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Items where Subject is "PN2000 Dramatic representation. The Theatre"

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Group by: Creators | Item Type
Number of items at this level: 42.

Article

Chatzichristodoulou, Maria, Lavender, Andy and Nedelkopoulou, Eirini (2017) Preamble Encountering the Digital in Performance: Deployment |Engagement |Trace. Contemporary Theatre Review, 27 (3). pp. 309-310.

Nedelkopoulou, Eirini (2017) Attention Please! Changing Modes of Engagement in Device-enabled One-to-one Performance Encounters. Contemporary Theatre Review, 27 (3). pp. 353-365.

Nedelkopoulou, Eirini (2011) Walking out on our bodies. Participation as ecstasis in Janet Cardiff's walks. Performance Research, 16 (4). pp. 117-123.

Pendle, Andrew and Rowe, Nick (2010) Beyond dramatic truth: theatre within the therapeutic encounter. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (1). pp. 89-102.

Raby, Julie (2015) Review of Shakespeare's Henry IV Parts One and Two (directed by Gregory Doran for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 23 August 2014, Theatre Royal Newcastle, 1 October 2014 and Lowry, Manchester, 22 October 2014. Shakespeare, 11 (3). pp. 325-327.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2006) Audience. Performance Research, 11 (3). pp. 7-10.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2017) Representing Soldiers to Soldiers through Dance: Authenticity, Theatricality and Witnessing the Pain of Others. Dance Research Journal, 49 (2). pp. 79-95.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2008) Thinking Theatre: Enhancing Children’s Theatrical Experiences Through Philosophical Enquiry. Childhood and Philosophy, 4 (7). pp. 115-145.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2006) Young audiences and live theatre, Part 1: methods, participation and memory in audience research. Studies in Theatre and Performance, 26 (2). pp. 129-145.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 and Heinemeyer, Catherine ORCID: https://orcid.org/0000-0001-6300-5544 (2016) Storytelling, story-retelling, storyknowing: towards a participatory practice of storytelling. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (4). pp. 558-573.

Stripe, Adelle (2017) Why the Royal Court is right to reinstate Rita, Sue and Bob Too. New Statesman.

Walker, Nathan (2016) Condensations. Uniformagazine, 7.

Walker, Nathan (2014) Permutation and Randomness in the Action Score Generator. Journal of writing in creative practice, 7 (1). pp. 213-221.

Wilsmore, Robert (2009) The Last Performance [dot org]: an impossible collaboration. Journal of writing in creative practice, 2 (1). pp. 15-25.

Book Section

Bradbury, Janine (2016) Grappling and ga(y)zing: gender, sexuality, and performance in the WWE debut of Goldust and Marlena. In: Chow, Broderick, Laine, Eero and Warden, Claire, (eds.) Performance and professional wrestling. Routledge, pp. 107-117

Conlon, Rachel (2020) The Meeting Place: Collaborative Learning in a University-Prison Partnership. In: McAvinchey, Caoimhe, (ed.) Women and the Criminal Justice System. Applied Theatre . Methuen Drama (Bloomsbury), pp. 173-186

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2019) Participatory audiencing and the committed return. In: Kolesch, Doris, Schütz, Theresa and Nikoleit, Sophie, (eds.) Staging spectators in immersive performances: commit yourself! Taylor & Francis

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2018) What Makes a Theatre Goer? Habitus, Identity and Interest Development in Adolescent Audiences to Shakespeare. In: Banks, Fiona, (ed.) Shakespeare: Actors and Audience. Bloomsbury

Walkling, Saffron (2018) Denmark’s a Prison: Appropriating Modern Myths of Hamlet After 1989 in Lin Zhaohua’s Hamulaite and Jan Klata’s H. In: Mancewicz, Aneta and Joubin, Alexa Alice, (eds.) Local and Global Myths in Shakespearean Performance. Reproducing Shakespeare . Springer, pp. 155-171

Williams, Gweno (2013) Creative approaches to drama in the English classroom. In: Birketveit, Anna and Williams, Gweno, (eds.) Literature for the English classroom: theory into practice. Fagbokforlaget

Williams, Gweno, Findlay, A. and Hodgson-Wright, S. (2005) Payments, Permits and Punishments: Women Performers and the Politics of Place. In: Brown, P. A. and Parolin, P., (eds.) Women Players in England, 1500-1660: Beyond the All-Male Stage. Ashgate, pp. 45-67

Williams, Gweno, Merrylees, John and Richmond, David (2011) Producing The Creation and Fall of Man in twenty-first century York: Thys werke is wroght now. In: Rogerson, Margaret, (ed.) The York Mystery Plays: performance in the City. Boydell and Brewer Limited, York Medieval Press imprint, pp. 145-156

Yore, Sue (2015) 'Seeing Paradise in the Dust of the Streets': A Reflection on Student's Art Projects. In: Kim, Sebastian, Kollontai, Pauline and Yore, Sue, (eds.) Mediating Peace: Reconciliation Through Art, Music and Film. Cambridge Scholars, pp. 74-98

Conference or Workshop Item

Hind, Claire and Jeffery, Mark (2017) Queering Ritual. In: Queering Ritual: International Conference, 3-4 November 2017, York St John University. (Unpublished)

Book

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2010) The young audience: exploring and enhancing children’s experiences of theatre. Trentham Books

Rowe, Nick (2007) Playing the other: dramatizing personal narratives in playback theatre. Jessica Kingsley

Stripe, Adelle and Holdsworth, Lisa (2019) Black Teeth and a Brilliant Smile (Modern Plays). 1st ed. Modern Plays . London, Methuen Drama (Bloomsbury)

Show/Exhibition

Adair, Christy (2013) British dance: Black routes. [Show/Exhibition]

Cologni, Elena (2006) Experiential. [Show/Exhibition]

Cologni, Elena (2001) Public Private Perceptions. [Show/Exhibition]

Cologni, Elena (2003) Tracing. [Show/Exhibition]

Hind, Claire and Winters, Gary (2011) Ghost Track and Kong Lear. [Show/Exhibition]

Marcalo, R A C A (2007) White out conditions. [Show/Exhibition]

Composition

Wilsmore, Robert (2004) Selection 44: The ancient art of Remixing: Exploration of the use of existing music in new compositions and developing new compositional techniques through practice and reflection. [Composition]

Performance

Cologni, Elena (2005) Mnemonic Present, Un-Folding (series). [Performance]

Hind, Claire (2008) Hotel Two Rooms; the practice of adaptation, projection and play in performance. [Performance]

Hind, Claire (2011) Peep. [Performance]

Hind, Claire (2005) Screen test. [Performance]

Hind, Claire and Winters, Gary (2017) Lost in a Sea of Glass and Tin. An international performance in Chicago at the Defibrillator Gallery, Chicago. [Performance] (Unpublished)

Marcalo, R A C A (2004) Crooked Angels. [Performance]

Wilsmore, Robert (2005) The music before the music: Exploring the liminal spaces in sound as music for dance installation and dance theatre: i) Threshold:Fleshfold; and ii) Myths and Stories about her. [Performance]

Video

Williams, Gweno (2004) Margaret Cavendish: plays in performance. [Video]

This list was generated on Tue Apr 13 20:28:23 2021 UTC.