C

Curtis, Abi (2018) 'The Eye'. In: Topiwala, Kirty, (ed.) Beneath the Skin: Great Writers on the Body. 1 ed. London, Wellcome Collection, pp. 55-67

H

Hall, Jenny ORCID: https://orcid.org/0000-0002-5200-4308, Avner, Zoe and Boocock, Emma (2021) Moving Mountains: Gender, Politics and Change in Mountaineering. United Kingdom, Palgrave Macmillan (In Press)

K

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2014) Haunting History: Women, Catholicism, and the Writing of National History in Sophia Lee's The Recess. In: Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 and Chappell, Julie, (eds.) Women During the English Reformations: renegotiating gender and religious identity. New York and London, Palgrave Macmillan (USA), pp. 129-144

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2017) "How do you like my darkness now?": Women, Violence, and the 'Good Bad' Girl in Buffy the Vampire Slayer. In: Chappell, Julie and Young, Mallory, (eds.) Bad girls and transgressive women in popular television, fiction and film. USA, Palgrave Macmillan, pp. 15-31

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2015) Rethinking Surrender: Elizabeth Inchbald and the 'Catholic Novel'. In: Barnard, Teresa, (ed.) British Women and the Intellectual World in the Long Eighteenth Century. Abingdon, Routledge, pp. 87-106

L

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2021) The Caribbean and Britain. In: Cummings, Ronald and Donnell, Alison, (eds.) Caribbean Literature in Transition, 1970–2020. Caribbean Literature in Transition, 3 . Cambridge, CUP

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2018) Culinary Cultures: Food and the Postcolonial. Journal of Postcolonial Writing, 54 (4). pp. 439-441.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Jay Bernard’s Surge: Archival Interventions in Black British Poetry'. Journal for Literary and Intermedial Crossings, 6 (2). c1-c26.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2001) Making with their Rhythms something torn and new: the literatures of Jamaica and Trinidad. In: Arnold, James and Kutzinski, Vera, (eds.) A history of literature in the Caribbean: Vol.2 (English- and Dutch-speaking regions). New York; Amsterdam, John Benjamins Publishing Company, pp. 69-95

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Not Just a Canadian Writer: 'Membering Austin Clarke'. Canadian Literature: A Quarterly of Criticism and Review.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Reading Against the Grain: Reading The Long Song intertextually'. ARIEL: An international Review of English, 53 (1-2). pp. 193-197.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2009) Rerouting the Postcolonial: new directions for the new millennium. Routledge

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1997) ‘(Un) belonging Citizens - Unmapped Territory: Immigration and Black British Identity in the post 1945 period’. In: Murray, Stuart, (ed.) Not On Any Map - Essays on Postcoloniality and Cultural Nationalism. Exeter, Exeter University Press, pp. 43-66

O

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2022) A Tentacular Teratology: The Abcanny Monstrous. Fantastika Journal, 6 (1). pp. 56-72.

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2016) “A Tourist Guide to Besźel and Ul Qoma”: Unseeing, the Brutality of Borders and the Re-interpretation of Psychogeography in China Miéville’s The City and the City. The Luminary, 7 (1). pp. 75-87.

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2016) ‘Weird Pictures, Monster Mansions and Time Pockets: Gothic Obscurities and Temporal Displacement in Miss Peregrine’s Home for Peculiar Children’. In: Temporal Discombobulations conference, 22-24 August 2016, University of Surrey. (Unpublished)

R

Reifenstein, Tilo (2018) The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing. In: Kennedy, David and Meek, Richard, (eds.) Ekphrastic Encounters: New Interdisciplinary Essays on Literature and the Visual Arts. Manchester, Manchester University Press, pp. 203-218

S

Saroukhani, Henghameh, Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X and Perfect, Michael (2022) Afterlives, Aftermaths: Levy Studies in the Twenty-First Century. ARIEL, 53 (1-2). pp. 7-24.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2017) Property, Patriotism and Independence: The Figure of the Freeholder in Eighteenth-Century Partisan Print. Journal for Eighteenth Century Studies, 40 (3). pp. 345-362.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2015) The Blind Logic of Plants: Enlightenment and Evolution in John Wyndham's The Day of the Triffids. Science Fiction Studies, 42 (3). pp. 433-457.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2016) The Future-as-past in Dystopian Fiction. Poetics Today, 37 (3). pp. 415-442.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2018) Modern Dystopian Fiction and Political Thought: Narratives of World Politics. Popular Culture and World Politics . London, Routledge

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2012) Of Pigs and Men: The Politics of Nature in the Fiction of George Orwell. In: Keeble, Richard Lance, (ed.) George Orwell Today. Bury St Edmunds, Abramis Press, pp. 38-53

W

Wylie, Alex (2011) Eros in Geoffrey Hill's Scenes from Comus. English: Journal of the English Association, 60 (230). pp. 198-211.

Wylie, Alex (2014) “'This: “Ad Socium”?': Verbal Power in Geoffrey Hill's The Triumph of Love.”. English: Journal of the English Association, 63 (423). pp. 330-346.