B

Bennett, Naomi P., Erçin, N. Eda ORCID: https://orcid.org/0000-0002-2707-9543, Langner, Greg, Kruchinina, Irina, Middleton, Johanna and Sampson, Cynthia (2024) Being Virtual Together: Creating Connection in "dist[Sense]". International Journal of Performance Arts and Digital Media, 20 (3). pp. 543-562.

C

Cassidy, Lucy, Glarin, Anna, Little, Alice ORCID: https://orcid.org/0009-0004-2214-5814 and Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2026) Co-creative research with children and young people: A conversation about practice. Journal of Child and Youth Cultures, 42 (72).

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2024) Art, prejudice and privilege: disciplinary elitism, students from poor and working-class communities and epistemic justice. In: Meredith, Margaret ORCID: https://orcid.org/0000-0003-4541-3821, (ed.) Knowing better: Universities and epistemic justice in a plural world. Knowing better: Universities and epistemic justice in a plural world . Springer

Cullen, Charlotte (2022) The Voice Falters PANIC! Commission. [Artefact]

E

Ercin, Nazlihan Eda ORCID: https://orcid.org/0000-0002-2707-9543, Spatz, Ben and Mendel, Agnieszka (2021) Działoszyce: Song, Border, Body. [Video]

G

Glarin, Anna (2026) Power With the Young People - Withness in Theatre-Making An Exploration of the Potential and Possibilities of Making Theatre with Young People. Doctoral thesis, York St John University.

Golbourn, Jordana Elizabeth (2020) The use of metaphor in personal and community narratives: Women in the Criminal Justice System and the Shakespeare on Screen in Prison project. Masters thesis, York St John University.

H

Heinemeyer, Catherine ORCID: https://orcid.org/0000-0001-6300-5544 (2025) Grounded Imaginaries: Performance projects and performing potencia in a university Living Lab. In: Theatre and Performing Arts Research Association annual conference, 27-29 Aug 2025, University of Warwick.

Heinemeyer, Catherine ORCID: https://orcid.org/0000-0001-6300-5544 (2026) The Tale Exchange: telling stories around corners to craft a commons. In: Wilson, Mike, Underwood-Lee, Emily and Liguori, Antonia, (eds.) Storytelling Research Methods. 1st ed. Routledge

Heinemeyer, Catherine ORCID: https://orcid.org/0000-0001-6300-5544 (2025) Why are climate stories hard to tell? Performance extract and commentary. In: Storytelling Collection Storytelling as, and for, Sustainability. Mistra Environmental Communication, pp. 6-9

Hind, Claire and Wilsmore, Robert ORCID: https://orcid.org/0000-0003-1584-6239 (2025) The Mobilities of Deep Time: An Anthro-apology from The Long Dead Stars. Mobility humanities, 4 (1). pp. 138-156.

Hind, Claire and Winters, Gary (2018) Dream Yards. [Performance]

K

Karathanasopoulou, Evi ORCID: https://orcid.org/0000-0001-7055-6555 and Williams, Helen (2021) Disembodiment and The Heart: Podcasting as a Safe Space for the Discussion of Intimate Embodied Experience. In: Oral History and the Media.

Kolaiti, Christina (2020) Mal de débarquement. UK, Inprint

Kolaiti, Christina (2019) Metafora: Narratives of Floating and Guided Visualisation. In: Metafora: Narratives of Floating and Guided Visualisation, 28 February 2019, St Peter’s School, Clifton, York.

Kolaiti, Christina (2020) On The Accounts of The Deceased. [Show/Exhibition]

Kolaiti, Christina (2018) SSW 30 Knots or Boukadoura. [Show/Exhibition]

M

McDonagh, Briony ORCID: https://orcid.org/0000-0003-3078-139X, Brookes, Edward, Smith, Kate, Worthen, Hannah, Coulthard, Tom J., Hughes, Gill, Mottram, Stewart, Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X and Chamberlain, Jack (2023) Learning histories, participatory methods and creative engagement for climate resilience. Journal of Historical Geography, 82. pp. 91-97.

