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Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2016) Ballard’s Island(s): White Heat, National Decline and Technology After Technicity Between ‘The Terminal Beach’ and Concrete Island. Literary geographies, 2 (1). pp. 96-113.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2013) Epidemics of the Will” and the Uses of Freedom. evekosofskysedgwick.net.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2014) Literary studies after the spatial turn. Journal of Urban Cultural Studies, 3 (3). pp. 395-405.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2022) Sarah Hall's Material Imagination. In: Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D’hoker, Elke, (eds.) Sarah Hall: Critical Essays. Canterbury, Gylphi, pp. 195-220

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D'hoker, Elke (2022) Introduction. In: Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D'hoker, Elke, (eds.) Sarah Hall: Critical Essays. Canterbury, Gylphi, pp. 5-29

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and Magennis, Caroline (2017) Melancholy Island Introduction. C21 Literature: Journal of 21st-century Writings, 5 (1).

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and Martin, Daryl (2016) Introduction - ‘Ballard’s Island: Histories, Modernities and Materialities.’. Literary Geographies, 2 (1). pp. 1-15.

Birch, Simon, Campanello, Kimberly, Hughes, Jon and Ingleheart, Claire (2017) Prideaux Angels. [Performance]

Bloomfield, Sebastian (2023) The Comedic Multiform: A Poetics Framework for Capturing and Analysing Performance in the Anglophonic Stand-up Comedy Tradition. Doctoral thesis, York St John University.

Booth, Naomi (2021) Swoon: the poetics of passing out. Manchester University Press

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2013) Critical reception: Zora Neale Hurston and the paradox of patronage. In: Jones, Sharon, (ed.) Zora Neale Hurston. Critical insights . Salem Press

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Campanello, Kimberly (2014) Birthing Stone (with accompanying audio and interview). New Dublin Press Journal.

Campanello, Kimberly (2015) Chloran, St John’s Well, From a Concerned Citizen (three poems). Tears in the Fence (61).

Campanello, Kimberly (2016) Colon. In: Tondut, Tiffany, (ed.) Asterism: an anthology of Poems Inspired by Punctuation. London, Laudanum Publishing

Campanello, Kimberly (2015) Consent. Doire Press

Campanello, Kimberly (2016) European Camaradefest (collaborating with Kinga Tóth). [Performance]

Campanello, Kimberly (2014) Excursion (poem). Honest Ulsterman.

Campanello, Kimberly (2016) Eyewear Poets (w/Lindsey Holland, Ken Evans, Paul Deaton). [Performance]

Campanello, Kimberly (2016) Eyewear Publishing event at Free Verse Poetry Book Fair. [Performance]

Campanello, Kimberly (2015) The Green. In: Hallelujah for 50 ft Women: Poems About Women’s Relationship to Their Bodies. London, Bloodaxe, pp. 77-78

Campanello, Kimberly (2016) Hymn to Kālī. Eyewear aviator pamphlet series . London, Eyewear Publishing

Campanello, Kimberly (2016) Laudanum Publishing Asterism anthology launch. [Performance]

Campanello, Kimberly (2015) Launches of Strange Country in Dublin, Cork and Galway. [Performance]

Campanello, Kimberly (2016) Penny Dreadful Reading (with Dylan Brennan). [Performance]

Campanello, Kimberly (2015) Poem in response to Alban Berg. In: Fowler, S. J., (ed.) Kakania: An Anthology of New Works. London, Austrian Cultural Forum

Campanello, Kimberly (2016) Poetry Reading for New Dublin Press (w/Annemarie Ní Churreáin & Kinga Tóth). [Performance]

Campanello, Kimberly (2016) Poetry reading for International Literature Festival, Dublin. [Performance]

Campanello, Kimberly (2016) Poetry reading for The Other Room Series. [Performance]

Campanello, Kimberly (2016) Poetry reading for the Irish Literary Society (Rattlebag). [Performance]

Campanello, Kimberly (2015) Reading for Paris Poets Live Series. [Performance]

Campanello, Kimberly (2017) Six poems from MOTHERBABYHOME. Poetry Wales, 53 (1).

Campanello, Kimberly (2015) Strange Country. The Dreadful Press

Campanello, Kimberly (2016) Three poems from MOTHERBABYHOME. thosethatthis.

