A

Adams, Mark ORCID: https://orcid.org/0009-0002-7952-3877 (2015) Work in Progress. [Show/Exhibition]

Adams, Mark ORCID: https://orcid.org/0009-0002-7952-3877 (2015) Work in progress. Mark Adams. (Unpublished)

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 (2019) Dress, Coiffure, and Protest: Portraits of Late-Nineteenth Century Women Activists in the Women’s Penny Paper (1888-1890). In: Culture Costume and Dress: The Role of Dress in Fashionable Society, 5-7th June 2019, Birmingham City University, UK. (Unpublished)

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 (2019) In Harmony and In Conflict (Till Death Do Us Part): Juxtapositions of Design, Image, and Text in The Woman’s Herald (1892-1893). In: 8th ESPRit Conference: Periodicals and Visual Culture, 11-13th September 2019, Panteion University, National Library of Greece. (Unpublished)

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 (2019) Paratexts of the General Feminist Periodical: The design identity of the Women’s Penny Paper (1888 –1890) and Woman’s Herald (1891–1892). In: Work/Leisure, Duty/Pleasure: Annual Conference of the Research Society for Victorian Periodicals, 25-27th July 2019, University of Brighton, UK. (Unpublished)

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 (2014) The Renaissance of Academic Publishing: The Deconstruction of the Journal into a Pragmatic Manifestation of a Postmodernist Set of Discourses. In: Zantides, Evripides, (ed.) Semiotics and Visual Communication: Concepts and Practices. Newcastle upon Tyne, Cambridge Scholars, pp. 34-44

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 (2019) This is What a Feminist Looks Like: Late Nineteenth-Century Women Activists Seeking Power through Dress and Coiffure. In: The Association for Art History’s Annual Conference, 4-6th April 2019, University of Brighton, UK. (Unpublished)

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 and Roberto, Rose (2022) Introduction. In: Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 and Roberto, Rose, (eds.) Women in Print 1 Design and Identities. Printing History and Culture . Oxford; New York, Peter Lang Publishing

Art, Number 23 and Kolaiti, Christina (2018) Nostalgia in Athens. [Show/Exhibition]

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Bouttell, Sarah (2023) Field Trip: A Collective Playbook for Making Art in the Outdoors. [Show/Exhibition]

Byrom, Andrew ORCID: https://orcid.org/0009-0002-4519-768X (2018) RevealLALA: Reframing Latin Identity in Los Angeles. Andrew Byrom. (Submitted)

C

Chan, Melanie (2010) Beings in Japanese Cyberpunk Anime. Film and Film Culture, 5. pp. 28-51.

Chan, Melanie (2010) Twenty-First Century Gothic Representations of Post-Human Existence in Ghost in the Shell, Appleseed Ex-Machina and Vexille’. In: Cherry, D., Howell, P. and Ruddell, C., (eds.) 21st Century Gothic. Newcastle, Cambridge Scholars Press, pp. 85-98

Chan, Melanie (2015) Virtual Reality: Representations in Contemporary Media. New York, Bloomsbury

Chan, Melanie (2008) Virtually Real and Really Virtual: Baudrillard’s Procession of Simulacrum and The Matrix. International Journal of Baudrillard Studies, 5 (2).

Chatzichristodoulou, Maria, Lavender, Andy and Nedelkopoulou, Eirini (2017) Preamble Encountering the Digital in Performance: Deployment |Engagement |Trace. Contemporary Theatre Review, 27 (3). pp. 309-310.

Clark, Roger and McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2010) “A Constant Transit of Finding”: Fantasy as Realisation in Pan’s Labyrinth. Children's Literature in Education, 41 (1). pp. 52-63.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2016) Art Matters: Studios, Material Diversity and Neoliberalism. In: Future Now : Aesthetica Art Prize Anthology 2016. York, Aesthetica Magazine, pp. 10-12

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2014) Artist Animal (By Steve Baker). Visual Studies, 30 (1). pp. 116-117.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2024) Arts can help foster social cohesion – but only if its class problem is dealt with first. The Conversation.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2018) ‘Formless, Bataille and the re-materialisation of the social’. In: Art, Materiality and Representation, 1-3 June 2018, British Museum/SOAS, London. (Unpublished)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) ‘Going along together: drawing and the curation of the work of Sally Taylor’. In: Taylor, Sally, Brindley, Kate and Taylor, Anita, (eds.) Sally Taylor: Head Drawings. Artists Book, pp. 26-30

