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Items where Subject is "N Visual arts (General) For photography, see TR"

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Number of items at this level: 112.

A

Adams, Mark (2015) Work in Progress. [Show/Exhibition]

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 (2019) Dress, Coiffure, and Protest: Portraits of Late-Nineteenth Century Women Activists in the Women’s Penny Paper (1888-1890). In: Culture Costume and Dress: The Role of Dress in Fashionable Society, 5-7th June 2019, Birmingham City University, UK. (Unpublished)

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 (2019) Dress, Coiffure, and Protest: Portraits of Late-Nineteenth Century Women Activists in the Women’s Penny Paper (1888-1890). In: Stint, Charmaine and Boultwood, Anne, (eds.) Proceedings of the 2019 Culture, Costume. Dress: The Role of Dress in Fashionable Society. UNSPECIFIED (In Press)

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 (2019) In Harmony and In Conflict (Till Death Do Us Part): Juxtapositions of Design, Image, and Text in The Woman’s Herald (1892-1893). In: 8th ESPRit Conference: Periodicals and Visual Culture, 11-13th September 2019, Panteion University, National Library of Greece. (Unpublished)

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 (2019) Paratexts of the General Feminist Periodical: The design identity of the Women’s Penny Paper (1888 –1890) and Woman’s Herald (1891–1892). In: Work/Leisure, Duty/Pleasure: Annual Conference of the Research Society for Victorian Periodicals, 25-27th July 2019, University of Brighton, UK. (Unpublished)

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 (2014) The Renaissance of Academic Publishing: The Deconstruction of the Journal into a Pragmatic Manifestation of a Postmodernist Set of Discourses. In: Zantides, Evripides, (ed.) Semiotics and Visual Communication: Concepts and Practices. Cambridge Scholars, pp. 34-44

Alexiou, Artemis ORCID: https://orcid.org/0000-0003-4536-2745 (2019) This is What a Feminist Looks Like: Late Nineteenth-Century Women Activists Seeking Power through Dress and Coiffure. In: The Association for Art History’s Annual Conference, 4-6th April 2019, University of Brighton, UK. (Unpublished)

C

Chan, Melanie (2010) Beings in Japanese Cyberpunk Anime. Film and Film Culture, 5. pp. 28-51.

Chan, Melanie (2010) Twenty-First Century Gothic Representations of Post-Human Existence in Ghost in the Shell, Appleseed Ex-Machina and Vexille’. In: Cherry, D., Howell, P. and Ruddell, C., (eds.) 21st Century Gothic. Newcastle, Cambridge Scholars Press, pp. 85-98

Chan, Melanie (2015) Virtual Reality: Representations in Contemporary Media. New York, Bloomsbury

Chan, Melanie (2008) Virtually Real and Really Virtual: Baudrillard’s Procession of Simulacrum and The Matrix. International Journal of Baudrillard Studies, 5 (2).

Chatzichristodoulou, Maria, Lavender, Andy and Nedelkopoulou, Eirini (2017) Preamble Encountering the Digital in Performance: Deployment |Engagement |Trace. Contemporary Theatre Review, 27 (3). pp. 309-310.

Clark, Roger and McDonald, Keith (2010) “A Constant Transit of Finding”: Fantasy as Realisation in Pan’s Labyrinth. Children's Literature in Education, 41 (1). pp. 52-63.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2016) Art Matters: Studios, Material Diversity and Neoliberalism. In: Future Now : Aesthetica Art Prize Anthology 2016. York, Aesthetica Magazine, pp. 10-12

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2014) Artist Animal (By Steve Baker). Visual Studies, 30 (1). pp. 116-117.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2018) ‘Formless, Bataille and the re-materialisation of the social’. In: Art, Materiality and Representation, 1-3 June 2018, British Museum/SOAS, London. (Unpublished)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) ‘Going along together: drawing and the curation of the work of Sally Taylor’. In: Taylor, Sally, Brindley, Kate and Taylor, Anita, (eds.) Sally Taylor: Head Drawings. Artists Book, pp. 26-30

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2019) Maternity meets Modernity: Virginia Bodman's transformation of maternal experience through the work of Pablo Picasso and Keith Vaughan. Journal Visual Art Practice. (Submitted)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) ‘”Painting out patriarchy”: The matter of the maternal and the work of Virginia Bodman and Griselda Pollock. In: ‘A Feminist Space at Leeds: Looking Back to Think Forward’, 15-17 December 2017, University of Leeds.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) ‘The Sedimentation of the Social: Smithson’s Egypt and the ruins of the death drive’. In: Society for Literature, Science and the Arts European Annual Conference, 20-24 June 2017, Basel.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 and Pollock, Griselda (2006) Encountering Eva Hesse. Munich, Prestel Verlag

D

Dorey Richmond, Jules and Richmond, David (2016) Inside the Experience of Making Personal Archive #1 [A Work in Progress]: The art of Inquiry. Memory Connection, 2 (1). pp. 112-126.

E

Edgar, Robert, Marland, John and Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2015) The Language of Film. 2nd ed. Basics filmmaking . London, Bloomsbury

Exley, Chantelle, Coombs, George, Bowe, Rachel and Batty, Lois (2016) Exhibiting artist at Human Transferral Exhibition at the New School House Gallery, York. [Show/Exhibition]

G

Gibson, Stephen ORCID: https://orcid.org/0000-0002-5648-7669 and Millard, Kathryn (2018) The women who defied the Milgram experiment. UNSPECIFIED.

Gray, Victoria (2012) Re-thinking stillness: emphatic experiences of stillness. In: Reynolds, Dee and Reason, Matthew, (eds.) Kinesthetic empathy in creative and cultural practices. Intellect

H

Hind, Claire (2019) Les Masses noires. Subversion d’un concept du xviiie siècle ou La transformation de la Page noire de Laurence Sterne en fenêtre sur le paysage shandynien, une oeuvre de Gary Winters et Claire Hind. Theatre Public, 231.

Hind, Claire and Winters, Gary (2015) Five Dead Acts Five Dead Cats. [Performance]

Hind, Claire and Winters, Gary (2016) Fresh Grass Flesh Glass. [Show/Exhibition]

Hind, Claire and Winters, Gary (2016) In dreams you are mine. [Show/Exhibition]

Hind, Claire and Winters, Gary (2015) Let's Make a World: A World to Be Alive In. Performance Research, 20 (6). pp. 78-81.

Hind, Claire and Winters, Gary (2015) We Made Something of This. [Show/Exhibition]

Hind, Claire and Winters, Gary (2016) You say, we say. In: Schwaegermann, Maria Magdalena and Ely, Karmenlara, (eds.) Infinite Record: Archive, Memory, Performance. Brooklyn Arts Press, pp. 120-129

Hunter, Roddy (2007) Civil twilight and other social works. Samizdat Press

Hunter, Roddy (2001) Small time life: André Stitt. London, Blackdog Publishing

K

Kolaiti, Christina (2018) Moments. [Show/Exhibition]

Kolaiti, Christina (2018) SSW 30 Knots or Boukadoura [This installation piece was presented at Selfscapes Event 2, Dalby Forest]. [Show/Exhibition]

Kolaiti, Christina (2017) Stagnation (Sound installation piece by Kolaiti, C. 2017) Presented at "Petra" (Kolaiti, P & Leontsakos, D. 2017). [Show/Exhibition]

Kolaiti, Christina, Bosch, Jolande and McNiven, Andrew (2016) Doctoring The Evidence 2: HAAGS BAKKIE? [All Maps Welcome International Post-doctoral Research Group Travelling Event 2]. In: Doctoring The Evidence, 2:HAAGS BAKKIE?, 23 June 2016, The Student Hotel, Hoefkade 9, 2526BN, The Hague. (Unpublished)

Kolaiti, Christina, Bosch, Jolande and McNiven, Andrew (2015) International post-doctoral group exhibition with title: Doctoring The Evidence, 1:10 CITIES. [Show/Exhibition]

Kolaiti, Christina, Kapantais, Elias and Kolaiti, Patricia (2016) Synomilies [Translation, Conversations]. [Show/Exhibition]

Kollontai, Pauline (2010) Healing the heart in Bosnia‐Herzegovina: art, children and peacemaking. International Journal of Children's Spirituality, 15 (3). pp. 261-271.

L

Larionova, Alyona and Klaces, Caleb (2016) Across Lips. [Video]

M

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2014) Alpha: A Report to an Academy. Journal for Artistic Research, 5.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2014) Alpha: the Figure in the Cage. Relations: Beyond Anthropocentrism, 2 (2). pp. 27-43.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2016) The Artist's Hand. TRACEY.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2016) Drawing on the Front Line. In: Liddle, Peter, (ed.) Britain and a Widening War 1915-1916: Gallipoli to the Somme. Barnsley, UK, Pen & Sword Books Ltd, pp. 304-315

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2014) Drawology: one year on. [Show/Exhibition]

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2015) Inhalation. [Show/Exhibition]

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2014) Shelf lives: Drawing out letters from World War I. Journal of Writing in Creative Practice, 7 (3). pp. 359-374.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2014) Spuren im Labyrinth. Tierstudien, 6. pp. 28-40.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408, Lycett, Robert and Emmanouil, Sophia (2014) trace.[instructions for mapping space]. [Show/Exhibition]

McDonald, Keith and Manghani, Sunil (2013) Desperately seeking Kylie!: Critical reflections of William Baker's White Diamond. In: Edgar, Robert, Fairclough-Isaacs, Kirsty and Halligan, Benjamin, (eds.) The music documentary : acid rock to electropop. Routledge, pp. 219-234

McKeown, Justin (2009) Nowhere Between then and now: on the paintings of Andre Stitt. In: Everybody knows this is nowhere. Millenium Court Art Centre

Mitman, Tyson (2018) Kick the hive, get the bees: graffiti writers as assemblage and direct action political actors in their battle against H&M. Palgrave Communications, 4 (1, 28).