Campanello, Kimberly (2015) Three poems translated into Polish by Kamila Pawluś. Artpapier.

Campanello, Kimberly (2015) entry in Ireland section of Poetry International. In: Ramsell, Billy and Makris, Christodoulos, (eds.) Poetry International. Rotterdam, Poetry International

Campanello, Kimberly (2016) to displace. In: Brennan, Oliver and Swift, Todd, (eds.) The Poet’s Quest for God: 21st Century Poems of Spirituality. London, Eyewear Publishing

Campanello, Kimberly and Birch, Simon (2017) Prideaux Angels. Valley Press

Campanello, Kimberly and Dwyer, Benjamin (2015) Poetry reading at Prague Microfestival. [Performance]

Campanello, Kimberly, Dwyer, Benjamin and Griffith, Dylan (2015) Premiere of SacrumProfanum at the Belfast Book Festival. [Performance]

Campanello, Kimberly, Dwyer, Benjamin and Knox, Garth (2015) Imagines. Dublin, New Dublin Press

Campanello, Kimberly, Dwyer, Benjamin and Knox, Garth (2015) Preimiere of imagines obesae et aspectui ingratae at Barrow River Arts Festival. [Performance]

Campanello, Kimberly and Hughes, Jonathan (2016) Premiere of cases of sudden conversion. [Performance]

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2018) Introduction. In: The Tlatelolco Massacre, Mexico 1968, and the emotional triangle of anger, grief and shame : discourse of truth (s). Cardiff, University of Wales Press

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2018) “La Plaza era una trampa”: Emotional Violence of Tlatelolco 1968 in Luis Spota’s La Plaza. Confluencia, 33 (2). pp. 40-52.

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2015) ‘You Want the Truth? You Can't Handle the Truth’: Poetic Representations of the 1968 Tlatelolco Massacre. Journal of Iberian and Latin American Research, 21 (1). pp. 35-49.

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2023) Poem: 'Featherweight'. The Telegraph.

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2023) Two Poems: ''Night God' and 'Cathedral'. The Poetry Review, 113 (2). pp. 43-44.

Cregan-Reid, Vybarr ORCID: https://orcid.org/0000-0003-4346-3833 (2012) Running Wilde: Landscape, the Body, and the History of the Treadmill. Critical Survey, 24 (3). pp. 73-91.

Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356 (2024) Contemporary Women's Fiction: Speculative Fiction and reproductive rights. Foundation, 146 (52.3).

Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356 (2018) 'The Eye'. In: Topiwala, Kirty, (ed.) Beneath the Skin: Great Writers on the Body. 1 ed. London, Wellcome Collection, pp. 55-67

Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356 (2020) Freud's Uncanny and Speculative Elegy. Oxford Literary Review, 42 (2). pp. 175-178.

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Duché, Elodie ORCID: https://orcid.org/0000-0003-2677-6854 (2016) ‘A sea of stories’: Maritime imagery and imagination in Napoleonic narratives of war captivity. In: Mathieson, Charlotte, (ed.) Sea Narratives: Cultural Responses to the Sea, 1600–Present. Palgrave, pp. 47-79

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Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2024) Monitoring as developmental practice in the supervision of PhD students. In: Innovative Approaches to Doctoral Supervision: Selected Case Studies. Edward Elgar (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2019) Music, Memory and Memoir. London, Bloomsbury

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2019) Music, Memory and Memoir: Critical and creative engagement with an emerging genre. Journal of Writing in Creative Practice, 12 (1-2). pp. 181-199.

Evans, Anne-Marie (2018) Everything you need to know about ‘femoir’ – the bestselling books that celebrate female success. The Conversation.

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Geesin, Beverly and Mollan, Simon (2017) This Sporting Life: the antithetical novel's revelation of the organization and work of sport. Culture and Organization.

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Heinemeyer, Catherine ORCID: https://orcid.org/0000-0001-6300-5544 (2018) Adventures in Storyhacking - facilitating indirect inter-community dialogue through story. Teaching Artist Journal, 16 (3-4). pp. 83-90.

Heinemeyer, Catherine R ORCID: https://orcid.org/0000-0001-6300-5544 and Durham, Sally (2017) Is narrative an endangered species in schools? Secondary pupils' understanding of 'storyknowing'. Research in Education, 99 (1). pp. 31-55.

Hurst, Lucy Elliott (2024) Medicine and Metaphor: The Poetics of Disability and Environment & The Poetry Collection ‘Gut Feeling’. Doctoral thesis, York St John University.

K

Keating, Zoe (2021) Culture, Education, and the Canon: An investigation of six texts in relation to literary culture, canonicity, popular culture, and mandatory education in England and Wales. Masters thesis, York St John University.

King, Liesl (2022) 'Woman to Woman, Sister to Sister - Feminine Connections in Chitra Banerjee Divakaruni'. In: Singh, Amritjit, Field, Robin E. and Najmi, Samina, (eds.) Critical Perspectives on Chitra Banerjee Divakaruni :feminism and diaspora. Rowman & Littlefield

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2020) Ben Lerner's 10:04 and Climate Change. Textual Practice. p. 1.

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2019) 'Camelot'. Granta.

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2014) Haunting History: Women, Catholicism, and the Writing of National History in Sophia Lee's The Recess. In: Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 and Chappell, Julie, (eds.) Women During the English Reformations: renegotiating gender and religious identity. New York and London, Palgrave Macmillan (USA), pp. 129-144

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2012) The Limits of Genre: Women and 'History' in Frances Sheridan's The Memoirs of Miss Sidney Bidulph and Elizabeth Griffith's The History of Lady Barton. ABO: Interactive Journal for Women in the Arts, 1640-1830, 2 (1).

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2015) Rethinking Surrender: Elizabeth Inchbald and the 'Catholic Novel'. In: Barnard, Teresa, (ed.) British Women and the Intellectual World in the Long Eighteenth Century. Abingdon, Routledge, pp. 87-106

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Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2019) Andrea Levy: her important body of work set out what it is to be black and British. The Conversation.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2018) 'Caribbean Cravings: Literature and food in the Anglophone Caribbean'. In: Piatti-Farnell, Lorna and Donna, Brien, (eds.) The Routledge Companion to Food and Literature. Routledge Literature Companions . Routledge, pp. 194-208

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2021) The Caribbean and Britain. In: Cummings, Ronald and Donnell, Alison, (eds.) Caribbean Literature in Transition, 1970–2020. Caribbean Literature in Transition, 3 . Cambridge, CUP

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2018) Culinary Cultures: Food and the Postcolonial. Journal of Postcolonial Writing, 54 (4). pp. 439-441.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) ‘Culinary Cultures’: Theorising Postcolonial Food Cultures'. In: Decolonizing the Literature Curriculum. 2022 ed. Teaching the New English Series . Palgrave Macmillan, pp. 133-151

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1997) ‘Experiments in Brokenness: The Creative Use of Creole in David Dabydeen’s Slave Song’. In: The Art of David Dabydeen. Leeds, Peepal Tree Press, pp. 27-46

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2019) Food, text and culture in the Anglophone Caribbean. Rowman & Littlefield International

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2018) “If I could mix drinks like my grandfather I would be worth marrying”: Reading race, class and gender in Mrs H. Graham Yearwood’s West Indian and Other Recipes (1911 and 1932). Journal of Postcolonial Writing, 54 (4). pp. 442-455.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2002) Imposing narratives: European incursions and intertexts in Pauline Melville’s The Ventriloquist’s Tale (1997). In: Stiltz, G., (ed.) Missions of Interdependence: A Literary Directory. Rodopi Press, pp. 107-120

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2010) Introduction to Section 3: Literary Reroutings, ethics, aesthetics and the Postcolonial canon. In: Wilson, Janet, Sandru, Cristina and Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X, (eds.) Rerouting the Postcolonial: New Directions for a new millenium. London & New York, Routledge, pp. 165-169

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Jay Bernard’s Surge: Archival Interventions in Black British Poetry'. Journal for Literary and Intermedial Crossings, 6 (2). c1-c26.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Not Just a Canadian Writer: 'Membering Austin Clarke'. Canadian Literature: A Quarterly of Criticism and Review.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2017) ‘On the “not translated”: rethinking translation and food in cross-cultural contexts: a response to “Translation and food: The case of mestizo writers” by Ma Carmen Africa Vidal Claramonte and Pamela Faber’. Journal of Multicultural Discourses, 12 (3). pp. 205-213.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2002) 'Out from under the shadow of Jean': critical bias and critical neglect in the construction of a tradition of Caribbean women’s writing: the case of Elma Napier. In: Anim-Addo, J., (ed.) Centre of remembrance: memory and Caribbean women's literature. Mango Publishing, pp. 134-144

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2014) Performing Cross-cultural culinary discourse: the Case of Levi Roots. In: Beushausen, Wiebke, Bruske, Anne, Commichau, Ana-Sofia, Helber, Patrick and Kloss, Sinah, (eds.) Caribbean Food Cultures: Culinary Practices and Consumption in the Caribbean and Its Diasporas. Bielefeld, Transcript Verlag, pp. 153-174

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Reading Against the Grain: Reading The Long Song intertextually'. ARIEL: An international Review of English, 53 (1-2). pp. 193-197.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2010) Rerouting the Postcolonial: new directions for the new millennium. Routledge

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2023) Review article on Robyn Cope, The Pen and the Pan: Food, Fiction and Homegrown Caribbean Feminism(s). Kingston: University Press of the West Indies, 2021. x + 260 pp. (Cloth US$45.00). Koninklijke Brill (Netherlands).

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1999) ‘The Shape-Shifting Fictions of Pauline Melville’. In: Conde, Mary and Lonsdale, Thorunn, (eds.) Caribbean Women Writers: Fiction in English. Basingstoke, Palgrave Macmillan, pp. 144-171

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2013) “A Table of Plenty.” Representations of Food and Social Order in Caribbean Writing: Some Early Accounts, Caryl Phillips’s Cambridge, and Andrea Levy’s The Long Song. EnterText (10). pp. 73-89.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2020) ‘This Is London, This Is Life’: ‘Migrant Time’ in Sam Selvon’s The Lonely Londoners. In: Evans, Anne-Marie and Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554, (eds.) Time, the City, and the Literary Imagination. Literary Urban Studies . Basingstoke, Palgrave, pp. 87-103

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2020) 'Vernacular Voices: Black British Poetry'. In: Nasta, Susheila and Stein, Mark, (eds.) The Cambridge History of Black and British Asian Writing. Cambridge, Cambridge University Press, pp. 329-352

López Galviz, Carlos, Bartolini, Nadia, Pendleton, Mark and Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2017) Reconfiguring Ruins: Beyond Ruinenlust. Geohumanities.

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Manghani, Sunil and Velasco, R. (2005) In the study of the Letters in Red... Journal of Visual Art Practice, 4 (1). pp. 19-27.

Mann, Fraser (2019) Book Review: Anders Engberg-Pedersen (ed.). Literature and Cartography: Theories, Histories, Genres. Cambridge, MA: The MIT Press, 2017. ISBN: 9780262036740. 480 pgs. American Studies Center, Warsaw.

Mann, Fraser (2023) Finding the Dirt: Nesh at Electrowerkz. In: Pleasance, Helen, Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Mann, Fraser, (eds.) Venue Stories: Narratives, Memories and Histories from Britian's Independent Music Spaces. Sheffield, Equinox

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2021) Girl in a Band: Gender inequality and girlhood in women's indie music memoirs. In: Eat Sleep Research Repeat, 8th October 2021, York St John University. (Unpublished)

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2018) ‘I’m Not with the Band’: Revising the Rock ‘n’ Roll Groupie Narrative through the #MeToo Campaign. In: Memory Colloquium, 20 May 2018, University of Sheffield. (Unpublished)

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2023) Playing rockstars in movies: St Vincent's The Nowhere Inn and the meta-music documentary. In: Fairclough, Kirsty, (ed.) This is Me: Interrogating the Female Pop Star Documentary. Bloomsbury (In Press)

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2023) The Punk, the Rebel, and the Cowboy: Queering Masculine Spaces in Patti Smith's memoirs. In: Garrigós, Cristina and Ahonen, Marika, (eds.) Women in Rock Memoirs. Oxford University Press

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Nesfield, Victoria ORCID: https://orcid.org/0000-0003-3397-6387 and Smith, P. (2013) Holocaust literature and historiography in Anne Michaels' Fugitive Pieces. Journal of European Studies, 43 (1). pp. 14-26.

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O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2019) More Human Than Humans. In: Bunce, Robin and McCrossin, Trip, (eds.) Blade Runner 2049 and Philosophy: This Breaks the World. & Philosophy series (127). Open Court Publishing, pp. 51-59

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2018) ‘Ted Chiang and the Deferred Effect: “Afterwardsness” in the Science Fiction Worlds of “Exhalation” and “Story of Your Life”'. In: After Fantastika Conference, 6 to 7 July 2018, Lancaster University. (Unpublished)

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2022) A Tentacular Teratology: The Abcanny Monstrous. Fantastika Journal, 6 (1). pp. 56-72.

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2016) ‘Weird Pictures, Monster Mansions and Time Pockets: Gothic Obscurities and Temporal Displacement in Miss Peregrine’s Home for Peculiar Children’. In: Temporal Discombobulations conference, 22-24 August 2016, University of Surrey. (Unpublished)

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Parry, Abigail, Campanello, Kimberly and Lock, Frances (2017) Chapbook Anthology: Volume Two (Abigail Parry, Kimberly Campanello, Frances Lock). London, Laudanum Publishing

Peters, Gary (2017) Improvising improvisation : from out of philosophy, music, dance, and literature. Chicago, University of Chicago Press

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Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2011) Transnational, Transgeneric, Transgressive: Tracing Miike Takashi’s Yakuza Cyborgs to Sukiyaki Westerns. Asian Cinema, 22 (1). pp. 83-98.

Reifenstein, Tilo (2022) Digitale Schriftbildlichkeit: Schrift(zeichenbenutzung), Schreiben, Lesen. In: Digitale Schriftlichkeit—Programmieren, Prozessieren und Codieren von Schrift, 9 & 16.12.2022, Düsseldorf, DE. (Unpublished)

Reifenstein, Tilo (2024) (Elektrographisches) Schreiben als Praxis in Bild, Schrift und Material. In: Bartelmus, Martin and Nebrig, Alexander, (eds.) Digitale Schriftlichkeit: Programmieren, Prozessieren und Codieren von Schrift. Literatur in der digitalen Gesellschaft (8). Bielefeld, transcript, pp. 65-82

Reifenstein, Tilo (2017) Graphic reading—graphic writing. In: Graphic Reading conference, 19 May 2017, University of Birmingham. (Unpublished)

Reifenstein, Tilo (2023) On Writing: propositions for art history as literary practice. In: Kovač, Leonida, Lerm Hayes, Christa-Maria, van Rijn, Ilse and Saloul, Ihab, (eds.) W.G. Sebald's Artistic Legacies : Memory, Word and Image. Amsterdam University Press, pp. 195-226

Reifenstein, Tilo (2020) Reading between the lines: W.G. Sebald’s words and pictures as propositions for art history as a literary practice. In: PERLEGO: Critical Perspectives on Image and Text, 19-22 Oct 2020, Oxford, UK. (Unpublished)

Reifenstein, Tilo (2019) Writing (art history) as material practice. In: Quarto Congresso Svizzero di Storia dell’Arte (Fourth Swiss Congress for Art History), 06-08 Jun 2019, Mendrisio, Switzerland. (Unpublished)

Reifenstein, Tilo (2019) Writing Art: Challenges to a literary practice. In: Association for Art History Annual Conference 2019, 4th - 6th April 2019, Brighton, UK. (Unpublished)

Reifenstein, Tilo (2018) The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing. In: Kennedy, David and Meek, Richard, (eds.) Ekphrastic Encounters: New Interdisciplinary Essays on Literature and the Visual Arts. Manchester, Manchester University Press, pp. 203-218

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Samiei, Catherine (2018) Special Issue Guest Editorial: Literary Visions—Exploring Education Through the Lens of Literature. Other Education: The Journal of Educational Alternatives, 7 (2). pp. 3-7.

Saroukhani, Henghameh, Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X and Perfect, Michael (2022) Afterlives, Aftermaths: Levy Studies in the Twenty-First Century. ARIEL, 53 (1-2). pp. 7-24.