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2023) 'I'm good at art but stupid' Five blogs on the state of Art & Design Education in England. Council for Higher Education in Art & Design.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2024) ‘I’m good at art, but stupid’: time to check and challenge the state of the National Curriculum. Council of Higher Education in Art and Design (CHEAD), online. (In Press)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2021) Maternity beyond metaphor: painting, the studio, and the lived experience of sexual difference in the work of Virginia Bodman. Journal Visual Art Practice, 7 (1-2). pp. 3-38.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) ‘”Painting out patriarchy”: The matter of the maternal and the work of Virginia Bodman and Griselda Pollock. In: ‘A Feminist Space at Leeds: Looking Back to Think Forward’, 15-17 December 2017, University of Leeds.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2011) 'Say What You See: The Drawings of Sally Taylor'. In: Sally Taylor Drawings. Duckett and Jeffrey's Gallery, Malton., pp. 5-9

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) ‘The Sedimentation of the Social: Smithson’s Egypt and the ruins of the death drive’. In: Society for Literature, Science and the Arts European Annual Conference, 20-24 June 2017, Basel.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2019) Turning the Material: Miscarriage, Not Knowing and Matter. In: Sitting with Uncertainty. Artist's Publication

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195, Clarke, Matthew ORCID: https://orcid.org/0000-0003-4693-248X and Wood, Margaret ORCID: https://orcid.org/0000-0001-5067-1978 (2020) From the Ground Up: Ecosystems of Art and Education in/of and from Yorkshire. Institute of Social Justice, York St John University. (Unpublished)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 and O'Donnell, Lucy (2021) 'Editorial' TRACEY: Drawing, Visualisation, Research. Tracey, 15 (1).

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 and Pollock, Griselda (2006) Encountering Eva Hesse. Munich, Prestel Verlag

Crowton, Alex, Dass, Bobby and Martin, Angela Faye (2022) This Is Sparklehorse. [Video]

Cullen, Charlotte (2024) Sacred Play Secret Place exhibition documentation. [Show/Exhibition]

Cullen, Charlotte (2023) Touch-Space: The Tactile Imagination in Contemporary Sculpture Conference. In: Touch-Space: The Tactile Imagination in Contemporary Sculpture, 29 March 2023, University of Leeds, Treasures of the Brotherton Gallery. (Unpublished)

Cullen, Charlotte (2022) The Voice Falters PANIC! Commission. [Artefact]

D

D'Arcy-Reed, Louis ORCID: https://orcid.org/0000-0002-2354-6247 (2021) Looking Up, Looking Down, Looking Awry. In: Narrating the City: Mediated Representations of Architecture, Urban Forms and Social Life. Intellect

Dorey Richmond, Jules and Richmond, David (2016) Inside the Experience of Making Personal Archive #1 [A Work in Progress]: The art of Inquiry. Memory Connection, 2 (1). pp. 112-126.

E

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2024) ‘If a bunch of ‘em tell you, it must be true.’: Lonely Boy, The Sex Pistols and Adaption. In: The Routledge Companion to the Sex Pistols. Routledge (Submitted)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Marland, John and Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2015) The Language of Film. 2nd ed. Basics filmmaking . London, Bloomsbury

Exley, Chantelle, Coombs, George, Bowe, Rachel and Batty, Lois (2016) Exhibiting artist at Human Transferral Exhibition at the New School House Gallery, York. [Show/Exhibition]

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Fearn, Warren ORCID: https://orcid.org/0000-0002-2029-630X (2009) Bridging the gap between industry and education skills for 3D computer animation. In: Bridging the gap between industry and education skills for 3D graphics, 03 July 2009, Showcomotion, Sheffield. (Submitted)

Fearn, Warren ORCID: https://orcid.org/0000-0002-2029-630X (2016) The Future of Furniture in Higher Education. In: The Future of Furniture in Higher Education, Tent Design, London. (Submitted)

Fearn, Warren ORCID: https://orcid.org/0000-0002-2029-630X (2019) How can Augmented Reality have an impact on Chemistry Education? In: UP North, Regional Learning & Teaching Conference, 07 June 2019, York St John University. (Submitted)

Fearn, Warren ORCID: https://orcid.org/0000-0002-2029-630X (2019) How can Augmented Reality help bridge the gap between classroom and outside science learning for primary schools? Discussion Paper. York St John. (Unpublished)

Fearn, Warren ORCID: https://orcid.org/0000-0002-2029-630X (2020) Immersive Experiences in Education and Training. In: Yorkshire & Humber Institute of Technology: Immersive Experiences in Education and Training, 16 Dec 2020, Online. (Submitted)

Fearn, Warren ORCID: https://orcid.org/0000-0002-2029-630X (2021) Using a service design approach towards creating effective augmented reality learning platforms. In: Talking About Teaching for Social Justice 2021, 6th July 2021, York St John University.