N

Nedelkopoulou, Eirini (2015) 'The In-common of Phenomenology: Performing KMA’s Congregation'. In: Bleeker, Maaike, Foley Sherman, Jon and Nedelkopoulou, Eirini, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge, pp. 152-172

Nedelkopoulou, Eirini (2016) Reconsidering Liveness in the Age of Digital Implication. In: Reason, Matthew and Lindelof, Anja, (eds.) Experiencing liveness in contemporary performance: interdisciplinary perspectives. Routledge, pp. 215-228

Nedelkopoulou, Eirini (2011) Walking out on our bodies. Participation as ecstasis in Janet Cardiff's walks. Performance Research, 16 (4). pp. 117-123.

Nedelkopoulou, Eirini, Bleeker, Maaike and Foley Sherman, Jon (2015) ‘Introduction’ to Performance and Phenomenology: Traditions and Transformations. In: Bleeker, Maaike, Foley Sherman, Jon and Nedelkopoulou, Eirini, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge, pp. 1-16

Nedelkopoulou, Eirini, Joris, Eric, Vanhoutte, Kurt and Bekaert, Philippe (2014) ‘On the Border Between Performance, Science and the Digital: A Conversation’. International Journal of Performance Arts and Digital Media, 10 (2). pp. 246-254.

Nedelkopoulou, Eirini and Oliver, Mary (2014) 'Editorial' Hybridities: The Intersections between Performance, Science and the Digital’. International Journal of Performance Arts and Digital Media, 10 (2). pp. 125-129.

O

O'Donnell, Lucy (2018) The magnified glass of liberation: A review of fictional drawings. Drawing, research, theory, practice, 3 (1). pp. 47-62.

R

Reason, Matthew (2010) ‘Asking the audience: audience research and the experience of theatre’. About performance (10). pp. 15-34.

Reifenstein, Tilo (2019) Between sensuous and making-sense-of: an introduction. Open Arts Journal (7). pp. 1-9.

Reifenstein, Tilo (2018) Drawing the letter. Drawing: Research, Theory, Practice, 3 (2). pp. 171-186.

Reifenstein, Tilo (2019) Paperchase. Open Arts Journal (7). pp. 107-124.

Reifenstein, Tilo (2018) Writing (art history) as material practice. In: Quarto Congresso Svizzero di Storia dell’Arte (Fourth Swiss Congress for Art History), 06-08 Jun 2019, Mendrisio, Switzerland. (Unpublished)

Reifenstein, Tilo (2019) Writing Art: Challenges to a literary practice. In: Association for Art History Annual Conference 2019, 4th - 6th April 2019, Brighton, UK. (Unpublished)

Reifenstein, Tilo (2018) The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing. In: Kennedy, David and Meek, Richard, (eds.) Ekphrastic Encounters: New Interdisciplinary Essays on Literature and the Visual Arts. Manchester, Manchester University Press, pp. 203-218

Rovisco, Maria (2013) Towards a cosmopolitan cinema: understanding the connection between borders, mobility and cosmopolitanism in the fiction film. Mobilities, 8 (1). pp. 148-165.

Rowe, Nick (2003) Researcher as storyteller and performer: parallels with playback theatre. In: Finlay, Linda and Gough, Brendan, (eds.) Reflexivity: a practical guide for researchers in health and social sciences. Oxford, Blackwell, pp. 187-199

Rowe, Nick, Jones, Colin H., Seeger, Lesley, Greaves, Gill, Holman, Cathy and Turner, Helen (2011) Forgetting the machine: patients' experiences of engaging in artwork while on renal dialysis. Journal of Applied Arts & Health, 2 (1). pp. 57-72.

S

Sperryn Jones, Joanna (2013) Breaking as making: A methodology for visual work reflected in writing. In: Walden, Jenny, (ed.) Art and destruction. Cambridge Scholars, pp. 57-76

Sperryn Jones, Joanna (2015) Cutting up conference papers: audience participation in breaking as making. In: Fentz, Christine, McGuirk, Tom and Eudes, Emeline, (eds.) Artistic research - strategies for embodiment. Nordic Summer Press

Sperryn Jones, Joanna (2018) 'Midnight Garden'. [Show/Exhibition]

Sperryn Jones, Joanna (2012) Reflecting Visual Approaches in the Verbal. In: Makela, Maarit and O'Riley, Tim, (eds.) The art of research II. Kelsinki, Aalto University Press

Sperryn Jones, Joanna (2019) The risk of breaking. VIS Journal, 1 (1).

