Article

Carruth, Alex and Hill, David ORCID: https://orcid.org/0000-0002-3849-1170 (2015) Identity and distinctness in online interaction: encountering a problem for narrative accounts of self. Ethics and Information Technology, 7 (2). pp. 103-112.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2014) Artist Animal (By Steve Baker). Visual Studies, 30 (1). pp. 116-117.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2021) Maternity beyond metaphor: painting, the studio, and the lived experience of sexual difference in the work of Virginia Bodman. Journal Visual Art Practice, 7 (1-2). pp. 3-38.

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2017) The Sedimentation of the Social: Spiral Jetty and the Ruins of the Death Drive. The Sculpture Journal, 26 (2). pp. 193-216.

Fernandes-Jesus, Maria ORCID: https://orcid.org/0000-0002-8868-1968, Malafaia, Carla, Ferreira, Pedro D., Cicognani, Elvira and Menezes, Isabel (2012) The many faces of Hermes: The quality of participation experiences and political attitudes of migrant and non-migrant youth. Human Affairs: Postdisciplinary Humanities & Social Sciences Quarterly, 22 (3). pp. 434-447.

Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 and Symons, Kate (2020) The Geographies of extinction: Exploring the spatio-temporal relations of species death. Environmental Humanities, 12 (1). pp. 296-320.

Jesson, Stuart ORCID: https://orcid.org/0000-0001-8826-0314 (2014) On the Ambiguity of Forgiveness. Philosophy and Theology, 26 (1). 131 -150.

Jesson, Stuart ORCID: https://orcid.org/0000-0001-8826-0314 (2014) Simone Weil: Suffering, Attention and Compassionate Thought. Studies in Christian Ethics, 27 (2). pp. 185-201.

Jesson, Stuart ORCID: https://orcid.org/0000-0001-8826-0314 (2019) ‘The question in each and every thing’: Nietzsche and Weil on affirmation. International Journal for Philosophy of Religion, 86 (2). pp. 131-155.

McIntosh, Esther ORCID: https://orcid.org/0000-0003-1819-8353 (2018) Living Religion: The Fluidity of Practice. International Journal of Philosophy and Theology, 79 (4). pp. 383-396.

McIntosh, Esther ORCID: https://orcid.org/0000-0003-1819-8353 (2015) Why We Need the Arts: John Macmurray on Education and the Emotions. Educational Philosophy and Theory, 47 (1). pp. 47-60.

McIntosh, Esther ORCID: https://orcid.org/0000-0003-1819-8353, MacDonald, Don and Sink, Chris (2016) Macmurray on Relationality: A Tool for Systems Theory? Philosophy and Theology, 28 (1). pp. 207-224.

Mitman, Tyson ORCID: https://orcid.org/0000-0003-4093-8485, Pattwell, Ashley and Porpora, Douglas (2015) Terrorism as Failed Political Communication. International Journal of Communication, 9. pp. 1120-1139.

Peters, Gary (2010) ‘Yes’, ‘No’, ‘Don't Know’. Parallax, 16 (3). pp. 4-15.

Reifenstein, Tilo (2019) Between sensuous and making-sense-of: an introduction. Open Arts Journal (7). pp. 1-9.

Reifenstein, Tilo (2018) Drawing the letter. Drawing: Research, Theory, Practice, 3 (2). pp. 171-186.

Reifenstein, Tilo (2019) Paperchase. Open Arts Journal (7). pp. 107-124.

Reifenstein, Tilo (2021) The sense of the line between drawing and writing. Tracey, 15 (1). pp. 1-11.

Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2021) What influence do the Sri Lankan Folk theatre and Dance traditions have on Sri Lankan society? Technium Social Sciences Journal, 18 (1). pp. 697-711.

Schrodt, Franziska, Bailey, Joseph ORCID: https://orcid.org/0000-0002-9526-7095, Santos, Maria and Field, Richard (2019) Challenges and opportunities for biogeography - what can we still learn from von Humboldt? Journal of Biogeography, 46 (8). pp. 1631-1642.

