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Number of items at this level: 38.

B

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2022) Contemporary African American Women Writers and Passing. Palgrave Macmillan (In Press)

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2013) Critical reception: Zora Neale Hurston and the paradox of patronage. In: Jones, Sharon, (ed.) Zora Neale Hurston. Critical insights . Salem Press

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2019) Grace Jones: Cyborg Memoirist. In: Mann, Fraser, Pleasance, Helen and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, (eds.) Music, Memory, and Memoir. London, Bloomsbury, pp. 65-80

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2018) 'Passing for white': how a taboo film genre is being revived to expose racial privilege. The Guardian.

C

Campanello, Kimberly (2015) Consent. Doire Press

Campanello, Kimberly (2016) Hymn to Kālī. Eyewear aviator pamphlet series . London, Eyewear Publishing

Campanello, Kimberly (2017) Six poems from MOTHERBABYHOME. Poetry Wales, 53 (1).

Campanello, Kimberly (2015) Strange Country. The Dreadful Press

Campanello, Kimberly, Dwyer, Benjamin and Knox, Garth (2015) Imagines. Dublin, New Dublin Press

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 and Halpern, Paul (2015) Out of the Darkness into the Darkness: Time Travel in Ernesto Sábato’s El túnel and Connie Willis’ Blackout and All Clear. In: Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555, (ed.) Interface between Literature and Science: Cross-disciplinary Approaches to Latin American Texts. Cambridge Scholars Publishing, pp. 91-114

E

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (1997) The Schlemiel as Contemporary Icon. In: The Open University Research Conference.

Evans, Anne-Marie (2018) Eat, Live, Remember: Food and the Post-Apocalyptic novel. In: Piatti-Farnell, Lorna and Brien, Donna Lee, (eds.) The Routledge Companion to Literature and Food. Abingdon, Oxford, Routledge, pp. 460-469

Evans, Anne-Marie (2013) Fashionable Females: Women, Clothes and Culture in the Big Apple. Comparative American Studies, 11 (4). pp. 361-373.

Evans, Anne-Marie (2008) Public space and spectacle: female bodies and consumerism in Edith Wharton's The House of Mirth. In: Gómez Reus, Teresa and Usandizaga, Aránzazu, (eds.) Inside Out: Women Negotiating, Subverting, Appropriating Public/Private Space. Rodopi

Evans, Anne-Marie (2014) Sentimentalism and Celebrity Culture: Mae West as Novelist. In: Williamson, Jennifer, Larson, Jennifer and Reed, Ashley, (eds.) The Sentimental Mode: Essays in Literature, Film and Television. Jefferson, North Carolina, McFarland & Company, pp. 107-120

Evans, Anne-Marie (2012) Wharton's writings on screen. In: Edith Wharton in Context. Cambridge University Press, pp. 167-176

H

Hind, Claire (2008) York/NEW YORK. [Show/Exhibition]

K

King, Liesl (2022) 'Woman to Woman, Sister to Sister - Feminine Connections in Chitra Banerjee Divakaruni'. In: Singh, Amritjit, Field, Robin E. and Najmi, Samina, (eds.) Critical Perspectives on Chitra Banerjee Divakaruni :feminism and diaspora. Rowman & Littlefield

Klaces, Caleb (2020) Ben Lerner's 10:04 and Climate Change. Textual Practice. p. 1.

L

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Not Just a Canadian Writer: 'Membering Austin Clarke'. Canadian Literature: A Quarterly of Criticism and Review.

M

Mann, Fraser (2019) Book Review: Anders Engberg-Pedersen (ed.). Literature and Cartography: Theories, Histories, Genres. Cambridge, MA: The MIT Press, 2017. ISBN: 9780262036740. 480 pgs. American Studies Center, Warsaw.

