Sperryn Jones, Joanna (2019) The risk of breaking. VIS Journal, 1 (1).
Preview |
Text
1 introduction (1).pdf - Accepted Version | Preview |
Preview |
Text
2 from damage to risk (1).pdf - Accepted Version | Preview |
Preview |
Text
3 biking and breaking.pdf - Accepted Version | Preview |
Preview |
Text
4 risk and restriction.pdf - Accepted Version | Preview |
Preview |
Text
5 breaking the body.pdf - Accepted Version | Preview |
Preview |
Text
6 experiencing risk.pdf - Accepted Version | Preview |
Preview |
Text
7 making and breaking risk.pdf - Accepted Version | Preview |
Preview |
Text
8 references.pdf - Accepted Version | Preview |
Other (mixed media containing text, image, video)
557685 - Published Version |
Abstract
My sculptural installations 'risk' 2011 and 'Celebration' 2015 were developed after I broke several bones mountain biking and wasn’t able to work in my studio for a year. When I returned to making sculpture I found I could only relate to previous artwork by breaking it. I explore how and why my aesthetic preferences changed after experiencing injury, in particular the new element of risk. I reflect on contrasting experiences of mountain biking and being injured, the tension between the support and restriction of being in plaster and my alienation to my broken arm. Through this I question what motivates people to take risks, how our judgement of risk can change in different circumstances, and if the motivation for men and women taking risks is different. I reflect on the risk to the artwork and to the viewer and different forms of risk in artwork. Finally I recount how this informs the making of 'risk' 2011 and 'Celebration' 2015.
Item Type: | Article |
---|---|
Status: | Published |
DOI: | 10.22501/vis |
Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR N Fine Arts > NB Sculpture |
School/Department: | School of the Arts |
URI: | https://ray.yorksj.ac.uk/id/eprint/3694 |
University Staff: Request a correction | RaY Editors: Update this record