Article

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2018) 'Passing for white': how a taboo film genre is being revived to expose racial privilege. The Guardian.

Campanello, Kimberly (2017) Six poems from MOTHERBABYHOME. Poetry Wales, 53 (1).

Evans, Anne-Marie (2013) Fashionable Females: Women, Clothes and Culture in the Big Apple. Comparative American Studies, 11 (4). pp. 361-373.

Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 and King, Liesl (2022) A geography beyond the Anthropocene: Ursula Le Guin’s Always Coming Home as topophilia for survival. Cultural geographies.

Key, Laura ORCID: https://orcid.org/0009-0000-7249-2778 (2014) “A Love-Hate Relationship”: F. Scott Fitzgerald, Money Management and “The Diamond as Big as the Ritz”. English Studies, 95 (6). pp. 654-673.

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2020) Ben Lerner's 10:04 and Climate Change. Textual Practice. p. 1.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Not Just a Canadian Writer: 'Membering Austin Clarke'. Canadian Literature: A Quarterly of Criticism and Review.

Reese, Sam VH ORCID: https://orcid.org/0000-0003-0023-3333 (2022) Eleven Kinds? Loneliness and Reading for Type with Richard Yates. American Literature, 94 (2). pp. 357-380.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 and Iossifidis, Miranda (2022) Modernism and Science Fiction : introduction. Modernism/modernity, 6 (3).

Tamás, Rebecca (2017) The Enchantment of Disenchantment: Wallace Stevens’ ‘Sunday Morning’ & Ecopoetic Potential. Wild Court Magazine.

Trott, Sarah ORCID: https://orcid.org/0000-0002-7622-2289 (2013) A ‘Lost Crowd’: Reconfiguring the Harlem Renaissance as a Post-War ‘Lost Generation’. Comparative American Studies An International Journal, 11 (4). pp. 434-447.

Trott, Sarah ORCID: https://orcid.org/0000-0002-7622-2289 (2021) “Remembrance, alas, is a tricky business”: Memory and Biography in the Established Account of Raymond Chandler’s World War One Experience. European Journal of American Culture, 40 (1). pp. 45-62.

Watt, Peter ORCID: https://orcid.org/0000-0003-2274-8362 and Costea, Bogdan (2019) Reappraising Charles Webb’s The Graduate (1963): Exploring cultural and historical elements of a character in the contemporary economy. Organization.

Wylie, Alex (2015) Bunting and the Vile Patterns of Expediency. Essays in Criticism, 65 (3). pp. 302-325.

Wylie, Alex (2014) “Things that other people have desired”: The Contexts of TS Eliot’s Portrait of A Lady. Journal of the TS Eliot Society (UK).

Book Section

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2013) Critical reception: Zora Neale Hurston and the paradox of patronage. In: Jones, Sharon, (ed.) Zora Neale Hurston. Critical insights . Salem Press

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2019) Grace Jones: Cyborg Memoirist. In: Mann, Fraser, Pleasance, Helen and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, (eds.) Music, Memory, and Memoir. London, Bloomsbury, pp. 65-80

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 and Halpern, Paul (2015) Out of the Darkness into the Darkness: Time Travel in Ernesto Sábato’s El túnel and Connie Willis’ Blackout and All Clear. In: Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555, (ed.) Interface between Literature and Science: Cross-disciplinary Approaches to Latin American Texts. Cambridge Scholars Publishing, pp. 91-114

Evans, Anne-Marie (2018) Eat, Live, Remember: Food and the Post-Apocalyptic novel. In: Piatti-Farnell, Lorna and Brien, Donna Lee, (eds.) The Routledge Companion to Literature and Food. Abingdon, Oxford, Routledge, pp. 460-469

Evans, Anne-Marie (2008) Public space and spectacle: female bodies and consumerism in Edith Wharton's The House of Mirth. In: Gómez Reus, Teresa and Usandizaga, Aránzazu, (eds.) Inside Out: Women Negotiating, Subverting, Appropriating Public/Private Space. Rodopi

Evans, Anne-Marie (2014) Sentimentalism and Celebrity Culture: Mae West as Novelist. In: Williamson, Jennifer, Larson, Jennifer and Reed, Ashley, (eds.) The Sentimental Mode: Essays in Literature, Film and Television. Jefferson, North Carolina, McFarland & Company, pp. 107-120

Evans, Anne-Marie (2012) Wharton's writings on screen. In: Edith Wharton in Context. Cambridge University Press, pp. 167-176

Key, Laura ORCID: https://orcid.org/0009-0000-7249-2778 (2017) "I Always Wanted to Have Earned my First Dollar but I Never Had”: Gertrude Stein and Money. In: Akdere, Ҫınla and Baron, Christine, (eds.) Economics and Literature. Routledge studies in the history of economics . Routledge, pp. 132-148

