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Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) The Affirmation of Social Class in the Drawings of Sally Taylor. Drawing: Research, Theory, History, Practice, 2 (2). pp. 363-374.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2016) Art Matters: Studios, Material Diversity and Neoliberalism. In: Future Now : Aesthetica Art Prize Anthology 2016. York, Aesthetica Magazine, pp. 10-12

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2014) Artist Animal (By Steve Baker). Visual Studies, 30 (1). pp. 116-117.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2018) ‘Formless, Bataille and the re-materialisation of the social’. In: Art, Materiality and Representation, 1-3 June 2018, British Museum/SOAS, London. (Unpublished)

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2021) Maternity beyond metaphor: painting, the studio, and the lived experience of sexual difference in the work of Virginia Bodman. Journal Visual Art Practice, 7 (1-2). pp. 3-38.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) ‘The Sedimentation of the Social: Smithson’s Egypt and the ruins of the death drive’. In: Society for Literature, Science and the Arts European Annual Conference, 20-24 June 2017, Basel.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) The Sedimentation of the Social: Spiral Jetty and the Ruins of the Death Drive. The Sculpture Journal, 26 (2). pp. 193-216.

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Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 (2021) ‘Strange and dead the ghosts appear’: Mythic absence in Hölderlin, Adorno and Kurtág. In: Kostka, Violetta, de Castro, Paulo F. and Everett, William A., (eds.) Intertextuality in Music since 1900. Routledge, pp. 185-201

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Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103 (2023) The Eschatological Rhythms of Beauty in Jean-Louis Chrétien's Phenomenology. In: Gonzales, Philip and McMeans, Joseph Micah, (eds.) Finitude's Wounded Praise: Responses to Jean-Louis Chrétien. Wipf & Stock

Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103 (2023) Terrence Malick’s Ephemeral and Eternal Images: Deleuze, Time-Image, and Montage. In: DeLay, Steven, (ed.) Life Above the Clouds: Philosophy in the Films of Terrence Malick. SUNY Press

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Mitman, Tyson ORCID: https://orcid.org/0000-0003-4093-8485 (2018) The Art of Defiance: Graffiti, Politics and the Reimagined City in Philadelphia. Chicago, Intellect

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Nedelkopoulou, Eirini (2015) 'The In-common of Phenomenology: Performing KMA’s Congregation'. In: Bleeker, Maaike, Foley Sherman, Jon and Nedelkopoulou, Eirini, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge advances in theatre and performance studies . Oxford; New York, Routledge, pp. 152-172

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Peters, Gary (2013) Affirming Art: Heidegger and the Sense of a Beginning. Philosophy Study, 3 (10). pp. 958-973.

Peters, Gary (2013) Ahead of Yes and No: Heidegger on Not Knowing and Art. In: Fisher, Elizabeth and Fortnum, Rebecca, (eds.) On Not Knowing: How Artists Think. Black Dog Publishing, pp. 110-119

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Reifenstein, Tilo (2015) Always already fragmentary. In: Theme and Variation conference, 12–13 Jun. 2015, University of Łódź, Poland. (Unpublished)

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Reifenstein, Tilo (2020) Between the visible and the legible: Raymond Pettibon’s 'I' caught in translation. In: Deckert, Mikołaj, Kocot, Monika and Majdzińska-Koczorowicz, Aleksandra, (eds.) Moving between Modes: Papers in Intersemiotic Translation (In Memoriam Professor Alina Kwiatkowska). Łódź, Łódź University Press, pp. 107-119

Reifenstein, Tilo (2019) Ideal identities and impossible translations: drawing on writing and writing on drawing. In: Riquet, Johannes and Heusser, Martin, (eds.) Imaging identity: text, mediality and contemporary visual culture. Cham, Switzerland, Palgrave Macmillan, pp. 105-122

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Reifenstein, Tilo (2017) Paperchase. In: Material Culture in Action: Practices of Making, Collecting and Re-enacting Art and Design conference, 7–8 Sep. 2015, Glasgow School of Art. (Unpublished)

Reifenstein, Tilo (2020) Reading between the lines: W.G. Sebald’s words and pictures as propositions for art history as a literary practice. In: PERLEGO: Critical Perspectives on Image and Text, 19-22 Oct 2020, Oxford, UK. (Unpublished)

Reifenstein, Tilo (2020) Von den Verflechtungen der künstlerischen Forschung mit dem Schreiben als Praxis. In: How to Arts Education Research: Wissenspraxen zwischen Kunst und Bildung, 5-6th November 2020, Karlsruhe, Germany. (Unpublished)

Reifenstein, Tilo (2019) W.G. Sebald’s words and pictures: propositions for art history as a literary practice. In: Memory, Word and Image: W.G. Sebald's Artistic Legacies, 12-14 Dec 2019, Amsterdam, Netherlands. (Unpublished)

Reifenstein, Tilo (2014) Wave, fold, hinge. In: Riddles of Form: Exploration and Discovery in Word and Image, 10th International IAWIS/AIERTI conference and 21st Scottish Word and Image Group conference, 11–15 Aug. 2014, University of Dundee. (Unpublished)

Reifenstein, Tilo (2019) Writing (art history) as material practice. In: Quarto Congresso Svizzero di Storia dell’Arte (Fourth Swiss Congress for Art History), 06-08 Jun 2019, Mendrisio, Switzerland. (Unpublished)

Reifenstein, Tilo (2019) Writing Art: Challenges to a literary practice. In: Association for Art History Annual Conference 2019, 4th - 6th April 2019, Brighton, UK. (Unpublished)

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Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2021) Historical Perspective of Gender Typed Participation in the Performing Arts in Sri Lanka During the Pre-Colonial, The Colonial Era, and the Post- Colonial Eras. International Journal of Social Science And Human Research, 4 (5). pp. 989-997.

Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2021) What influence do the Sri Lankan Folk theatre and Dance traditions have on Sri Lankan society? Technium Social Sciences Journal, 18 (1). pp. 697-711.