imagination in Contemporary Sculpture Conference. In: Touch-Space: The Tactile Imagination in Contemporary Sculpture, 29 March 2023, University of Leeds, Treasures of the Brotherton Gallery. (Unpublished)

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D'Arcy-Reed, Louis ORCID: https://orcid.org/0000-0002-2354-6247 (2021) Looking Up, Looking Down, Looking Awry. In: Narrating the City: Mediated Representations of Architecture, Urban Forms and Social Life. Intellect

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Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103 (2024) The Theological Power of Film. 1st ed. Routledge Studies in Religion and Film . London, U.K, Routledge

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Reifenstein, Tilo (2022) Art history / theory / fiction: reading art through Carol Mavor and Teju Cole. In: The Art of Writing between Autobiography and Fiction: Pieces of Prose and Verse by Art Historians, Literary Scholars, and Historians, 17–18.10.2022, Turin, IT. (Unpublished)

Reifenstein, Tilo (2025) Beyond emplotment: narrative between meta-history and material. In: College Art Association (CAA) Annual Conference, 12–15 February 2025, New York, US. (Unpublished)

Reifenstein, Tilo (2022) Digitale Schriftbildlichkeit: Schrift(zeichenbenutzung), Schreiben, Lesen. In: Digitale Schriftlichkeit—Programmieren, Prozessieren und Codieren von Schrift, 9 & 16.12.2022, Düsseldorf, DE. (Unpublished)

Reifenstein, Tilo (2024) (Elektrographisches) Schreiben als Praxis in Bild, Schrift und Material. In: Bartelmus, Martin and Nebrig, Alexander, (eds.) Digitale Schriftlichkeit: Programmieren, Prozessieren und Codieren von Schrift. Literatur in der digitalen Gesellschaft (8). Bielefeld, transcript, pp. 65-82

Reifenstein, Tilo (2024) 'To organize the rectangle': Teju Cole, art history, autobiography, fiction. In: Cooke, Jennifer, Roussillon-Constanty, Laurence and Varallo, Franca, (eds.) Nello specchio della scrittura: autobiografia e storia dell’arte tra Otto e Novecento. Studi Storici Carocci (420). Rome, Carocci, pp. 247-263

Reifenstein, Tilo (2023) Tracing layers and iterations in Moyra Davey’s writing and photographs. In: Sedimentation: Towards and Archaeology of Word and Image, 11th International IAWIS/AIERTI conference, 28 Aug –1 Sep 2023, Universidade Federal de Minas Gerais, Brazil. (Unpublished)

Reifenstein, Tilo (2025) Work, guest work, out of work: on ‘becoming homeless’ with others. In: Visual arts, narrative and social class, 24-25 April 2025, University of Turku, Finland. (Unpublished)

Reifenstein, Tilo (2022) Writing, scholarship, art: reading art history in Teju Cole and Carol Mavor. In: ColloKWIum, 29.6.2022, Kulturwissenschaftliches Institut Essen, DE. (Unpublished)

Reifenstein, Tilo (2025) A medial-material grammatology of Teju Cole’s photographic writing. In: IAWIS Panel at the Inaugural Max Nänny Lecture, 28 March 2025, University of Amsterdam. (Unpublished)