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 and Johnson, Wayne (2021) Contemporary Gothic and Horror Film: Transnational Perspectives. New York, Anthem Press

N

Nattress, Clare Melissa ORCID: https://orcid.org/0000-0002-3296-4264 and Byrant, Daniel (2023) Discipline Hopping for Environmental Solutions: An Art-Science Collaboration. Active Travel Studies, 3 (2).

R

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2022) Playful Research. In: Snyder-Young, Dani and Omasta, Matt, (eds.) Impacting Theatre Audiences: Methods for Studying Change. Routledge

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2024) Together while apart: Interrogating togetherness in the context of COVID-19 and online community arts practice. In: Gray, Karen and Tischler, Victoria, (eds.) Creative approaches to wellbeing: The pandemic and beyond. Manchester University Press, pp. 42-62

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2025) nestezie, empatie a potĕšenī s nimi spojená’. In: Hayashi, Lucie and Gremlicova, Dorota, (eds.) Tanečnī vĕda. NAMU, pp. 274-303

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236, Acton, Kelsie ORCID: https://orcid.org/0009-0002-2041-9493 and Foulds, Daniel (2025) Cognitive Accessibility, Ethics and Rights in Research. Performance Matters, 11 (1-2). pp. 153-175.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 and Schuitema, Karian (2021) Theater for Children and Young People. In: Montgomery, Heather, (ed.) Oxford Bibliographies in Childhood Studies. New York, Oxford University Press

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 and Ward, Charli (2021) Improving, Achieving, Excelling: Developing Inclusive Assessment Processes for a Degree-Level Learning Disability Arts Programme. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (1). pp. 137-146.

S

Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2021) Historical Perspective of Gender Typed Participation in the Performing Arts in Sri Lanka During the Pre-Colonial, The Colonial Era, and the Post- Colonial Eras. International Journal of Social Science And Human Research, 4 (5). pp. 989-997.

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2018) Directing Theatrical Space : Meyerhold's Reconstruction of the Theatre. In: Great European Stage Directors, volume 2: Meyerhold, Piscator, Brecht. Methuen Drama

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2016) Exploring the hinterlands: avant-garde temporality, socialist realism, and Pogodin's Aristocrats. Studies in Theatre and Performance, 36 (3). pp. 257-268.

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2022) Looking at Meyerhold's Unseen Theatre. In: The Routledge Companion to Vsevolod Meyerhold. Routledge

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2017) Metaphor, Mythology and Metonymy: Russian Scenography in the Yeltsin era. In: Aronson, Arnold, (ed.) The Routledge Companion to Scenography. Routledge

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2015) Meyerhold and the Cubists. Intellect/University of Chicago Press

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2013) More than the Sum of their Parts: Ensemble in the Theatre of Vsevolod Meyerhold. In: Brittan, Jon, (ed.) Encountering Ensemble. Bloomsbury

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2017) Performance Translation: Digitization, desire, intention and interpretation in photographic documentation. In: Documenting Performance: The context and processes of digital curation and archiving. Bloomsbury

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2012) Riding the Waves: Biomechanics in Britain. In: Pitches, Jonathan, (ed.) Russians in Britain: British theatre and the Russian tradition of actor training. Routledge

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2018) Spotlights and Searchlights. Culture Matters.

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2015) Surfaces, depths and hypercubes: Meyerholdian scenography and the fourth dimension. Theatre and Performance Design, 1 (3). pp. 204-219.

Skinner, Amy ORCID: https://orcid.org/0000-0002-0790-741X (2026) Theatre and Neurodiversity. Theatre And . Bloomsbury: Methuen Drama (In Press)

W

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2022) 100 Queer Poems: Carrying in the Mouth. In: 100 Queer Poems. 1 ed. London, Vintage, pp. 17-19

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2020) Clench. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2021) Dressing (2021). [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2021) Language-based Artistic Research Gathering: A Collateral Reading. In: Language-based Artistic Research Gathering A Collateral Reading – Engaging / Connecting / Relating, April 7th 2021, Online.

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2022) Low (Gray Door). [Performance] (Unpublished)

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2025) Queer is the Opposite of Police. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2021) Soft. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2024) Sweal. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2024) Twenty Truant Shapes. [Performance]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2024) Writing Performances of the Vocal Body. Journal of Writing in Creative Practice, 16 (1). pp. 67-84.