Fearn, Warren ORCID: https://orcid.org/0000-0002-2029-630X (2022) What are the barriers and opportunities of using Augmented Reality for Primary Science Education? In: Backstage Academy Symposium, 23rd September 2022, South Kirby, West Yorkshire, UK. (Unpublished)

Fearn, Warren ORCID: https://orcid.org/0000-0002-2029-630X (2017) York Festival of Ideas: Designers of the Future: Using Augmented Reality. In: UNSPECIFIED. (Submitted)

Fitzpatrick, Su (2018) The Last Utopia: Days of the New Town, Birchwood at 50. [Show/Exhibition]

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Gibson, Stephen ORCID: https://orcid.org/0000-0002-5648-7669 and Millard, Kathryn (2018) The women who defied the Milgram experiment. UNSPECIFIED.

Gliubich Tomat, Matilde (2023) On Encountering the Divine in the Act of Drawing. Masters thesis, York St John University.

Gray, Victoria (2012) Re-thinking stillness: emphatic experiences of stillness. In: Reynolds, Dee and Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236, (eds.) Kinesthetic empathy in creative and cultural practices. Intellect

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Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2020) 'Ahead By A Nose'. BFI Publishing.

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2017) Book Review: From self-fulfilment to survival of the fittest: work in European cinema from the 1960s to the present. Taylor & Francis.

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2019) Book Review: Spaghetti Westerns at the crossroads: studies in relocation, transition and appropriation. Taylor & Francis.

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2021) Guest Picks: Ambassador Dr Martin Hall. Park Circus.

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2021) Richardson in America. BFI Publishing.

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2019) WOODY ALLEN’S MANHATTAN. Cities in Cinema.

Heddon, Dee, Hind, Claire, Wilson, Harry, Wright, Carole, Qualmann, Clare, Rose, Morag and O'Neill, Maggie (2022) The Walkbook: Recipes for walking & wellbeing. Walking Publics/Walking Arts.

Hind, Claire (2019) Les Masses noires. Subversion d’un concept du xviiie siècle ou La transformation de la Page noire de Laurence Sterne en fenêtre sur le paysage shandynien, une oeuvre de Gary Winters et Claire Hind. Theatre Public, 231.

Hind, Claire and Qualmann, Clare (2018) A Performative Talk: Ways to Wander the Gallery. [Performance]

Hind, Claire and Qualmann, Clare (2017) Ways to Wander the Gallery: Tate Modern. [Performance]

Hind, Claire and Winters, Gary (2015) Five Dead Acts Five Dead Cats: performed at McGee Gallery, York. [Performance]

Hind, Claire and Winters, Gary (2015) Five Dead Acts Five Dead Cats: performed at the Defibrillator Gallery Chicago. [Performance]

Hind, Claire and Winters, Gary (2016) Fresh Grass Flesh Glass. [Show/Exhibition]

Hind, Claire and Winters, Gary (2016) In dreams you are mine. [Show/Exhibition]

Hind, Claire and Winters, Gary (2015) Let's Make a World: A World to Be Alive In. Performance Research, 20 (6). pp. 78-81.

Hind, Claire and Winters, Gary (2019) One Uncanny Sunday: exhibition at the Freud Museum. [Show/Exhibition]

Hind, Claire and Winters, Gary (2015) We Made Something of This. [Show/Exhibition]

Hind, Claire and Winters, Gary (2016) You say, we say. In: Schwaegermann, Maria Magdalena and Ely, Karmenlara, (eds.) Infinite Record: Archive, Memory, Performance. Brooklyn Arts Press, pp. 120-129

Hunter, Roddy (2007) Civil twilight and other social works. Samizdat Press

Hunter, Roddy (2001) Small time life: André Stitt. London, Blackdog Publishing

J

Jones, Grace Emily (2021) JR²: An Exploration of Space and Material. Masters thesis, York St John University.

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Kolaiti, Christina (2022) Inertia. 1 ed. Malton, Inprint

Kolaiti, Christina (2023) Kolaiti, C. (2023) 'Lines Indent' [Poem] 'Rowan' [Image], The Paper (June 2023). Glasgow: Good Press. Good Press, Glasgow.

