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Number of items at this level: 129.

B

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2015) Contemporary British Fiction and the Cultural Politics of Disenfranchisement : freedom and the city. Basingstoke, Palgrave Macmillan

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2018) Dystopia and Euphoria: Time-Space Compression and the City. In: Pollard, Eileen and Schoene, Berthold, (eds.) Accelerated Times: British Literature in Transition, 1980-2000. British Literature in Transition . Cambridge, Cambridge University Press, pp. 273-288

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2014) Exile and Freedom in Jeanette Winterson’s The Passion: Venice, the British Inner Cities, and the Cultural Politics of Disenfranchisement. Contemporary Literature, 55 (2). pp. 270-303.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2012) From Subculture to Urban Pastoral: Mapping the City, Mapping the Left. British politics review : journal of the British Politics Society, Norway, 7 (4). pp. 12-13.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2015) Original Modern or a New Kind of Ordinary? Alluvium, 4 (3).

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2015) Reproductive Politics and the Public Sphere: Natalism, Natality and Apocalypse. In: Dillon, Sarah and Edwards, Caroline, (eds.) Maggie Gee : critical essays. Canterbury, Gylph, pp. 51-77

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2022) Sarah Hall's Material Imagination. In: Sarah Hall: Critical Essays. Canterbury, Gylphi, pp. 195-220 (In Press)

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D'hoker, Elke (2021) Sarah Hall: Critical Essays. Canterbury, Gylphi (In Press)

Booth, Naomi (2014) Bathetic Masochism and the Shrinking Woman. New Formations (83). pp. 47-63.

Booth, Naomi (2014) Feeling Too Much: The Swoon and the (In)Sensible Woman. Women's Writing, 21 (4). pp. 575-591.

Booth, Naomi (2015) The Felicity of Falling : Fifty Shades of Grey and the Feminine Art of Sinking. Women : A Cultural Review, 26 (1-2). pp. 22-39.

Booth, Naomi (2015) Restricted view: the problem of perspective in the novels of Ian McEwan. Textual Practice, 29 (5). pp. 845-868.

Booth, Naomi (2021) Swoon: the poetics of passing out. Manchester University Press

Booth, Naomi (2015) The lost art of sinking. London, Penned in the Margins

C

Campanello, Kimberly (2015) Consent. Doire Press

Campanello, Kimberly (2019) MotherBabyHome. Zimzalla

Campanello, Kimberly (2015) Strange Country. The Dreadful Press

Campanello, Kimberly, Dwyer, Benjamin and Knox, Garth (2015) Imagines. Dublin, New Dublin Press

Curtis, Abi (2020) Freud's Uncanny and Speculative Elegy. Oxford Literary Review, 42 (2). pp. 175-178.

Curtis, Abi (2009) Rethinking the unconscious in creative writing pedagogy. New Writing, 6 (2). pp. 105-116.

Curtis, Abi (2017) Water & Glass. London, Cloud Lodge Books

Curtis, Abi (2012) The glass delusion. Salt Publishing

D

Duché, Elodie ORCID: https://orcid.org/0000-0003-2677-6854 (2016) ‘A sea of stories’: Maritime imagery and imagination in Napoleonic narratives of war captivity. In: Mathieson, Charlotte, (ed.) Sea Narratives: Cultural Responses to the Sea, 1600–Present. Palgrave, pp. 47-79

E

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2016) The Arena Concert: Live and Recorded. In: Salford Postgraduate Workshop, June 2016, Salford University.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2016) Beast. Online. (Submitted)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2022) Chatting With Jarvis - Venue Stories and Music Memoir. In: IASPM Conference, 26-28th May 2022, University of Michigan. (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2023) Chatting with Jarvis. In: Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen, (eds.) Venue Stories From Backroom to Rave Room, from the Toilet Circuit to the Town Hall. Equinox (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2016) Creativity, Practice and Praxis. In: IASPM Conference, BIMM Brighton.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2019) The Driver. In: King, Liesl and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, (eds.) Science Fiction for Survival. Valley Press

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (1998) 'Go Baby Go: the Primal Scream of the American Underground. In: Faces of Conference, June 1998, York St John University.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2017) Hiatus: Music, Memory and Liminal Authenticity. In: Storying the Self, Brighton University.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2019) Lonely This Christmas. In: Christmas Horror Stories from Horrified. Horrified Magazine

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2011) Narrative Tropes in Hitchcock. In: Partners in Suspense: Hitchcock and Hermann, March 2011, York St John University.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (1995) The Nature of Survival in the 21st Century: The Survival of Concern in 1995: John Brunner's "The Long Result" (1965) and "Stand On Zanzibar" (1968). Vector.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2019) Slippery Customers. In: King, Liesl and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, (eds.) Science Fiction for Survival. Valley Press

