Items where Subject is "PN1993 Films"
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- Library of Congress Subject Areas (56)
- P Language and Literature (56)
- PN Literature (General) (56)
- PN1993 Films (56)
- PN Literature (General) (56)
- P Language and Literature (56)
Article
Chan, Melanie (2010) Beings in Japanese Cyberpunk Anime. Film and Film Culture, 5. pp. 28-51.
Chan, Melanie (2008) Virtually Real and Really Virtual: Baudrillard’s Procession of Simulacrum and The Matrix. International Journal of Baudrillard Studies, 5 (2).
Clark, Roger and McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963
(2010)
“A Constant Transit of Finding”: Fantasy as Realisation in Pan’s Labyrinth.
Children's Literature in Education, 41 (1).
pp. 52-63.
Clarke, Matthew ORCID: https://orcid.org/0000-0003-4693-248X
(2018)
Education beyond reason and redemption: A detour through the death drive.
Pedagogy, Culture and Society.
Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175
(2014)
Is there any magic in the moonlight? Woody Allen and the absurdity of perfection.
Comedy Studies, 5 (2).
pp. 104-112.
Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175
(2017)
Roman Polanski's treatment of mutable identity in his film, The Tenant (1976).
Cogent Social Sciences, 3 (1).
pp. 1-7.
Kerrigan, Finola and Dennis, Noel (2011) The secret jazz fan: a tale of sublimation featuring film and music. Arts Marketing: An International Journal, 1 (1). pp. 56-69.
Manghani, Sunil (2006) Public (re)visions: critical pictures of the fall of the Berlin Wall. Film International, 4 (6). pp. 16-27.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2023)
‘Every Kaiju Movie ever made’: fan collecting and curation of the kaijū film.
Frames Cinema Journal (21).
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2009)
Hal Hartley and the Re-Presentation of Repetition.
Film Criticism, 34 (1).
pp. 58-75.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2023)
Learning from kaijū fans: genrifying, cultural value, and the ethics of citing fan-scholarship.
Journal of Fandom Studies, 11 (3).
pp. 99-116.
Rawle, Steven (2015) Ringing One Missed Call: Franchising, transnational flows and genre production. East Asian Journal of Popular Culture, 1 (1). pp. 97-112.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2011)
Transnational, Transgeneric, Transgressive: Tracing Miike Takashi’s Yakuza Cyborgs to Sukiyaki Westerns.
Asian Cinema, 22 (1).
pp. 83-98.
Selway, Matt ORCID: https://orcid.org/0000-0003-0692-3773
(2019)
The sound of the unsound: the role of film sound design in depicting schizophrenia and schizophrenic hallucination in The Soloist.
Sound Studies, 5 (2).
pp. 140-154.
Book Section
Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300
(2010)
'New Times' Television? Channel 4 and My Beautiful Laundrette.
In: Hadley, Louisa and Ho, Elizabeth, (eds.)
Thatcher and after: Margaret Thatcher and her afterlife in contemporary culture.
Palgrave Macmillan, pp. 53-74
Chan, Melanie (2010) Twenty-First Century Gothic Representations of Post-Human Existence in Ghost in the Shell, Appleseed Ex-Machina and Vexille’. In: Cherry, D., Howell, P. and Ruddell, C., (eds.) 21st Century Gothic. Newcastle, Cambridge Scholars Press, pp. 85-98
Evans, Anne-Marie (2012) Wharton's writings on screen. In: Edith Wharton in Context. Cambridge University Press, pp. 167-176
Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175
(2013)
The Silver Locusts on the Silver Screen: How Ray Bradbury’s Mars confronts the British-Art Cinema of the 1960s.
In: McMillan, Gloria, (ed.)
Orbiting Ray Bradbury’s Mars: biographical, anthropological, literary, scientific and other perspectives.
London, McFarland and Co.
Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175
(2015)
“Thank God the French Exist” The referentiality in the formal elements of film.
In: Szlezak, Klara and Wynter, D. E., (eds.)
Deconstructing Harry’ in Referentiality and the films of Woody Allen.
London, Palgrave Macmillan, pp. 51-67
Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554
(2017)
"How do you like my darkness now?": Women, Violence, and the 'Good Bad' Girl in Buffy the Vampire Slayer.