Kolaiti, Christina (2020) Mal de débarquement. UK, Inprint

Kolaiti, Christina (2019) Metafora: Narratives of Floating and Guided Visualisation. In: Metafora: Narratives of Floating and Guided Visualisation, 28 February 2019, St Peter’s School, Clifton, York.

Kolaiti, Christina (2020) SSW 30 Knots or Boukadoura & On the Accounts of the Deceased. Christina Kolaiti. (Unpublished)

Kolaiti, Christina (2016) Synomilies. [Show/Exhibition]

Kolaiti, Christina (2022) The Teddy Bear Cabinet - Photography Project and Exhibition. [Show/Exhibition]

Kolaiti, Christina (2023) Teddy Bear Cabinet: Photography Exhibition at Northumbria Specialist Emergency Care Hospital, Northumbria Healthcare NHS Foundation Trust. [Show/Exhibition]

Kolaiti, Christina (2023) The Teddy Bear Cabinet: Please Mind The Gap. [Show/Exhibition]

Kollontai, Pauline ORCID: https://orcid.org/0000-0003-3021-9073 (2010) Healing the heart in Bosnia‐Herzegovina: art, children and peacemaking. International Journal of Children's Spirituality, 15 (3). pp. 261-271.

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Larionova, Alyona and Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2016) Across Lips. [Video]

Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103 (2023) Terrence Malick’s Ephemeral and Eternal Images: Deleuze, Time-Image, and Montage. In: DeLay, Steven, (ed.) Life Above the Clouds: Philosophy in the Films of Terrence Malick. SUNY Press

M

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2014) Alpha: A Report to an Academy. Journal for Artistic Research, 5.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2014) Alpha: the Figure in the Cage. Relations: Beyond Anthropocentrism, 2 (2). pp. 27-43.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2016) The Artist's Hand. TRACEY.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2016) Drawing on the Front Line. In: Liddle, Peter, (ed.) Britain and a Widening War 1915-1916: Gallipoli to the Somme. Barnsley, UK, Pen & Sword Books Ltd, pp. 304-315

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2014) Drawology: one year on. [Show/Exhibition]

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2015) Inhalation. [Show/Exhibition]

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2014) Shelf lives: Drawing out letters from World War I. Journal of Writing in Creative Practice, 7 (3). pp. 359-374.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2014) Spuren im Labyrinth. Tierstudien, 6. pp. 28-40.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408, Lycett, Robert and Emmanouil, Sophia (2014) trace.[instructions for mapping space]. [Show/Exhibition]

McDonagh, Briony ORCID: https://orcid.org/0000-0003-3078-139X, Brookes, Edward, Smith, Kate, Worthen, Hannah, Coulthard, Tom J., Hughes, Gill, Mottram, Stewart, Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X and Chamberlain, Jack (2023) Learning histories, participatory methods and creative engagement for climate resilience. Journal of Historical Geography, 82. pp. 91-97.

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2008) Film and Television Textual Analysis. 1 ed. Leighton Buzzard, Auteur Press

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2009) “Funny Books” – Comics and Reader Response Theory. In: Possibilities and Perspectives: A Conference on Comics.

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2024) Guillermo del Toro's Multiple Masculinities: Review. in Transition, 11 (2).

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 and Johnson, Wayne (2021) Contemporary Gothic and Horror Film: Transnational Perspectives. New York, Anthem Press

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 and Manghani, Sunil (2013) Desperately seeking Kylie!: Critical reflections of William Baker's White Diamond. In: Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Fairclough-Isaacs, Kirsty and Halligan, Benjamin, (eds.) The music documentary : acid rock to electropop. Routledge, pp. 219-234

McKeown, Justin (2009) Nowhere Between then and now: on the paintings of Andre Stitt. In: Everybody knows this is nowhere. Millenium Court Art Centre

Miller, Thea Eppie (2024) Screening Drag: The Legacy Ignited by Paris is Burning in Selected American TV shows. Doctoral thesis, York St John University.

Mitman, Tyson ORCID: https://orcid.org/0000-0003-4093-8485 (2018) Kick the hive, get the bees: graffiti writers as assemblage and direct action political actors in their battle against H&M. Palgrave Communications, 4 (1, 28).