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2021) Teaching Satire: Death of Stalin. In: English Shared Futures, 7-8th July 2022, Manchester University. (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2006) Will Hay - Ealing Originator. In: Ealing Conference, November 2006, University of Hull.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2018) Woody Allen Schlemiel: Programmed for Subjugation. In: Men Writing Women: Women in the Work of Woody Allen and Beyond, York St John University.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Johnson, Wayne (2020) The Routledge Companion to Folk Horror. Routledge (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2018) Music, Memory and Memoir – an emerging genre. In: Subculture Network, University of Reading.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2022) Venue Stories From Backroom to Rave Room, from the Toilet Circuit to the Town Hall. Equinox (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Marland, John (2022) The Edwardian Legacy: Adaptation and Children's Fiction. In: Horrifying Children: Hauntology and the Legacy of Children's Fiction. Bloomsbury (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Marland, John and Smith, Alan (2021) Thomas Hardy and the Folk Horror Tradition. Bloomsbury (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Stephenson, Lauren and Marland, John (2022) Horrifying Children: Hauntology and the Legacy of Children's Fiction. Bloomsbury (In Press)

Enstone, Zoe ORCID: https://orcid.org/0000-0002-8035-8103 (2019) Alliterative Morte Arthure. In: The Literary Encyclopedia. The Literary Encyclopedia

Enstone, Zoe ORCID: https://orcid.org/0000-0002-8035-8103 (2019) On Aldous Huxley’s Brave New World. Terra Two: An Ark for Off-World Survival.

H

Heinemeyer, Catherine ORCID: https://orcid.org/0000-0001-6300-5544 (2019) The whole story, the whole student: ‘big’ stories as a playground for dialogic learning. The Use of English, Spring.

Hind, Claire (2019) Les Masses noires. Subversion d’un concept du xviiie siècle ou La transformation de la Page noire de Laurence Sterne en fenêtre sur le paysage shandynien, une oeuvre de Gary Winters et Claire Hind. Theatre Public, 231.

Hind, Claire (2008) York/NEW YORK. [Show/Exhibition]

J

Joyce, Laura (2014) Writing Violence: JonBenet Ramsey and the Legal, Moral and Aesthetic Implications of Creative Non-Fiction. New Writing, 11 (2). pp. 202-207.

Joyce, Laura Ellen (2012) The museum of atheism. Salt

K

King, Liesl (2017) On Becoming a Human Animal. In: Curtis, Abi, (ed.) The York St John Pollination Project: An Anthology of Poetry, prose and Artwork. York St John University, York St John University

King, Liesl (2018) Terra Two: An Ark for Off-World Survival—A York St John University Project on Sustainability, Spirituality and Science Fiction. In: Leal Filho, Walter and Consorte-McCrea, Adriana, (eds.) Sustainability and the Humanities. Springer, Cham, pp. 189-203

King, Liesl (2022) 'Woman to Woman, Sister to Sister - Feminine Connections in Chitra Banerjee Divakaruni'. In: Singh, Amritjit, Field, Robin E. and Najmi, Samina, (eds.) Critical Perspectives on Chitra Banerjee Divakaruni :feminism and diaspora. Rowman & Littlefield

Klaces, Caleb (2013) Bottled Air. London, Eyewear

Klaces, Caleb (2018) Extract of Fatherhood and Interview with JT Welsch. Prac Crit, 10.

Klaces, Caleb (2019) Fatherhood. London, Prototype

Klaces, Caleb (2019) Short story: 'Camelot'. Granta.

Klaces, Caleb, Wildgust, Patrick, Mee, Jon and Thurston, Nick (2018) A Sentimental Painting. [Show/Exhibition]

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2014) Haunting History: Women, Catholicism, and the Writing of National History in Sophia Lee's The Recess. In: Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 and Chappell, Julie, (eds.) Women During the English Reformations: renegotiating gender and religious identity. New York and London, Palgrave Macmillan (USA), pp. 129-144

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2017) "How do you like my darkness now?": Women, Violence, and the 'Good Bad' Girl in Buffy the Vampire Slayer. In: Chappell, Julie and Young, Mallory, (eds.) Bad girls and transgressive women in popular television, fiction and film. USA, Palgrave Macmillan, pp. 15-31

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2012) The Limits of Genre: Women and 'History' in Frances Sheridan's The Memoirs of Miss Sidney Bidulph and Elizabeth Griffith's The History of Lady Barton. ABO: Interactive Journal for Women in the Arts, 1640-1830, 2 (1).

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2015) Property, Loss, and Mourning in Sophia Lee's The Recess. In: Chappell, Julie and Stone Stanton, Kamille, (eds.) Spectacle, Sex, and Property in Eighteenth-Century Literature and Culture. AMS Studies in the Eighteenth Century (72). AMS Press

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2009) Women and Property in Late Eighteenth-Century Fiction: Gendered Property and Generic Belonging in Charlotte Smith and Mary Wollstonecraft. Literature Compass, 6 (6). pp. 1145-1158.

