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Chan, Melanie (2010) Twenty-First Century Gothic Representations of Post-Human Existence in Ghost in the Shell, Appleseed Ex-Machina and Vexille’. In: Cherry, D., Howell, P. and Ruddell, C., (eds.) 21st Century Gothic. Newcastle, Cambridge Scholars Press, pp. 85-98

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Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2014) Is there any magic in the moonlight? Woody Allen and the absurdity of perfection. Comedy Studies, 5 (2). pp. 104-112.

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Kerrigan, Finola and Dennis, Noel (2011) The secret jazz fan: a tale of sublimation featuring film and music. Arts Marketing: An International Journal, 1 (1). pp. 56-69.

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Manghani, Sunil (2006) Public (re)visions: critical pictures of the fall of the Berlin Wall. Film International, 4 (6). pp. 16-27.

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Selway, Matt ORCID: https://orcid.org/0000-0003-0692-3773 (2022) Brains for Hire: Exploring the Role of Psychiatric Consultancy in The Aviator. In: Friedman, Lester D. and Jones, Therese, (eds.) Routledge Handbook of Health and Media. Routledge

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Starzynski, Joanna Louise (2016) “We’re all in our private traps… and none of us can ever get out” (Psycho, Hitchcock, 1960) - How depictions of Identity and Alienation in the City vary within the films of Alfred Hitchcock. Masters thesis, York St John University.

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Yore, Sue (2015) 'Seeing Paradise in the Dust of the Streets': A Reflection on Student's Art Projects. In: Kim, Sebastian, Kollontai, Pauline and Yore, Sue, (eds.) Mediating Peace: Reconciliation Through Art, Music and Film. Cambridge Scholars, pp. 74-98