Sethi, Anita (2024) Walking through a Wounderland Wilderness, Wellbeing and Where to Belong in I Belong Here a Journey Along the Backbone of Britain and Other Works. Doctoral thesis, York St John University.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2024) “It just tastes better than other meat…”: Satire and cannibalism after Jonathan Swift’s Modest Proposal (1729). European Journal of Humour Research. (In Press)

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2022) The Newspaper, the Bookshop and the Radical Society: Joseph Gales’ Hartshead Press and the “Reading and Thinking People of Sheffield”. In: Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836, Stenner, Rachel and Kramer, Kaley, (eds.) Print Culture, Agency and Regionality in the Handpress Era. New Directions in Book History . Palgrave Macmillan, pp. 71-89

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2017) Property, Patriotism and Independence: The Figure of the Freeholder in Eighteenth-Century Partisan Print. Journal for Eighteenth Century Studies, 40 (3). pp. 345-362.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 and Waugh, Jo (2021) The Prince – the great tradition of satirising the royal family is under threat as they become more ‘human’. The Conversation.

Stenner, Rachel and Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2022) Introduction: Print Culture, Agency, Regionality. In: Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836, Stenner, Rachel and Kramer, Kaley, (eds.) Print Culture, Agency and Regionality in the Handpress Era. New Directions in Book History . Palgrave Macmillan

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2015) The Blind Logic of Plants: Enlightenment and Evolution in John Wyndham's The Day of the Triffids. Science Fiction Studies, 42 (3). pp. 433-457.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2016) The Future-as-past in Dystopian Fiction. Poetics Today, 37 (3). pp. 415-442.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2012) Of Pigs and Men: The Politics of Nature in the Fiction of George Orwell. In: Keeble, Richard Lance, (ed.) George Orwell Today. Bury St Edmunds, Abramis Press, pp. 38-53

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2022) Twentieth-Century Utopian Literature. In: Marks, Peter, Wagner-Lawlor, Jennifer and Vieira, Fátima, (eds.) The Palgrave Handbook of Utopian and Dystopian Literatures. 1 ed. Cham, Switzerland, Palgrave Macmillan, pp. 137-148

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Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2015) Action Score Generator. First ed. If P then Q

Waugh, Jo (2024) Charlotte Bronte and Contagion: Myths, Memes, and the Politics of Infection. Switzerland, Palgrave macmillan

Wilson, Janet, Tolan, Fiona and Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2009) ‘Rerouting the Postcolonial’. Journal of Postcolonial Writing, 45 (2). pp. 121-123.

Wylie, Alex (2015) Bunting and the Vile Patterns of Expediency. Essays in Criticism, 65 (3). pp. 302-325.

Wylie, Alex (2021) The Bureaucratic Sublime: On the Secret Joys of Contemporary Poetry. PN Review, 48 (2).

Wylie, Alex (2015) 'It is not anyone's dream': C.H. Sisson's Utopias. The Cambridge Quarterly, 44 (1). pp. 25-42.

Wylie, Alex (2018) Ivor Gurney's Imperfection. Essays in Criticism, 68 (1). pp. 54-73.

Wylie, Alex (2023) Krishna’s Anarchy. London, Black Spring Press Group/Eyewear

Wylie, Alex (2009) Prophet and Citizen: Fifty Years of Geoffrey Hill's For the Unfallen. PN Review, 36 (2).

Wylie, Alex (2022) A Proxy for Submission: On Taste and Tastefulness in Contemporary Poetry. PN Review (267).

Wylie, Alex (2014) Sisson's Troy. PN Review, 40 (5).

Wylie, Alex (2015) 'Soft aftershocks of calm': Order and Anarchy in Geoffrey Hill's For the Unfallen. Literary Imagination, 17 (3). pp. 259-273.

Wylie, Alex (2014) “Things that other people have desired”: The Contexts of TS Eliot’s Portrait of A Lady. Journal of the TS Eliot Society (UK).

Wylie, Alex (2014) “'This: “Ad Socium”?': Verbal Power in Geoffrey Hill's The Triumph of Love.”. English: Journal of the English Association, 63 (423). pp. 330-346.