L

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2016) 'Black British Poetry'. In: Edward, Larrissy, (ed.) The Cambridge Companion to British poetry 1945-2010. 1st ed. Cambridge Companion series . Cambridge, Cambridge University Press, pp. 178-196

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2006) Grace Nichols. Tavistock, Northcote House Publishers Ltd

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2014) Performing Cross-cultural culinary discourse: the Case of Levi Roots. In: Beushausen, Wiebke, Bruske, Anne, Commichau, Ana-Sofia, Helber, Patrick and Kloss, Sinah, (eds.) Caribbean Food Cultures: Culinary Practices and Consumption in the Caribbean and Its Diasporas. Bielefeld, Transcript Verlag, pp. 153-174

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Reading Against the Grain: Reading The Long Song intertextually'. ARIEL: An international Review of English, 53 (1-2). pp. 193-197.

Litvin, Margaret, Walkling, Saffron Vickers and Cormack, Raphael (2016) Full of noises: when “World Shakespeare” met the “Arab Spring”. Shakespeare, 12 (3). pp. 300-315.

M

Mann, Fraser (2019) Portrait of the Artists as an Indie Star: Kristin Hersh and the memoir of process. In: Mann, Fraser, Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Pleasance, Helen, (eds.) Music, Memory and Memoir. London, Bloomsbury Academic, pp. 39-51

Mann, Fraser (2019) “The road bare and white”: Hemingway, Europe and the artifice of ritualised space. Alicante Journal of English Studies (31). pp. 15-32.

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2007) Days of past futures: Kazuo Ishiguro's never let me go as "speculative memoir". Biography, 30 (1). pp. 74-83.

O

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2019) Going Home. In: Science Fiction for Survival: An Archive for Mars. Terra Two Anthology: Volume One. Valley Press, pp. 13-22

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2020) A Miéville Bestiary: Monsters as Commentary on the Hybridity of Real and Conceptual Landscapes in the Work of China Miéville. Doctoral thesis, University of Leeds.

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2019) More Human Than Humans. In: Bunce, Robin and McCrossin, Trip, (eds.) Blade Runner 2049 and Philosophy: This Breaks the World. & Philosophy series (127). Open Court Publishing, pp. 51-59

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2020) “The Navel Between Cities”: Copula Hall and the representation of Borders and Liminal Space in China Mieville’s The City & The City. In: Walls and Barriers: Science Fiction in the Age of Brexit, 12 September 2020, Anglia Ruskin Centre for Science Fiction and Fantasy. (Unpublished)

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2015) A Novel In Every Genre: China Miéville and the problems of genre classification in the twenty-first century. Vector (282). pp. 10-16.

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2021) Storm. In: Over Yonder: An Anthology. Greenteeth Press, pp. 14-18

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2018) ‘Ted Chiang and the Deferred Effect: “Afterwardsness” in the Science Fiction Worlds of “Exhalation” and “Story of Your Life”'. In: After Fantastika Conference, 6 to 7 July 2018, Lancaster University. (Unpublished)

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2022) A Tentacular Teratology: The Abcanny Monstrous. Fantastika Journal, 6 (1). pp. 56-72.

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2016) “A Tourist Guide to Besźel and Ul Qoma”: Unseeing, the Brutality of Borders and the Re-interpretation of Psychogeography in China Miéville’s The City and the City. The Luminary, 7 (1). pp. 75-87.

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Raby, Julie (2015) Review of Shakespeare's Henry IV Parts One and Two (directed by Gregory Doran for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 23 August 2014, Theatre Royal Newcastle, 1 October 2014 and Lowry, Manchester, 22 October 2014. Shakespeare, 11 (3). pp. 325-327.

Raby, Julie (2018) A View from the Stalls: The Audience's Experience in the Theatre During the RSC Live from Stratford-upon-Avon Broadcasts. In: Aebischer, Pascale, Greenhalgh, Susanne and Osborne, Laurie, (eds.) Shakespeare and the 'Live' Theatre Broadcast Experience. The Arden Shakespeare

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2018) What Makes a Theatre Goer? Habitus, Identity and Interest Development in Adolescent Audiences to Shakespeare. In: Banks, Fiona, (ed.) Shakespeare: Actors and Audience. Bloomsbury

Rebecca, Tamas (2021) The Digger's Green Roots. Tribune.

Rebecca, Tamas (2021) Full Moon in Scorpio. Magma Poetry, 79.

Rebecca, Tamas (2018) Palermo. The London Review of Books, 40 (19).

Rebecca, Tamas (2020) 'Whales'. In: Maria, Sledmere and Rhian, Williams, (eds.) The Weird Folds: Everyday Poems from the Anthropocene. Dostoevsky Wannabe

Reese, Sam VH ORCID: https://orcid.org/0000-0003-0023-3333 (2019) Come the Tide. Platypus Press

Reifenstein, Tilo (2019) Ideal identities and impossible translations: drawing on writing and writing on drawing. In: Riquet, Johannes and Heusser, Martin, (eds.) Imaging identity: text, mediality and contemporary visual culture. