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Items where Subject is "NX440-632 History of the arts"

Group by: Creators | Item Type
Number of items at this level: 13.

Book Section

Alexiou, Artemis ORCID logoORCID: https://orcid.org/0000-0003-4536-2745 (2022) Late Nineteenth- Century Periodical Texts and Paratexts: The Women's Penny Paper/ Woman's Herald (1888-92). In: Alexiou, Artemis ORCID logoORCID: https://orcid.org/0000-0003-4536-2745 and Roberto, Rose, (eds.) Women in Print I: Design and Identities. Printing History and Culture (2). Oxford, UK, Peter Lang Ltd., pp. 167-193

Alexiou, Artemis ORCID logoORCID: https://orcid.org/0000-0003-4536-2745 and Roberto, Rose (2022) Introduction. In: Alexiou, Artemis ORCID logoORCID: https://orcid.org/0000-0003-4536-2745 and Roberto, Rose, (eds.) Women in Print 1 Design and Identities. Printing History and Culture . Oxford; New York, Peter Lang Publishing

Corby, Vanessa ORCID logoORCID: https://orcid.org/0000-0002-4019-9195 (2024) Art, prejudice and privilege: disciplinary elitism, students from poor and working-class communities and epistemic justice. In: Meredith, Margaret ORCID logoORCID: https://orcid.org/0000-0003-4541-3821, (ed.) Knowing better: Universities and epistemic justice in a plural world. Knowing better: Universities and epistemic justice in a plural world . Springer

Reifenstein, Tilo (2024) 'To organize the rectangle': Teju Cole, art history, autobiography, fiction. In: Cooke, Jennifer, Roussillon-Constanty, Laurence and Varallo, Franca, (eds.) Nello specchio della scrittura: autobiografia e storia dell’arte tra Otto e Novecento. Studi Storici Carocci (420). Rome, Carocci, pp. 247-263

Conference or Workshop Item

Alexiou, Artemis ORCID logoORCID: https://orcid.org/0000-0003-4536-2745 (2022) Fenwick Miller’s The Woman’s Signal (3 October 1895-23 March 1899): Targeting the Bourgeois Reader from the Periphery. In: ESPRit 2022 / Periodicals beyond Hierarchies: Challenging Geopolitical and Social “Centres” and “Peripheries” through the Press, 7–9 September 2022, Budapest, Hungary (Online). (Unpublished)

Alexiou, Artemis ORCID logoORCID: https://orcid.org/0000-0003-4536-2745 (2023) Intermediality and the Late-Nineteenth-Century Feminist Periodical: The Women’s Penny Paper/Woman’s Herald (27 Oct. 1888– 23 Apr. 1892). In: At The Crossroads Of Modernity: Newspapers As Miscellany From The 1880s, University of Sheffield, Sheffield, UK. (Unpublished)

Alexiou, Artemis ORCID logoORCID: https://orcid.org/0000-0003-4536-2745 (2022) Pursuing the Bourgeois Reader from the Periphery: Florence Fenwick Miller and The Woman’s Signal (3 Oct. 1895 - 23 Mar. 1899). In: RSVP Annual International Conference: Margin/Limit/Periphery/Edge, 15-17 September 2022, Online. (Unpublished)

Alexiou, Artemis ORCID logoORCID: https://orcid.org/0000-0003-4536-2745 (2024) Thresholds of Interpretation’ in the Late-nineteenth-century Feminist Periodicals Press: The Mastheads of the Women’s Penny Paper (Oct 1888-Dec 1890), Woman’s Herald (Jan 1891- Dec 1893) and Woman’s Signal (Feb 1894-Mar 1899). In: Nineteenth-Century Studies Association International Conference: Thresholds, Louisville, Kentucky, USA. (Unpublished)

Alexiou, Artemis ORCID logoORCID: https://orcid.org/0000-0003-4536-2745 (2023) To Be(long) or Not to Be(long): Dress Advertisements in the Late Nineteenth-Century Feminist Periodical the Women’s Penny Paper/ Woman’s Herald (27 Oct. 1888– 23 Apr. 1892). In: CCD2023 Fashioning the Diaspora: Dress as a medium of cultural expression, Birmingham City University, Birmingham, UK [online]. (Unpublished)

Alexiou, Artemis ORCID logoORCID: https://orcid.org/0000-0003-4536-2745 (2022) A Transatlantic Feminist Affair: Lady Isabella Somerset, Frances Willard and the Woman’s Signal (Jan. 4, 1894 – Sep. 26, 1895). In: Feminism(s) in the Media: Public Outreach and Cultural Transformations, Ghent University, Ghent, Belgium. (Unpublished)

Cullen, Charlotte (2023) Touch-Space: The Tactile Imagination in Contemporary Sculpture Conference. In: Touch-Space: The Tactile Imagination in Contemporary Sculpture, 29 March 2023, University of Leeds, Treasures of the Brotherton Gallery. (Unpublished)

Reifenstein, Tilo (2022) Art history / theory / fiction: reading art through Carol Mavor and Teju Cole. In: The Art of Writing between Autobiography and Fiction: Pieces of Prose and Verse by Art Historians, Literary Scholars, and Historians, 17–18.10.2022, Turin, IT. (Unpublished)

Reifenstein, Tilo (2023) Tracing layers and iterations in Moyra Davey’s writing and photographs. In: Sedimentation: Towards and Archaeology of Word and Image, 11th International IAWIS/AIERTI conference, 28 Aug –1 Sep 2023, Universidade Federal de Minas Gerais, Brazil. (Unpublished)

This list was generated on Sat Dec 21 20:27:44 2024 UTC.