N

Nedelkopoulou, Eirini (2015) 'The In-common of Phenomenology: Performing KMA’s Congregation'. In: Bleeker, Maaike, Foley Sherman, Jon and Nedelkopoulou, Eirini, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge advances in theatre and performance studies . Oxford; New York, Routledge, pp. 152-172

Nedelkopoulou, Eirini (2016) Reconsidering Liveness in the Age of Digital Implication. In: Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 and Lindelof, Anja, (eds.) Experiencing liveness in contemporary performance: interdisciplinary perspectives. Routledge, pp. 215-228

Nedelkopoulou, Eirini (2011) Walking out on our bodies. Participation as ecstasis in Janet Cardiff's walks. Performance Research, 16 (4). pp. 117-123.

Nedelkopoulou, Eirini, Bleeker, Maaike and Foley Sherman, Jon (2015) ‘Introduction’ to Performance and Phenomenology: Traditions and Transformations. In: Bleeker, Maaike, Foley Sherman, Jon and Nedelkopoulou, Eirini, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge, pp. 1-16

Nedelkopoulou, Eirini, Joris, Eric, Vanhoutte, Kurt and Bekaert, Philippe (2014) ‘On the Border Between Performance, Science and the Digital: A Conversation’. International Journal of Performance Arts and Digital Media, 10 (2). pp. 246-254.

Nedelkopoulou, Eirini and Oliver, Mary (2014) 'Editorial' Hybridities: The Intersections between Performance, Science and the Digital’. International Journal of Performance Arts and Digital Media, 10 (2). pp. 125-129.

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O'Brien, Sarah (2020) Playing the Zombie: Participation and Interpassivity in Gothic XR. Body, Space & Technology, 19 (1). p. 76.

O'Donnell, Lucy (2018) The magnified glass of liberation: A review of fictional drawings. Drawing, research, theory, practice, 3 (1). pp. 47-62.

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Palmer, Max Gregory (2019) The Narratives of Religion, Sacrifice, and Myth in the Marvel Cinematic Universe. Masters thesis, York St John University.

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Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2010) ‘Asking the audience: audience research and the experience of theatre’. About performance (10). pp. 15-34.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2022) Inclusive online community arts: COVID and beyond COVID. Cultural Trends, 32 (1). pp. 52-69.

Reifenstein, Tilo (2022) Art History, Photography, Writing : Looking for Blue. Kulturwissenschaftliches Institut Essen.

Reifenstein, Tilo (2019) Between sensuous and making-sense-of: an introduction. Open Arts Journal (7). pp. 1-9.

Reifenstein, Tilo (2020) Between the visible and the legible: Raymond Pettibon’s 'I' caught in translation. In: Deckert, Mikołaj, Kocot, Monika and Majdzińska-Koczorowicz, Aleksandra, (eds.) Moving between Modes: Papers in Intersemiotic Translation (In Memoriam Professor Alina Kwiatkowska). Łódź, Łódź University Press, pp. 107-119

Reifenstein, Tilo (2013) Between the visible and the legible: words and images caught in translation. In: Intersemiotic Translation conference, 25–27 Sep. 2013, University of Łódź, Poland. (Unpublished)

Reifenstein, Tilo (2018) Drawing the letter. Drawing: Research, Theory, Practice, 3 (2). pp. 171-186.

Reifenstein, Tilo (2019) Ideal identities and impossible translations: drawing on writing and writing on drawing. In: Riquet, Johannes and Heusser, Martin, (eds.) Imaging identity: text, mediality and contemporary visual culture. Cham, Switzerland, Palgrave Macmillan, pp. 105-122

Reifenstein, Tilo (2016) Image and text: art-history writing as literary practice. In: 5th Annual International Conference in Paragone Studies, 22-24 Sep. 2016, Manchester. (Unpublished)

Reifenstein, Tilo (2014) Image and word interpenetrations in Raymond Pettibon. In: Word & Image Crossovers conference and 5th English Literary Meeting, 29–30 Sep. 2014, Kazimierz Wielki University, Bydgoszcz, Poland. (Unpublished)

Reifenstein, Tilo (2023) On Writing: propositions for art history as literary practice. In: Kovač, Leonida, Lerm Hayes, Christa-Maria, van Rijn, Ilse and Saloul, Ihab, (eds.) W.G. Sebald's Artistic Legacies : Memory, Word and Image. Amsterdam University Press, pp. 195-226

Reifenstein, Tilo (2019) Paperchase. Open Arts Journal (7). pp. 107-124.