In: Chappell, Julie and Young, Mallory, (eds.)
Bad girls and transgressive women in popular television, fiction and film.
USA, Palgrave Macmillan, pp. 15-31
O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929
(2019)
More Human Than Humans.
In: Bunce, Robin and McCrossin, Trip, (eds.)
Blade Runner 2049 and Philosophy: This Breaks the World.
& Philosophy series
(127).
Open Court Publishing, pp. 51-59
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2024)
The Dark Pedagogies of Kaijū in the Anthropocene.
In: Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin
ORCID: https://orcid.org/0000-0001-5671-8175, (eds.)
Monstrosity and Global Crisis in Transnational Film, Media and Literature.
Cambridge Scholars Publishing, pp. 169-187
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2021)
Globalizing Legendary Entertainment: Transnational Finance meets Transculturality.
In: Baloğlu, Uğur and Birincioğlu, Yıldız Derya, (eds.)
Transcultural Images in Hollywood Cinema: Debates on Migration, Identity, and Finance.
Lexington, pp. 9-32
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2012)
Hal Hartley’s “Look-out-Martin-Donovan’s-in the-house! shot”: The transformative cult indie star-director relationship and performance “idiolect”.
In: Egan, Kate and Thomas, Sarah, (eds.)
Cult Film Stardom: Offbeat Attractions and Processes of Cultification.
Palgrave MacMillan, pp. 126-143
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2016)
How Could You Possibly be a Hitchcocko-Herrmannian?: Digitally Re-narrativizing Collaborative Authorship.
In: Rawle, Steven
ORCID: https://orcid.org/0000-0002-7908-8249 and Donnelly, Kevin J., (eds.)
Partners in Suspense: Critical Essays on Bernard Herrmann and Alfred Hitchcock.
Manchester, Manchester University Press, pp. 197-210
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2021)
How Godzilla vs. Kong Memes Turned Titans into Pandemic Superheroes.
In: Fong, Elise and Paul, Booth, (eds.)
A Celebration of Superheroes.
De Paul Popular Culture Conference, pp. 280-302
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2010)
Real-imagining terror in Battlestar Galactica: negotiating real and fantasy in BSG’s political metaphor.
In: Kaveney, Roz and Stoy, Jennifer, (eds.)
Battlestar Galactica: investigating flesh, spirit and steel (Investigating Cult TV Series).
I B Taurus, pp. 129-154
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2012)
Reconstructing the Past: Visual Virtuality in Eternal Sunshine of the Spotless Mind.
In: Sinha, Amresh and McSweeney, Terence, (eds.)
Millennial Cinema: Memory in Global Film.
Columbia University Press, pp. 37-54
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2022)
The Silent (Film) Woman: Sweet and Lowdown’s mute muse.
In: Hall, Martin
ORCID: https://orcid.org/0000-0001-5671-8175, (ed.)
Women in the Films of Woody Allen.
Amsterdam, Amsterdam University Press
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2013)
The Ultimate Super-Happy-Zombie-Romance-Murder-Mystery-Family-Comedy-Karaoke-Disaster-Movie-Part-Animated-Remake-All-Singing-All-Dancing-Musical-Spectacular-Extravaganza: Miike Takashi’s The Happiness of the Katakuris as “cult” hybrid”.
In: Hunt, Leon, Lockyer, Sharon and Williamson, Milly, (eds.)
Screening the Undead: Vampires and Zombies in Film and Television.
London, IB Tauris, pp. 208-232
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2010)
Video killed the movie: cultural translation in Ringu and The Ring.
In: Lacefield, Kristen, (ed.)
The scary screen: media anxiety in the Ring.
Ashgate, pp. 97-114
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2015)
Waitress (2007): Tragedy and Authorship in an Indie ‘Meta-movie'.
In: Perkins, Claire and Verevis, Constantine, (eds.)
U.S Independent Filmmaking After 1989: Possible Films.
Edinburgh, Edinburgh University Press, pp. 177-186
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2016)
The locality of Hal Hartley: the aesthetics and business of smallness.
In: Rybin, Steve, (ed.)
The Cinema of Hal Hartley: flirting with formalism.
New York, Wallflower Press, pp. 60-76
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2018)
‘Ōru kaijū dai shingeki (All monsters attack!): The regional and transnational exploitation of the kaijū eiga’.