Selway, Matt ORCID: https://orcid.org/0000-0003-0692-3773 (2020) The Soundtrack of a Leader: Scoring a Psychological Portrait of Megalomania. Journal for Cultural Research.

Symons, Kate and Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 (2020) Introduction to the special issue: Tracing geographies of extinction. Environmental Humanities, 12 (1). pp. 288-295.

Tizro, Zahra (2014) The role of orthodox jurisprudence in dealing with domestic violence against women in Iran. La camera blu (10).

Walton, Joan ORCID: https://orcid.org/0000-0001-9875-0296 (2017) The significance of consciousness studies and quantum physics for creating a spiritual research paradigm. Journal for the Study of Spirituality, 7 (1). pp. 21-34.

Üzelgün, Mehmet Ali, Fernandes-Jesus, Maria ORCID: https://orcid.org/0000-0002-8868-1968 and Küçükural, Önder (2021) Reception of climate activist messages by low-carbon transition actors: argument evasion in the carbon offsetting debate. Argumentation and Advocacy.

Book Section

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2020) Hannah Arendt: Integrity and World. In: Alston, Charlotte, Carpenter, Amber and Wiseman, Rachael, (eds.) Portraits of Integrity. London, Bloomsbury

Brown, Garrett Wallace and Jarvis, Samuel ORCID: https://orcid.org/0000-0002-1987-9751 (2019) Motivating cosmopolitanism and the responsibility for the health of others. In: Beardsworth, Richard, Brown, Garrett Wallace and Shapcot, Richard, (eds.) The State and Cosmopolitan Responsibilities. Oxford, Oxford University Press, pp. 203-223

Couper, Pauline ORCID: https://orcid.org/0000-0003-0083-223X (2022) Positivism. In: Ballamingie, Patricia and Szanto, David, (eds.) Showing Theory to Know Theory: Understanding social science concepts through illustrative vignettes. 1 ed. Ottawa, ON, Showing Theory Press

Cutting, Nicola ORCID: https://orcid.org/0000-0002-3155-9566 (2024) Why do children lack flexibility when making tools? The role of social learning in innovation. In: Charbonneau, Mathieu, (ed.) The Evolution of Techniques: Rigidity and Flexibility in Use, Transmission, and Innovation (Vienna Series in Theoretical Biology). MIT Press, pp. 195-213

Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 (2023) The Total Mountain: Nan Shepherd and the Virtual Qualities of Landscape. In: Hall, Jenny ORCID: https://orcid.org/0000-0002-5200-4308 and Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175, (eds.) The Mountain and the Politics of Representation. Liverpool Studies in the Politics of Popular Culture . Liverpool University Press

Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 and Hunt, Rachel (2022) Landscape. In: Ballamingie, Patricia and Szanto, David, (eds.) Showing Theory to Know Theory. Ottowa, ON, Canada, Showing Theory Press, pp. 232-241

Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 (2021) ‘Strange and dead the ghosts appear’: Mythic absence in Hölderlin, Adorno and Kurtág. In: Kostka, Violetta, de Castro, Paulo F. and Everett, William A., (eds.) Intertextuality in Music since 1900. Routledge, pp. 185-201

Jesson, Stuart ORCID: https://orcid.org/0000-0001-8826-0314 (2017) Compassion, Consolation, and the Sharing of Attention. In: Rozelle-Stone, Rebecca A., (ed.) Simone Weil and Continental Philosophy. Reframing Continental Philosophy of Religion . Rowman & Littlefield, pp. 121-142

Jesson, Stuart ORCID: https://orcid.org/0000-0001-8826-0314 (2015) Traces of resurrection: the pattern of Simone Weil's mysticism. In: Cattoi, Thomas and Moreman, Christopher M., (eds.) Death, dying, and mysticism : the ecstasy of the end. Palgrave

Kesseba, Khaled ORCID: https://orcid.org/0000-0002-6014-7106, Awolowo, Ifedapo Francis and Clark, Murray (2018) Qualitative Research Methodology: A Neo-empiricist Perspective. In: BAM2018 Proceedings. British Academy of Management (BAM). British Academy of Management (BAM)