Reifenstein, Tilo (2017) Paperchase. In: Material Culture in Action: Practices of Making, Collecting and Re-enacting Art and Design conference, 7–8 Sep. 2015, Glasgow School of Art. (Unpublished)

Reifenstein, Tilo (2016) Practising art (history): notes on practice-led research in art history. In: 42nd Annual Association of Art Historians (AAH) Annual Conference, 7–9 Apr. 2016, University of Edinburgh. (Unpublished)

Reifenstein, Tilo (2020) Reading between the lines: W.G. Sebald’s words and pictures as propositions for art history as a literary practice. In: PERLEGO: Critical Perspectives on Image and Text, 19-22 Oct 2020, Oxford, UK. (Unpublished)

Reifenstein, Tilo (2013) Transposition im/possible. In: Writing into Art conference, 18–19 Jun. 2013, University of Strathclyde and Kelvingrove Museum & Art Gallery, Glasgow. (Unpublished)

Reifenstein, Tilo (2020) Von den Verflechtungen der künstlerischen Forschung mit dem Schreiben als Praxis. In: How to Arts Education Research: Wissenspraxen zwischen Kunst und Bildung, 5-6th November 2020, Karlsruhe, Germany. (Unpublished)

Reifenstein, Tilo (2023) Von den Verflechtungen der künstlerischen Forschung mit dem Schreiben als Praxis. In: Bader, Nadia, Krauß, Lennart and Johns, Stefanie, (eds.) How to Arts Education Research? Wissenspraxen zwischen Kunst und Bildung. Kunst Medien Bildung (10). Munich, kopaed Verlag, pp. 147-156

Reifenstein, Tilo (2019) W.G. Sebald’s words and pictures: propositions for art history as a literary practice. In: Memory, Word and Image: W.G. Sebald's Artistic Legacies, 12-14 Dec 2019, Amsterdam, Netherlands. (Unpublished)

Reifenstein, Tilo (2014) Wave, fold, hinge. In: Riddles of Form: Exploration and Discovery in Word and Image, 10th International IAWIS/AIERTI conference and 21st Scottish Word and Image Group conference, 11–15 Aug. 2014, University of Dundee. (Unpublished)

Reifenstein, Tilo (2019) Writing (art history) as material practice. In: Quarto Congresso Svizzero di Storia dell’Arte (Fourth Swiss Congress for Art History), 06-08 Jun 2019, Mendrisio, Switzerland. (Unpublished)

Reifenstein, Tilo (2019) Writing Art: Challenges to a literary practice. In: Association for Art History Annual Conference 2019, 4th - 6th April 2019, Brighton, UK. (Unpublished)

Reifenstein, Tilo (2017) Writing about pictures about pictures with writing about writing with pictures. In: Images and Texts Reproduced, 11th International IAWIS/AIERTI conference, 10–14 Jul 2017, Université de Lausanne, Switzerland. (Unpublished)

Reifenstein, Tilo (2015) Writing on drawing | drawing on writing. In: Images of Identity conference, 30–31 Jan. 2015, University of Zürich, Switzerland. (Unpublished)

Reifenstein, Tilo (2022) Writing, scholarship, art: reading art history in Teju Cole and Carol Mavor. In: ColloKWIum, 29.6.2022, Kulturwissenschaftliches Institut Essen, DE. (Unpublished)

Reifenstein, Tilo (2017) 'You had to pretend to be a moron': Raymond Pettibon as reader and punk. In: Graphic Production: Art Zines in Context, Studientag zu Künstlerpublikationen, 12 Jul. 2017, Zentralinstitut für Kunstgeschichte, Munich, Germany. (Unpublished)

Reifenstein, Tilo (2018) The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing. In: Kennedy, David and Meek, Richard, (eds.) Ekphrastic Encounters: New Interdisciplinary Essays on Literature and the Visual Arts. Manchester, Manchester University Press, pp. 203-218

Reifenstein, Tilo (2013) The graphics of ekphrastic writing: Raymond Pettibon’s drawing-writing. In: Ekphrasis: From Paragone to Encounter conference, 3–5 Jul. 2013, University of Hull.

Reifenstein, Tilo (2013) The perturbing work of Kelley, McCarthy and Pettibon [book review]. Cassone: The International Online Magazine of Art and Art Books.

Reifenstein, Tilo (2021) The sense of the line between drawing and writing. Tracey, 15 (1). pp. 1-11.

Reifenstein, Tilo (2017) The sense of the line between drawing and writing. In: Drawing Matters, 14 Jul 2017, York St. John University.

Rovisco, Maria (2013) Towards a cosmopolitan cinema: understanding the connection between borders, mobility and cosmopolitanism in the fiction film. Mobilities, 8 (1). pp. 148-165.

Rowe, Nick (2003) Researcher as storyteller and performer: parallels with playback theatre. In: Finlay, Linda and Gough, Brendan, (eds.) Reflexivity: a practical guide for researchers in health and social sciences. Oxford, Blackwell, pp. 187-199

Rowe, Nick, Jones, Colin H., Seeger, Lesley, Greaves, Gill, Holman, Cathy and Turner, Helen (2011) Forgetting the machine: patients' experiences of engaging in artwork while on renal dialysis. Journal of Applied Arts & Health, 2 (1). pp. 57-72.

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Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2018) The performing artistes in Sri Lanka: the contribution to ethno-religious cohesion through their shaping and challenging of socio-cultural norms. Doctoral thesis, The University of Leeds.

Selway, Matt ORCID: https://orcid.org/0000-0003-0692-3773 (2020) The Soundtrack of a Leader: Scoring a Psychological Portrait of Megalomania. Journal for Cultural Research.

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2018) Directing Theatrical Space : Meyerhold's Reconstruction of the Theatre. In: Great European Stage Directors, volume 2: Meyerhold, Piscator, Brecht. Methuen Drama

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2016) Exploring the hinterlands: avant-garde temporality, socialist realism, and Pogodin's Aristocrats. Studies in Theatre and Performance, 36 (3). pp. 257-268.

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2022) Looking at Meyerhold's Unseen Theatre. In: The Routledge Companion to Vsevolod Meyerhold. Routledge

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2017) Metaphor, Mythology and Metonymy: Russian Scenography in the Yeltsin era. In: Aronson, Arnold, (ed.) The Routledge Companion to Scenography. Routledge

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2015) Meyerhold and the Cubists. Intellect/University of Chicago Press

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2015) Surfaces, depths and hypercubes: Meyerholdian scenography and the fourth dimension. Theatre and Performance Design, 1 (3). pp. 204-219.

Sperryn Jones, Joanna (2013) Breaking as making: A methodology for visual work reflected in writing. In: Walden, Jenny, (ed.) Art and destruction. Cambridge Scholars, pp. 57-76

Sperryn Jones, Joanna (2015) Cutting up conference papers: audience participation in breaking as making. In: Fentz, Christine, McGuirk, Tom and Eudes, Emeline, (eds.) Artistic research - strategies for embodiment. Nordic Summer Press

Sperryn Jones, Joanna (2018) 'Midnight Garden'. [Show/Exhibition]

Sperryn Jones, Joanna (2012) Reflecting Visual Approaches in the Verbal. In: Makela, Maarit and O'Riley, Tim, (eds.) The art of research II. Kelsinki, Aalto University Press

Sperryn Jones, Joanna (2019) The risk of breaking. VIS Journal, 1 (1).

Sperryn Jones, Joanna, Kolaiti, Christina, Adams, Mark ORCID: https://orcid.org/0009-0002-7952-3877 and Taylor, Sally (2018) SelfScapesEvent 1. In: SelfScapes Event 1, 23rd February, Dalby Forest arts workshops. (Unpublished)

Sperryn Jones, Joanna, Lyons, Lucy, Dormor, Catherine and Skånberg Dahlstedt, Ami (2018) Functions, fissures and failures - Strategies of Artistic Research. 1 ed. Nordic Summer University artistic research, 1 (1). Sweden, Vegetable Lamb press (Unpublished)

Sperryn-Jones, Joanna, Harrison, John and Adams, Mark ORCID: https://orcid.org/0009-0002-7952-3877 (2021) SelfScapes 2021. Self-published

Sperryn-Jones, Joanna, Kolaiti, Christina, Adams, Mark ORCID: https://orcid.org/0009-0002-7952-3877 and Taylor, Sally (2020) SelfScapes. Issuu

Starzynski, Joanna Louise (2021) Changing Communities on Film: an investigation into representations of community between 1910 and 1954 in collections in the Yorkshire Film Archive. Doctoral thesis, York St John University.

Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043 (2020) British 'Hoodie' Horror. In: The Palgrave Handbook of Contemporary Gothic. Palgrave, pp. 193-210

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Taylor, Sally (2015) Beyond perception. [Show/Exhibition]

Taylor, Sally (2013) Confused Heads. [Show/Exhibition]

Taylor, Sally (2016) Confused heads. In: About Face Symposium, 21 January 2016, Hauser and Wirth, Somerset. (Unpublished)

Taylor, Sally (2017) Distant Duo - Group Exhibition at Staithes Studios Gallery. [Show/Exhibition]

Taylor, Sally (2015) Drawing 10. Group exhibition at the London Art Fair & Rabley Gallery. [Show/Exhibition]

Taylor, Sally (2015) Exhibition and public presentation ‘Sketchbook Today’. [Show/Exhibition]

Taylor, Sally (2016) Group Exhibition, Ink Art Fair, Miami, USA, Rabley Contemporary. [Show/Exhibition]

Taylor, Sally (2016) Group Exhibition, London Art Fair, Rabley Contemporary. [Show/Exhibition]

Taylor, Sally (2016) Guest Speaker, ‘About Face’ Research Group, University of the Arts, London and Bath Spa University, Hauser and Wirth, Somerset. [Show/Exhibition]

Taylor, Sally (2016) Guest at ‘About Face’ Symposium, National Portrait Gallery, London, July 2016 – digital and printed publication including my work and short statement. [Show/Exhibition]

Taylor, Sally (2023) HEAD BLOCKER, Solo Exhibition, ArtShed, Glaisdale, North Yorkshire. [Show/Exhibition]

Taylor, Sally (2021) Head and Shapes, Sculptural Installation, Residency and Commission by Forestry England and Ryedale District Council. [Show/Exhibition]

Taylor, Sally (2014) Jerwood Drawing Prize 2014 - Group Exhibition. [Show/Exhibition]

Taylor, Sally (2018) Jerwood Drawing Prize 2017. [Show/Exhibition]

Taylor, Sally (2014) Paint like you mean it. [Show/Exhibition]

Taylor, Sally (2016) The Prison Drawing Project. [Show/Exhibition]

Taylor, Sally (2017) SALLY TAYLOR - Head Drawings. SALLY TAYLOR

Taylor, Sally (2017) SALLY TAYLOR: Some Spaces Left - Solo Exhibition. [Show/Exhibition]

Taylor, Sally (2016) SALLY TAYLOR: That Head, That Head - Solo Exhibition. [Show/Exhibition]

Taylor, Sally (2017) Sally Taylor: Head Drawings. York, York St John University

Taylor, Sally (2014) Shortlisted and included in exhibition and UK Tour 2014 -2015, Derwent Art Prize. [Show/Exhibition]

Taylor, Sally (2015) Sketchbook Today. [Show/Exhibition]

Taylor, Sally (2016) To draw is to be Human. [Show/Exhibition]

Taylor, Sally (2015) Workshop to accompany Jerwood Drawing Prize exhibition UK tour. [Show/Exhibition]

Taylor, Sally, Black, Kate and O'Donnell, Lucy (2017) State of Line: A Survey of Contemporary Drawing - Group Show. [Show/Exhibition]

Temperton, John (2018) Communicating and Thinking Through Drawing. In: Art Materiality and Representation 2018 - The Anthropology of Drawing, 1-3 June 2018, British Museum. (Submitted)

Theou, Georgina and Hanoumidou, Domna (2018) Exhibiting Artist at 'Dream Big' Exhibition at Artzone 42 Gallery, Athens, Greece. [Show/Exhibition]

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Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2021) 101 WORDS FOR EDWIN MORGAN A CENTENARY POSTER OF 101 ONE WORD POEMS. [Artefact]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2016) Action Score Generator. Nathan Walker. (Unpublished)

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2019) Brooch Score: Drawing with the Mouth by Hand. Mantis: A Journal of Poetry, Criticism and Translation (17). pp. 202-205.

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2020) Clench. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2018) Company. In: A Queer Anthology of Rage. 1 ed. London, Pilot Press

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2016) Conceptual Poetics Exhibition at The Poetry Library. [Show/Exhibition]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2016) Condensations. Uniformagazine, 7.

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2017) Condensations. 1st ed. Axminster, Uniformbooks

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2018) Condensations. York St John University. (Submitted)

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2021) Dressing (2021). [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2018) 'The Invention of Collage'. [Show/Exhibition]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2021) Language-based Artistic Research Gathering: A Collateral Reading. In: Language-based Artistic Research Gathering A Collateral Reading – Engaging / Connecting / Relating, April 7th 2021, Online.

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2018) Low (White Stones). [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2021) Soft. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2020) Vocal Performances & Visual Scores. Nathan Walker. (Unpublished)

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2017) Write Knowing: John Court. In: An idea of performance an idea of art by John Court. 1st ed. Finland, Frame Contemporary Art Finland