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Items where Subject is "PN1993 Motion Pictures"

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Group by: Creators | Item Type
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Number of items at this level: 35.

B

Beaumont, Alexander (2010) 'New Times' Television? Channel 4 and My Beautiful Laundrette. In: Hadley, Louisa and Ho, Elizabeth, (eds.) Thatcher and after: Margaret Thatcher and her afterlife in contemporary culture. Palgrave Macmillan, pp. 53-74

C

Chan, Melanie (2010) Beings in Japanese Cyberpunk Anime. Film and Film Culture, 5. pp. 28-51.

Chan, Melanie (2010) Twenty-First Century Gothic Representations of Post-Human Existence in Ghost in the Shell, Appleseed Ex-Machina and Vexille’. In: Cherry, D., Howell, P. and Ruddell, C., (eds.) 21st Century Gothic. Newcastle, Cambridge Scholars Press, pp. 85-98

Chan, Melanie (2008) Virtually Real and Really Virtual: Baudrillard’s Procession of Simulacrum and The Matrix. International Journal of Baudrillard Studies, 5 (2).

Clark, Roger and McDonald, Keith (2010) “A Constant Transit of Finding”: Fantasy as Realisation in Pan’s Labyrinth. Children's Literature in Education, 41 (1). pp. 52-63.

Clarke, Matthew (2018) Education beyond reason and redemption: A detour through the death drive. Pedagogy, Culture and Society.

E

Edgar, Robert (2009) Basics Film-Making 03: Directing Fiction. 1st ed. London, Bloomsbury

Evans, Anne-Marie (2012) Wharton's writings on screen. In: Edith Wharton in Context. Cambridge University Press, pp. 167-176

H

Hall, Martin (2014) Is there any magic in the moonlight? Woody Allen and the absurdity of perfection. Comedy Studies, 5 (2). pp. 104-112.

Hall, Martin (2017) Roman Polanski's treatment of mutable identity in his film, The Tenant (1976). Cogent Social Sciences, 3 (1).

Hall, Martin (2013) The Silver Locusts on the Silver Screen: How Ray Bradbury’s Mars confronts the British-Art Cinema of the 1960s. In: McMillan, Gloria, (ed.) Orbiting Ray Bradbury’s Mars: biographical, anthropological, literary, scientific and other perspectives. London, McFarland and Co.

Hall, Martin (2015) “Thank God the French Exist” The referentiality in the formal elements of film. In: Szlezak, Klara and Wynter, D. E., (eds.) Deconstructing Harry’ in Referentiality and the films of Woody Allen. London, Palgrave Macmillan, pp. 51-67

Hall, Martin (2018) Tom Waits in a cowboy hat: five musicians who were born to be in Westerns. The Conversation.

K

Kerrigan, Finola and Dennis, Noel (2011) The secret jazz fan: a tale of sublimation featuring film and music. Arts Marketing: An International Journal, 1 (1). pp. 56-69.

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2017) "How do you like my darkness now?": Women, Violence, and the 'Good Bad' Girl in Buffy the Vampire Slayer. In: Chappell, Julie and Young, Mallory, (eds.) Bad girls and transgressive women in popular television, fiction and film. USA, Palgrave Macmillan, pp. 15-31

M

Manghani, Sunil (2006) Public (re)visions: critical pictures of the fall of the Berlin Wall. Film International, 4 (6). pp. 16-27.

McDonald, Keith and Clark, Roger (2014) Guillermo del Toro : film as alchemic art. Bloomsbury

R

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2009) Hal Hartley and the Re-Presentation of Repetition. Film Criticism, 34 (1). pp. 58-75.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2012) Hal Hartley’s “Look-out-Martin-Donovan’s-in the-house! shot”: The transformative cult indie star-director relationship and performance “idiolect”. In: Egan, Kate and Thomas, Sarah, (eds.) Cult Film Stardom: Offbeat Attractions and Processes of Cultification. Palgrave MacMillan, pp. 126-143