King, Liesl (2017) On Becoming a Human Animal. In: Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356, (ed.) The York St John Pollination Project: An Anthology of Poetry, prose and Artwork. York St John University, York St John University

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2013) "Excuse me, sir, what does it mean, "to kiss"?": Thinking beyond Universalism and Eurocentric Ideas of Love. In: Peters, Gary and Peters, Fiona, (eds.) Thoughts of love. Newcastle, Cambridge Scholars, pp. 192-206

Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103 (2023) The Eschatological Rhythms of Beauty in Jean-Louis Chrétien's Phenomenology. In: Gonzales, Philip and McMeans, Joseph Micah, (eds.) Finitude's Wounded Praise: Responses to Jean-Louis Chrétien. Wipf & Stock

Lorenz, James ORCID: https://orcid.org/0000-0002-7681-8103 (2023) Terrence Malick’s Ephemeral and Eternal Images: Deleuze, Time-Image, and Montage. In: DeLay, Steven, (ed.) Life Above the Clouds: Philosophy in the Films of Terrence Malick. SUNY Press

McIntosh, Esther ORCID: https://orcid.org/0000-0003-1819-8353 (2007) Community and society: John Macmurray (1891-1976) and New Labour. In: Kim, Sebastian and Kollontai, Pauline, (eds.) Community Identity: Dynamics of Religion in Context. T & T Clark, pp. 69-87

McIntosh, Esther ORCID: https://orcid.org/0000-0003-1819-8353 (2015) John Macmurray as a Scottish Philosopher: The Role of the University and the Means to Live Well. In: Graham, Gordon, (ed.) Scottish Philosophy in the Nineteenth and Twentieth Centuries. A history of Scottish philosophy . Oxford, Oxford University Press, pp. 270-302

McIntosh, Esther ORCID: https://orcid.org/0000-0003-1819-8353 (2017) Learning to be human in a post-liberal era : revisiting a Macmurrian account of arts and ethical relationality. In: Wood, Benjamin J., (ed.) Renewing the self : contemporary religious perspectives. Newcastle upon Tyne, Cambridge Scholars, pp. 96-116

McIntosh, Esther ORCID: https://orcid.org/0000-0003-1819-8353 (2023) Unmasking the Systemic Problem of Evil in Theology: A Feminist Critique. In: Grebe, Matthias and Grössl, Johannes, (eds.) T&T Clark Handbook of Suffering and the Problem of Evil. Bloomsbury, pp. 630-640

Nedelkopoulou, Eirini (2015) 'The In-common of Phenomenology: Performing KMA’s Congregation'. In: Bleeker, Maaike, Foley Sherman, Jon and Nedelkopoulou, Eirini, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge advances in theatre and performance studies . Oxford; New York, Routledge, pp. 152-172

Nedelkopoulou, Eirini, Bleeker, Maaike and Foley Sherman, Jon (2015) ‘Introduction’ to Performance and Phenomenology: Traditions and Transformations. In: Bleeker, Maaike, Foley Sherman, Jon and Nedelkopoulou, Eirini, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge, pp. 1-16

Peters, Gary (2013) Thoughts of love. In: Peters, Gary and Peters, Fiona, (eds.) Thoughts of love. Cambridge Scholars, pp. 1-9

Reifenstein, Tilo (2020) Between the visible and the legible: Raymond Pettibon’s 'I' caught in translation. In: Deckert, Mikołaj, Kocot, Monika and Majdzińska-Koczorowicz, Aleksandra, (eds.) Moving between Modes: Papers in Intersemiotic Translation (In Memoriam Professor Alina Kwiatkowska). Łódź, Łódź University Press, pp. 107-119

Reifenstein, Tilo (2024) (Elektrographisches) Schreiben als Praxis in Bild, Schrift und Material. In: Bartelmus, Martin and Nebrig, Alexander, (eds.) Digitale Schriftlichkeit: Programmieren, Prozessieren und Codieren von Schrift. Literatur in der digitalen Gesellschaft (8). Bielefeld, transcript, pp. 65-82

Reifenstein, Tilo (2019) Ideal identities and impossible translations: drawing on writing and writing on drawing. In: Riquet, Johannes and Heusser, Martin, (eds.) Imaging identity: text, mediality and contemporary visual culture. Cham, Switzerland, Palgrave Macmillan, pp. 105-122

Reifenstein, Tilo (2018) The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing. In: Kennedy, David and Meek, Richard, (eds.) Ekphrastic Encounters: New Interdisciplinary Essays on Literature and the Visual Arts. Manchester, Manchester University Press, pp. 203-218

Shardlow, Jack and Lee, Ruth ORCID: https://orcid.org/0000-0001-8854-1968 (2024) The folk concept of time. In: Emery, Nina, (ed.) Routledge Companion to Philosophy of Time. Routledge (In Press)

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 and Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 (2023) ‘A Green Parrot for a Good Speaker’: Writing with a Birds-eye View in Eliza Haywood’s The Parrot (1746). In: Mckay, Robert and McHugh, Susan, (eds.) Animal satire. Palgrave Studies in Animals and Literature . Palgrave, pp. 137-153

Spokes, Matthew ORCID: https://orcid.org/0000-0002-6456-3879 (2020) Chapter 7. Fear. In: Gaming and the Virtual Sublime: Rhetoric, Awe, Fear, and Death in Contemporary Video Games. Emerald, pp. 103-124

Sztencel, Magdalena (2012) Against referential semantics. In: Bourdier, V., Brehaux, K., Dunphy-Blomfield, J., Frath, P. and Hilgert, E., (eds.) Res-per-nomen III : La référence, la conscience et le sujet énonciateur. Reims, Editions et Presses Universitaires de Reims, pp. 485-498

Watson, Nick J. (2017) Foreword. In: Swinton, John and Brock, Brian, (eds.) A Graceful Embrace: Theological Reflections on Adopting Children. Brill, vii-ix

Conference or Workshop Item

Haines Lyon, Charlotte ORCID: https://orcid.org/0000-0001-8341-744X (2016) ‘Precarious Voices’: From Containment to Dissensus. In: Precarity, Rage and Reason. SWIP 2016, 8-10th July 2016, Brighton University. (Unpublished)

Hayes, Alison ORCID: https://orcid.org/0000-0002-0390-7930, Dodd, Frances and Crabbe, Sarah ORCID: https://orcid.org/0000-0002-3172-5392 (2016) Beautiful Attention. In: Talking About Teaching, 22/1/16, York St John University. (Unpublished)

Lee, Ruth ORCID: https://orcid.org/0000-0001-8854-1968, Shardlow, Jack, Hoerl, Christoph, Fernandes, Alison and McCormack, Teresa (2022) Towards an account of intuitive time. In: Experimental Philosophy (X-PHI) Workshop, 2022, Norwich. (Unpublished)

Lee, Ruth ORCID: https://orcid.org/0000-0001-8854-1968, Shardlow, Jack, Hoerl, Christoph, O'Connor, Patrick A. and McCormack, Teresa (2023) Temporal asymmetries and the relative utility of memory and experience. In: 30th conference of the European Society for Philosophy and Psychology, 28-31 August, 2023, Prague, Czechia. (Unpublished)

Reifenstein, Tilo (2015) Always already fragmentary. In: Theme and Variation conference, 12–13 Jun. 2015, University of Łódź, Poland. (Unpublished)

Reifenstein, Tilo (2013) Between the visible and the legible: words and images caught in translation. In: Intersemiotic Translation conference, 25–27 Sep. 2013, University of Łódź, Poland. (Unpublished)

Reifenstein, Tilo (2022) Digitale Schriftbildlichkeit: Schrift(zeichenbenutzung), Schreiben, Lesen. In: Digitale Schriftlichkeit—Programmieren, Prozessieren und Codieren von Schrift, 9 & 16.12.2022, Düsseldorf, DE. (Unpublished)

Reifenstein, Tilo (2017) Graphic reading—graphic writing. In: Graphic Reading conference, 19 May 2017, University of Birmingham. (Unpublished)

Reifenstein, Tilo (2017) Paperchase. In: Material Culture in Action: Practices of Making, Collecting and Re-enacting Art and Design conference, 7–8 Sep. 2015, Glasgow School of Art. (Unpublished)

Reifenstein, Tilo (2020) Reading between the lines: W.G. Sebald’s words and pictures as propositions for art history as a literary practice. In: PERLEGO: Critical Perspectives on Image and Text, 19-22 Oct 2020, Oxford, UK. (Unpublished)

Reifenstein, Tilo (2013) Transposition im/possible. In: Writing into Art conference, 18–19 Jun. 2013, University of Strathclyde and Kelvingrove Museum & Art Gallery, Glasgow. (Unpublished)

Reifenstein, Tilo (2020) Von den Verflechtungen der künstlerischen Forschung mit dem Schreiben als Praxis. In: How to Arts Education Research: Wissenspraxen zwischen Kunst und Bildung, 5-6th November 2020, Karlsruhe, Germany. (Unpublished)

Reifenstein, Tilo (2019) W.G. Sebald’s words and pictures: propositions for art history as a literary practice. In: Memory, Word and Image: W.G. Sebald's Artistic Legacies, 12-14 Dec 2019, Amsterdam, Netherlands. (Unpublished)

Reifenstein, Tilo (2014) Wave, fold, hinge. In: Riddles of Form: Exploration and Discovery in Word and Image, 10th International IAWIS/AIERTI conference and 21st Scottish Word and Image Group conference, 11–15 Aug. 2014, University of Dundee. (Unpublished)

Reifenstein, Tilo (2019) Writing (art history) as material practice. In: Quarto Congresso Svizzero di Storia dell’Arte (Fourth Swiss Congress for Art History), 06-08 Jun 2019, Mendrisio, Switzerland. (Unpublished)

Reifenstein, Tilo (2019) Writing Art: Challenges to a literary practice. In: Association for Art History Annual Conference 2019, 4th - 6th April 2019, Brighton, UK. (Unpublished)

Reifenstein, Tilo (2017) Writing about pictures about pictures with writing about writing with pictures. In: Images and Texts Reproduced, 11th International IAWIS/AIERTI conference, 10–14 Jul 2017, Université de Lausanne, Switzerland. (Unpublished)

Reifenstein, Tilo (2015) Writing on drawing | drawing on writing. In: Images of Identity conference, 30–31 Jan. 2015, University of Zürich, Switzerland. (Unpublished)

Book

Peters, Gary and Peters, Fiona, eds. (2013) Thoughts of love. Cambridge Scholars

Gohardani, Farhad and Tizro, Zahra (2019) Political Economy of Iran: Development, Revolution and Political Violence. New York, Palgrave

McIntosh, Esther ORCID: https://orcid.org/0000-0003-1819-8353 (2011) John Macmurray’s religious philosophy: what it means to be a person. Ashgate

Peters, Gary (2017) Improvising improvisation : from out of philosophy, music, dance, and literature. Chicago, University of Chicago Press

Peters, Gary (2009) The philosophy of improvisation. University of Chicago Press

Spokes, Matthew ORCID: https://orcid.org/0000-0002-6456-3879 (2020) Gaming and the Virtual Sublime: Rhetoric, Awe, Fear, and Death in Contemporary Video Games. Bingley, Emerald

Yore, Sue (2009) The Mystic Way in Postmodernity : Transcending Theological Boundaries in the Writings of Iris Murdoch, Denise Levertov and Annie Dillard. Religions and discourse . Peter Lang

Thesis

Sanjeewa, Winojith ORCID: https://orcid.org/0000-0001-7880-1500 (2018) The performing artistes in Sri Lanka: the contribution to ethno-religious cohesion through their shaping and challenging of socio-cultural norms. Doctoral thesis, The University of Leeds.

Other

Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 (2020) Book Review: The Wake of Crows: Living and Dying in Shared Worlds. By Thom van Dooren. New York: Colombia University Press. 2019. 272 pp. $35/£30 hardback. ISBN: 9780231182829. SAGE.