Sperryn Jones, Joanna, Kolaiti, Christina, Adams, Mark and Taylor, Sally (2018) SelfScapes Event 1, Dalby Forest, February 23rd 2018. In: SelfScapes Event 1, 23rd February, Dalby Forest arts workshops. (Unpublished)

Sperryn Jones, Joanna, Lyons, Lucy, Dormor, Catherine and Skånberg Dahlstedt, Ami (2018) Functions, fissures and failures - Strategies of Artistic Research. 1 ed. Nordic Summer University artistic research, 1 (1). Sweden, Vegetable Lamb press (Submitted)

T

Taylor, Sally (2015) Beyond perception. [Show/Exhibition]

Taylor, Sally (2013) Confused Heads. [Show/Exhibition]

Taylor, Sally (2016) Confused heads. In: About Face Symposium, 21 January 2016, Hauser and Wirth, Somerset. (Unpublished)

Taylor, Sally (2017) Distant Duo - Group Exhibition at Staithes Studios Gallery. [Show/Exhibition]

Taylor, Sally (2015) Drawing 10. Group exhibition at the London Art Fair & Rabley Gallery. [Show/Exhibition]

Taylor, Sally (2015) Exhibition and public presentation ‘Sketchbook Today’. [Show/Exhibition]

Taylor, Sally (2016) Group Exhibition, Ink Art Fair, Miami, USA, Rabley Contemporary. [Show/Exhibition]

Taylor, Sally (2016) Group Exhibition, London Art Fair, Rabley Contemporary. [Show/Exhibition]

Taylor, Sally (2016) Guest Speaker, ‘About Face’ Research Group, University of the Arts, London and Bath Spa University, Hauser and Wirth, Somerset. [Show/Exhibition]

Taylor, Sally (2016) Guest at ‘About Face’ Symposium, National Portrait Gallery, London, July 2016 – digital and printed publication including my work and short statement. [Show/Exhibition]

Taylor, Sally (2014) Jerwood Drawing Prize 2014 - Group Exhibition. [Show/Exhibition]

Taylor, Sally (2018) Jerwood Drawing Prize 2017. [Show/Exhibition]

Taylor, Sally (2014) Paint like you mean it. [Show/Exhibition]

Taylor, Sally (2016) The Prison Drawing Project. [Show/Exhibition]

Taylor, Sally (2017) SALLY TAYLOR - Head Drawings. SALLY TAYLOR

Taylor, Sally (2017) SALLY TAYLOR: Some Spaces Left - Solo Exhibition. [Show/Exhibition]

Taylor, Sally (2016) SALLY TAYLOR: That Head, That Head - Solo Exhibition. [Show/Exhibition]

Taylor, Sally (2017) Sally Taylor: Head Drawings. York, York St John University

Taylor, Sally (2014) Shortlisted and included in exhibition and UK Tour 2014 -2015, Derwent Art Prize. [Show/Exhibition]

Taylor, Sally (2015) Sketchbook Today. [Show/Exhibition]

Taylor, Sally (2016) To draw is to be Human. [Show/Exhibition]

Taylor, Sally (2015) Workshop to accompany Jerwood Drawing Prize exhibition UK tour. [Show/Exhibition]

Taylor, Sally, Black, Kate and O'Donnell, Lucy (2017) State of Line: A Survey of Contemporary Drawing - Group Show. [Show/Exhibition]

Temperton, John (2018) Communicating and Thinking Through Drawing. In: Art Materiality and Representation 2018 - The Anthropology of Drawing, 1-3 June 2018, British Museum. (Submitted)

Theou, Georgina and Hanoumidou, Domna (2018) Exhibiting Artist at 'Dream Big' Exhibition at Artzone 42 Gallery, Athens, Greece. [Show/Exhibition]

W

Walker, Nathan (2019) Brooch Score: Drawing with the Mouth by Hand. Mantis: A Journal of Poetry, Criticism and Translation (17). pp. 202-205.

Walker, Nathan (2018) Company. In: A Queer Anthology of Rage. 1 ed. London, Pilot Press

Walker, Nathan (2016) Conceptual Poetics Exhibition at The Poetry Library. [Show/Exhibition]

Walker, Nathan (2016) Condensations. Uniformagazine, 7.

Walker, Nathan (2017) Condensations. 1st ed. Axminster, Uniformbooks

Walker, Nathan (2018) 'The Invention of Collage'. [Show/Exhibition]

Walker, Nathan (2018) Low (White Stones). [Performance]

Walker, Nathan (2017) Write Knowing: John Court. In: An idea of performance an idea of art by John Court. 1st ed. Finland, Frame Contemporary Art Finland

This list was generated on Fri Sep 20 20:35:15 2019 UTC.