This body of work was developed to engage with issues of synaesthesia, the relationship of touch in relation to colour in the context of exploring a ‘memory mapping’ of the environment. The first version was presented as 'Public Private Perceptions' a video live installation, at Toynbee Studios, London, 2001. This was subsequently followed by a developed iteration at Galleria Neon, Bologna, Italy 2002, as an exhibition. This was also accompanied by the publication Public Private Perceptions 02. Other contributors included Wallace, M., Le Grice, M., GrazioLi, E. published by Galleria Neon, Bologna, Italy, March 2002. This project also led to a paper: ‘Private action becoming public, a practical investigation of the performer’s reactions to the environment’, at Performance As Research In Practice Symposium, University of Bristol 10-11 November 2001. This symposium context allowed me to further investigate the relationship and interchange between myself as performer and a live audience. Key points to emerge here were the impact of a live audience and issues around documentation of the practice. A major outcome of these joint explorations and reflections was the positioning of the performative work within the philosophical Antiocular-centric discourse referred to in my doctorate work. The experience of myself, ‘knowing’ the space whilst blind-folded through the sensory medium of touch, had to be conducted in front of an audience. This action was contextualised in relation to the documentation (pre-recorded or live) of the same action happening in a space without an audience. My thoughts and working diary were collected in a publication together with other essays, to produce a collection of fragments based upon the findings of these inter-related explorations.