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2018) Hollywood’s mega-monsters head back east. The Conversation.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2016) How Could You Possibly be a Hitchcocko-Herrmannian?: Digitally Re-narrativizing Collaborative Authorship. In: Rawle, Steven and Donnelly, Kevin J., (eds.) Partners in Suspense: Critical Essays on Bernard Herrmann and Alfred Hitchcock. Manchester University Press

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2010) Real-imagining terror in Battlestar Galactica: negotiating real and fantasy in BSG’s political metaphor. In: Kaveney, Roz and Stoy, Jennifer, (eds.) Battlestar Galactica: investigating flesh, spirit and steel (Investigating Cult TV Series). I B Taurus, pp. 129-154

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2012) Reconstructing the Past: Visual Virtuality in Eternal Sunshine of the Spotless Mind. In: Sinha, Amresh and McSweeney, Terence, (eds.) Millennial Cinema: Memory in Global Film. Columbia University Press, pp. 37-54

Rawle, Steven (2015) Ringing One Missed Call: Franchising, transnational flows and genre production. East Asian Journal of Popular Culture, 1 (1). pp. 97-112.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2018) Transnational Cinema : an introduction. Palgrave MacMillan

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2011) Transnational, Transgeneric, Transgressive: Tracing Miike Takashi’s Yakuza Cyborgs to Sukiyaki Westerns. Asian Cinema, 22 (1). pp. 83-98.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2013) The Ultimate Super-Happy-Zombie-Romance-Murder-Mystery-Family-Comedy-Karaoke-Disaster-Movie-Part-Animated-Remake-All-Singing-All-Dancing-Musical-Spectacular-Extravaganza: Miike Takashi’s The Happiness of the Katakuris as “cult” hybrid”. In: Hunt, Leon, Lockyer, Sharon and Williamson, Milly, (eds.) Screening the Undead: Vampires and Zombies in Film and Television. London, IB Tauris, pp. 208-232

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2010) Video killed the movie: cultural translation in Ringu and The Ring. In: Lacefield, Kristen, (ed.) The scary screen: media anxiety in the Ring. Ashgate, pp. 97-114

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2015) Waitress (2007): Tragedy and Authorship in an Indie ‘Meta-movie'. In: Perkins, Claire and Verevis, Constantine, (eds.) U.S Independent Filmmaking After 1989: Possible Films. Edinburgh, Edinburgh University Press, pp. 177-186

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2016) The locality of Hal Hartley: the aesthetics and business of smallness. In: Rybin, Steve, (ed.) The Cinema of Hal Hartley: flirting with formalism. Columbia University Press

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2018) ‘Ōru kaijū dai shingeki (All monsters attack!): The regional and transnational exploitation of the kaijū eiga’. In: Provencher, Ken and Dillon, Mike, (eds.) Exploiting East Asian cinemas. Global exploitation cinemas . Bloomsbury, pp. 32-56

S

Selway, Matt ORCID: https://orcid.org/0000-0003-0692-3773 (2014) Gender, Melancholia and the ‘Fallen Woman’: Gendered Visions of Mental Illness in The Hours. In: Guimaraes Guerra, Lolita and Nicdao, Jose A., (eds.) Narratives of suffering, meaning and experience in a transcultural approach. Oxford, Inter-Disciplinary Press, pp. 95-104

Selway, Matt ORCID: https://orcid.org/0000-0003-0692-3773 (2019) The sound of the unsound: the role of film sound design in depicting schizophrenia and schizophrenic hallucination in The Soloist. Sound Studies.

Starzynski, Joanna Louise (2016) “We’re all in our private traps… and none of us can ever get out” (Psycho, Hitchcock, 1960) - How depictions of Identity and Alienation in the City vary within the films of Alfred Hitchcock. Masters thesis, York St John University.

Y

Yore, Sue (2015) 'Seeing Paradise in the Dust of the Streets': A Reflection on Student's Art Projects. In: Kim, Sebastian, Kollontai, Pauline and Yore, Sue, (eds.) Mediating Peace: Reconciliation Through Art, Music and Film. Cambridge Scholars, pp. 74-98

This list was generated on Fri Sep 20 20:54:01 2019 UTC.