Article

Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2020) Khaki-tinted glasses: Nostalgia and memory at wartime in TV’s M*A*S*H. The Journal of Popular Television, 8 (1). pp. 71-85.

Hill, David ORCID: https://orcid.org/0000-0002-3849-1170 (2022) Love and Narcissism in Reality Television. Sociological Research Online, 28 (2). pp. 389-402.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Reading Against the Grain: Reading The Long Song intertextually'. ARIEL: An international Review of English, 53 (1-2). pp. 193-197.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2024) Godzilla at 70: Time for Kaijū Studies. Humanities, 13 (6).

Saroukhani, Henghameh, Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X and Perfect, Michael (2022) Afterlives, Aftermaths: Levy Studies in the Twenty-First Century. ARIEL, 53 (1-2). pp. 7-24.

Book Section

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2024) The Dark Pedagogies of Kaijū in the Anthropocene. In: Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175, (eds.) Monstrosity and Global Crisis in Transnational Film, Media and Literature. Cambridge Scholars Publishing, pp. 169-187

Book

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2022) Transnational Kaiju: Globalisation, Exploitation and Cult Monster Movies. Edinburgh University Press

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2024) Monstrosity and Global Crisis in Transnational Film, Media and Literature. 1 ed. Newcastle, Cambridge Scholars Publishing