In: Provencher, Ken and Dillon, Mike, (eds.)
Exploiting East Asian cinemas.
Global exploitation cinemas
.
London, Bloomsbury, pp. 32-56
Selway, Matt ORCID: https://orcid.org/0000-0003-0692-3773
(2022)
Brains for Hire: Exploring the Role of Psychiatric Consultancy in The Aviator.
In: Friedman, Lester D. and Jones, Therese, (eds.)
Routledge Handbook of Health and Media.
Routledge
Selway, Matt ORCID: https://orcid.org/0000-0003-0692-3773
(2014)
Gender, Melancholia and the ‘Fallen Woman’: Gendered Visions
of Mental Illness in The Hours.
In: Guimaraes Guerra, Lolita and Nicdao, Jose A., (eds.)
Narratives of suffering, meaning and experience in a transcultural approach.
Oxford, Inter-Disciplinary Press, pp. 95-104
Yore, Sue (2015) 'Seeing Paradise in the Dust of the Streets': A Reflection on Student's Art Projects. In: Kim, Sebastian, Kollontai, Pauline and Yore, Sue, (eds.) Mediating Peace: Reconciliation Through Art, Music and Film. Cambridge Scholars, pp. 74-98
Conference or Workshop Item
Burrows, Ben ORCID: https://orcid.org/0009-0005-1212-2173
(2019)
Seeing Sound in Silent Pictures.
In: British Silent Film Festival Symposium, 11th-12th April 2019, King's College, London.
(Unpublished)
McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816
(2018)
‘I’m Not with the Band’: Revising the Rock ‘n’ Roll Groupie Narrative through the #MeToo Campaign.
In: Memory Colloquium, 20 May 2018, University of Sheffield.
(Unpublished)
Book
Kim, Sebastian, Kollontai, Pauline ORCID: https://orcid.org/0000-0003-3021-9073 and Yore, Susan, eds.
(2015)
Mediating peace: reconciliation through visual art, music and film.
Cambridge Scholars Publishing
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Donnelly, K. J., eds.
(2016)
Partners in Suspense: Critical Essays on Bernard Herrmann and Alfred Hitchcock.
Manchester, Manchester University Press
Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605
(2009)
Basics Film-Making 03: Directing Fiction.
1st ed.
London, Bloomsbury
McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 and Clark, Roger
(2014)
Guillermo del Toro : film as alchemic art.
London, Bloomsbury
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2018)
Transnational Cinema : an introduction.
Palgrave MacMillan
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2022)
Transnational Kaiju: Globalisation, Exploitation and Cult Monster Movies.
Edinburgh University Press
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin
ORCID: https://orcid.org/0000-0001-5671-8175
(2024)
Monstrosity and Global Crisis in Transnational Film, Media and Literature.
1 ed.
Newcastle, Cambridge Scholars Publishing
Thesis
Starzynski, Joanna Louise (2016) “We’re all in our private traps… and none of us can ever get out” (Psycho, Hitchcock, 1960) - How depictions of Identity and Alienation in the City vary within the films of Alfred Hitchcock. Masters thesis, York St John University.
Video
Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 and Wallers, Christo
(2022)
Hallsong.
[Video]
Other
Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175
(2019)
John Coltrane’s ‘lost’ film soundtrack and five more must-see movies for jazz lovers.
The Conversation.
Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175
(2018)
Tom Waits in a cowboy hat: five musicians who were born to be in Westerns.
The Conversation.
McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963
(2022)
Guillermo del Toro’s Pinocchio review: this tale of a lost child is the filmmaker’s destiny.
The Conversation.
McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963
(2023)
Oscars 2023: Guillermo del Toro’s Pinocchio offers a new vision for animated films that explore our humanity.
The Conversation.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2018)
Hollywood’s mega-monsters head back east.
The Conversation.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2019)
Sam Mendes’ 1917 – and five other films that really are continuous single takes.
The Conversation.
Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249
(2019)
"The biggest star in the world": re-animating the king in Godzilla: King of the Monsters (2019).
Fantasy/Animation.
Stephenson, Lauren (2021) Eden Lake and the British ‘hoodie horror’ genre: how they reinforced policies to demonise the working class. The Conversation.