B

Bennett, Naomi P., Erçin, N. Eda ORCID: https://orcid.org/0000-0002-2707-9543, Langner, Greg, Kruchinina, Irina, Middleton, Johanna and Sampson, Cynthia (2024) Being Virtual Together: Creating Connection in "dist[Sense]". International Journal of Performance Arts and Digital Media, 20 (3). pp. 543-562.

C

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2024) Art, prejudice and privilege: disciplinary elitism, students from poor and working-class communities and epistemic justice. In: Meredith, Margaret ORCID: https://orcid.org/0000-0003-4541-3821, (ed.) Knowing better: Universities and epistemic justice in a plural world. Knowing better: Universities and epistemic justice in a plural world . Springer

Cullen, Charlotte (2022) The Voice Falters PANIC! Commission. [Artefact]

E

Ercin, Nazlihan Eda ORCID: https://orcid.org/0000-0002-2707-9543, Spatz, Ben and Mendel, Agnieszka (2021) Działoszyce: Song, Border, Body. [Video]

G

Golbourn, Jordana Elizabeth (2020) The use of metaphor in personal and community narratives: Women in the Criminal Justice System and the Shakespeare on Screen in Prison project. Masters thesis, York St John University.

H

Hind, Claire and Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2025) The Mobilities of Deep Time: An Anthro-apology from The Long Dead Stars. Mobility humanities, 4 (1). pp. 138-156.

Hind, Claire and Winters, Gary (2018) Dream Yards. [Performance]

K

Kolaiti, Christina (2020) Mal de débarquement. UK, Inprint

Kolaiti, Christina (2019) Metafora: Narratives of Floating and Guided Visualisation. In: Metafora: Narratives of Floating and Guided Visualisation, 28 February 2019, St Peter’s School, Clifton, York.

Kolaiti, Christina (2020) On The Accounts of The Deceased. [Show/Exhibition]

Kolaiti, Christina (2018) SSW 30 Knots or Boukadoura. [Show/Exhibition]

M

McDonagh, Briony ORCID: https://orcid.org/0000-0003-3078-139X, Brookes, Edward, Smith, Kate, Worthen, Hannah, Coulthard, Tom J., Hughes, Gill, Mottram, Stewart, Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X and Chamberlain, Jack (2023) Learning histories, participatory methods and creative engagement for climate resilience. Journal of Historical Geography, 82. pp. 91-97.

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 and Johnson, Wayne (2021) Contemporary Gothic and Horror Film: Transnational Perspectives. New York, Anthem Press

N

Nattress, Clare Melissa ORCID: https://orcid.org/0000-0002-3296-4264 and Byrant, Daniel (2023) Discipline Hopping for Environmental Solutions: An Art-Science Collaboration. Active Travel Studies, 3 (2).

R

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2022) Playful Research. In: Snyder-Young, Dani and Omasta, Matt, (eds.) Impacting Theatre Audiences: Methods for Studying Change. Routledge

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2024) Together while apart: Interrogating togetherness in the context of COVID-19 and online community arts practice. In: Gray, Karen and Tischler, Victoria, (eds.) Creative approaches to wellbeing: The pandemic and beyond. Manchester University Press, pp. 42-62

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236, Acton, Kelsie ORCID: https://orcid.org/0009-0002-2041-9493 and Foulds, Daniel (2025) Cognitive Accessibility, Ethics and Rights in Research. Performance Matters. (In Press)

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 and Schuitema, Karian (2021) Theater for Children and Young People. In: Montgomery, Heather, (ed.) Oxford Bibliographies in Childhood Studies. New York, Oxford University Press

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 and Ward, Charli (2021) Improving, Achieving, Excelling: Developing Inclusive Assessment Processes for a Degree-Level Learning Disability Arts Programme. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (1). pp. 137-146.

S

Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2021) Historical Perspective of Gender Typed Participation in the Performing Arts in Sri Lanka During the Pre-Colonial, The Colonial Era, and the Post- Colonial Eras. International Journal of Social Science And Human Research, 4 (5). pp. 989-997.

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2018) Directing Theatrical Space : Meyerhold's Reconstruction of the Theatre. In: Great European Stage Directors, volume 2: Meyerhold, Piscator, Brecht. Methuen Drama

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2016) Exploring the hinterlands: avant-garde temporality, socialist realism, and Pogodin's Aristocrats. Studies in Theatre and Performance, 36 (3). pp. 257-268.

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2022) Looking at Meyerhold's Unseen Theatre. In: The Routledge Companion to Vsevolod Meyerhold. Routledge

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2017) Metaphor, Mythology and Metonymy: Russian Scenography in the Yeltsin era. In: Aronson, Arnold, (ed.) The Routledge Companion to Scenography. Routledge

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2015) Meyerhold and the Cubists. Intellect/University of Chicago Press

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2013) More than the Sum of their Parts: Ensemble in the Theatre of Vsevolod Meyerhold. In: Brittan, Jon, (ed.) Encountering Ensemble. Bloomsbury

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2017) Performance Translation: Digitization, desire, intention and interpretation in photographic documentation. In: Documenting Performance: The context and processes of digital curation and archiving. Bloomsbury

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2012) Riding the Waves: Biomechanics in Britain. In: Pitches, Jonathan, (ed.) Russians in Britain: British theatre and the Russian tradition of actor training. Routledge

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2018) Spotlights and Searchlights. Culture Matters.

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2015) Surfaces, depths and hypercubes: Meyerholdian scenography and the fourth dimension. Theatre and Performance Design, 1 (3). pp. 204-219.

W

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2022) 100 Queer Poems: Carrying in the Mouth. In: 100 Queer Poems. 1 ed. London, Vintage, pp. 17-19

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2020) Clench. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2021) Dressing (2021). [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2021) Language-based Artistic Research Gathering: A Collateral Reading. In: Language-based Artistic Research Gathering A Collateral Reading – Engaging / Connecting / Relating, April 7th 2021, Online.

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2022) Low (Gray Door). [Performance] (Unpublished)

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2025) Queer is the Opposite of Police. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2021) Soft. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2024) Sweal. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2024) Twenty Truant Shapes. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2024) Writing Performances of the Vocal Body. Journal of Writing in Creative Practice, 16 (1). pp. 67-84.