Mann, Fraser (2019) Portrait of the Artists as an Indie Star: Kristin Hersh and the memoir of process. In: Mann, Fraser, Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Pleasance, Helen, (eds.) Music, Memory and Memoir. London, Bloomsbury Academic, pp. 39-51

Mann, Fraser (2013) The dehumanised enemy in the Pacific War novels of Norman Mailer and James Jones. In: Ternès, Anabel, (ed.) Communications: breakdowns and breakthroughs. Interdisciplinary Press

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2019) ‘Entering the Labyrinth’: Walking the streets of New York in Paul Auster’s City of Glass (1985) and Jay McInerney’s Bright Lights, Big City (1984). In: Place and Community Colloquium, 24 May 2019, University of Sheffield. (Unpublished)

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2021) Girl in a Band: Gender inequality and girlhood in women's indie music memoirs. In: Eat Sleep Research Repeat, 8th October 2021, York St John University. (Unpublished)

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2018) ‘I’m Not with the Band’: Revising the Rock ‘n’ Roll Groupie Narrative through the #MeToo Campaign. In: Memory Colloquium, 20 May 2018, University of Sheffield. (Unpublished)

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2018) Patti Smith’s M Train and the music memoir as a literary text. In: Twisting My Memory, Man: Music, Memory and Memoir Symposium, 13 & 14 July 2018, York St John University. (Unpublished)

P

Parry, Abigail, Campanello, Kimberly and Lock, Frances (2017) Chapbook Anthology: Volume Two (Abigail Parry, Kimberly Campanello, Frances Lock). London, Laudanum Publishing

R

Reese, Sam VH ORCID: https://orcid.org/0000-0003-0023-3333 (2022) Eleven Kinds? Loneliness and Reading for Type with Richard Yates. American Literature, 94 (2). pp. 357-380.

Reese, Sam VH ORCID: https://orcid.org/0000-0003-0023-3333 (2017) The Short Story in Midcentury America: Countercultural Form in the Work of Bowles, McCarthy, Welty, and Williams. Baton Rouge, Louisiana, USA, Louisiana State University Press

S

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2021) Temporal Politics: Entangling Fictions, Futures, and Histories in Contemporary and Historical Speculative Fiction. In: Fisiak, Tomasz and Ostalska, Katarzyna, (eds.) The Postworld In-Between Utopia and Dystopia Intersectional, Feminist, and Non-Binary Approaches in 21st Century Speculative Literature and Culture. Routledge, pp. 109-125

T

Tamás, Rebecca (2017) The Enchantment of Disenchantment: Wallace Stevens’ ‘Sunday Morning’ & Ecopoetic Potential. Wild Court Magazine.

Trott, Sarah ORCID: https://orcid.org/0000-0002-7622-2289 (2013) A ‘Lost Crowd’: Reconfiguring the Harlem Renaissance as a Post-War ‘Lost Generation’. Comparative American Studies An International Journal, 11 (4). pp. 434-447.

Trott, Sarah ORCID: https://orcid.org/0000-0002-7622-2289 (2021) “Remembrance, alas, is a tricky business”: Memory and Biography in the Established Account of Raymond Chandler’s World War One Experience. European Journal of American Culture, 40 (1). pp. 45-62.

Trott, Sarah ORCID: https://orcid.org/0000-0002-7622-2289 (2016) War Noir: Raymond Chandler and the Hard-Boiled Detective as Veteran in American Fiction. Jackson, Mississippi, University of Mississippi Press

W

Watt, Peter ORCID: https://orcid.org/0000-0003-2274-8362 and Costea, Bogdan (2019) Reappraising Charles Webb’s The Graduate (1963): Exploring cultural and historical elements of a character in the contemporary economy. Organization.

Wylie, Alex (2015) Bunting and the Vile Patterns of Expediency. Essays in Criticism, 65 (3). pp. 302-325.

Wylie, Alex (2014) “Things that other people have desired”: The Contexts of TS Eliot’s Portrait of A Lady. Journal of the TS Eliot Society (UK).

This list was generated on Wed Jun 29 07:42:34 2022 UTC.