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Items where Subject is "BH Aesthetics"

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Group by: Creators | Item Type
Jump to: C | H | M | N | P | R
Number of items at this level: 18.

C

Corby, Vanessa (2017) The Affirmation of Social Class in the Drawings of Sally Taylor. Drawing: Research, Theory, History, Practice, 2 (2). pp. 363-374.

Corby, Vanessa (2016) Art Matters: Studios, Material Diversity and Neoliberalism. In: Future Now : Aesthetica Art Prize Anthology 2016. York, Aesthetica Magazine, pp. 10-12

Corby, Vanessa (2014) Artist Animal (By Steve Baker). Visual Studies, 30 (1). pp. 116-117.

Corby, Vanessa (2018) ‘Formless, Bataille and the re-materialisation of the social’. In: Art, Materiality and Representation, 1-3 June 2018, British Museum/SOAS, London. (Unpublished)

Corby, Vanessa (2019) Maternity meets Modernity: Virginia Bodman's transformation of maternal experience through the work of Pablo Picasso and Keith Vaughan. Journal Visual Art Practice. (Submitted)

Corby, Vanessa (2017) ‘The Sedimentation of the Social: Smithson’s Egypt and the ruins of the death drive’. In: Society for Literature, Science and the Arts European Annual Conference, 20-24 June 2017, Basel.

Corby, Vanessa (2017) The Sedimentation of the Social: Spiral Jetty and the Ruins of the Death Drive. The Sculpture Journal, 26 (2).

H

Hutchinson, Mark (2017) ‘Strange and dead the ghosts appear’:
Mythic absence in Hölderlin, Adorno and Kurtág. In: Intertextuality in Music since 1900. Not yet determined (Submitted)

M

Mitman, Tyson (2018) The Art of Defiance: Graffiti, Politics and the Reimagined City in Philadelphia. Intellect

N

Nedelkopoulou, Eirini (2015) 'The In-common of Phenomenology: Performing KMA’s Congregation'. In: Bleeker, Maaike, Foley Sherman, Jon and Nedelkopoulou, Eirini, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge, pp. 152-172

Nedelkopoulou, Eirini (2016) Reconsidering Liveness in the Age of Digital Implication. In: Reason, Matthew and Lindelof, Anja, (eds.) Experiencing liveness in contemporary performance: interdisciplinary perspectives. Routledge, pp. 215-228

Nedelkopoulou, Eirini, Bleeker, Maaike and Foley Sherman, Jon (2015) ‘Introduction’ to Performance and Phenomenology: Traditions and Transformations. In: Bleeker, Maaike, Foley Sherman, Jon and Nedelkopoulou, Eirini, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge, pp. 1-16

P

Peters, Gary (2013) Affirming Art: Heidegger and the Sense of a Beginning. Philosophy Study, 3 (10). pp. 958-973.

Peters, Gary (2013) Ahead of Yes and No: Heidegger on Not Knowing and Art. In: Fisher, Elizabeth and Fortnum, Rebecca, (eds.) On Not Knowing: How Artists Think. Black Dog Publishing, pp. 110-119

Peters, Gary (2016) What is a Live Event? In: Reason, Matthew and Lindelof, Anja, (eds.) Experiencing liveness in contemporary performance: interdisciplinary perspectives. 1 ed. Routledge, pp. 163-177

R

Reifenstein, Tilo (2019) Between sensuous and making-sense-of: an introduction. Open Arts Journal (7). pp. 1-9.

Reifenstein, Tilo (2019) Paperchase. Open Arts Journal (7). pp. 107-124.

Reifenstein, Tilo (2019) Writing Art: Challenges to a literary practice. In: Association for Art History Annual Conference 2019, 4th - 6th April 2019, Brighton, UK. (Unpublished)

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