Key, Laura ORCID: https://orcid.org/0009-0000-7249-2778 (2015) “Pull My Daisy ”, “Dreams that Money Can Buy”, “New American Cinema”, “Willard Maas”, “James Broughton”. In: Routledge Encyclopedia of Modernism. Routledge

King, Liesl (2022) 'Woman to Woman, Sister to Sister - Feminine Connections in Chitra Banerjee Divakaruni'. In: Singh, Amritjit, Field, Robin E. and Najmi, Samina, (eds.) Critical Perspectives on Chitra Banerjee Divakaruni :feminism and diaspora. Rowman & Littlefield

Mann, Fraser (2019) Portrait of the Artists as an Indie Star: Kristin Hersh and the memoir of process. In: Mann, Fraser, Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Pleasance, Helen, (eds.) Music, Memory and Memoir. London, Bloomsbury Academic, pp. 39-51

Mann, Fraser (2013) The dehumanised enemy in the Pacific War novels of Norman Mailer and James Jones. In: Ternès, Anabel, (ed.) Communications: breakdowns and breakthroughs. Interdisciplinary Press

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2023) The Punk, the Rebel, and the Cowboy: Queering Masculine Spaces in Patti Smith's memoirs. In: Garrigós, Cristina and Ahonen, Marika, (eds.) Women in Rock Memoirs. Oxford University Press

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2021) Temporal Politics: Entangling Fictions, Futures, and Histories in Contemporary and Historical Speculative Fiction. In: Fisiak, Tomasz and Ostalska, Katarzyna, (eds.) The Postworld In-Between Utopia and Dystopia Intersectional, Feminist, and Non-Binary Approaches in 21st Century Speculative Literature and Culture. Routledge, pp. 109-125

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2022) Twentieth-Century Utopian Literature. In: Marks, Peter, Wagner-Lawlor, Jennifer and Vieira, Fátima, (eds.) The Palgrave Handbook of Utopian and Dystopian Literatures. 1 ed. Cham, Switzerland, Palgrave Macmillan, pp. 137-148

Conference or Workshop Item

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (1997) The Schlemiel as Contemporary Icon. In: The Open University Research Conference.

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2019) ‘Entering the Labyrinth’: Walking the streets of New York in Paul Auster’s City of Glass (1985) and Jay McInerney’s Bright Lights, Big City (1984). In: Place and Community Colloquium, 24 May 2019, University of Sheffield. (Unpublished)

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2021) Girl in a Band: Gender inequality and girlhood in women's indie music memoirs. In: Eat Sleep Research Repeat, 8th October 2021, York St John University. (Unpublished)

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2018) ‘I’m Not with the Band’: Revising the Rock ‘n’ Roll Groupie Narrative through the #MeToo Campaign. In: Memory Colloquium, 20 May 2018, University of Sheffield. (Unpublished)

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2018) Patti Smith’s M Train and the music memoir as a literary text. In: Twisting My Memory, Man: Music, Memory and Memoir Symposium, 13 & 14 July 2018, York St John University. (Unpublished)

Book

Campanello, Kimberly (2015) Consent. Doire Press

Campanello, Kimberly (2016) Hymn to Kālī. Eyewear aviator pamphlet series . London, Eyewear Publishing

Campanello, Kimberly (2015) Strange Country. The Dreadful Press

Campanello, Kimberly, Dwyer, Benjamin and Knox, Garth (2015) Imagines. Dublin, New Dublin Press

Parry, Abigail, Campanello, Kimberly and Lock, Frances (2017) Chapbook Anthology: Volume Two (Abigail Parry, Kimberly Campanello, Frances Lock). London, Laudanum Publishing

Reese, Sam VH ORCID: https://orcid.org/0000-0003-0023-3333 (2017) The Short Story in Midcentury America: Countercultural Form in the Work of Bowles, McCarthy, Welty, and Williams. Baton Rouge, Louisiana, USA, Louisiana State University Press

Trott, Sarah ORCID: https://orcid.org/0000-0002-7622-2289 (2016) War Noir: Raymond Chandler and the Hard-Boiled Detective as Veteran in American Fiction. Jackson, Mississippi, University of Mississippi Press

Thesis

Key, Laura ORCID: https://orcid.org/0009-0000-7249-2778 (2012) Face Value: Representations of Money in American Literature, 1896-1944. Doctoral thesis, University of Manchester.

Show/Exhibition

Hind, Claire (2008) York/NEW YORK. [Show/Exhibition]

Other

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2024) Review of Banal Nightmare by Halle Butler. The Guardian.

Mann, Fraser (2019) Book Review: Anders Engberg-Pedersen (ed.). Literature and Cartography: Theories, Histories, Genres. Cambridge, MA: The MIT Press, 2017. ISBN: 9780262036740. 480 pgs. American Studies Center, Warsaw.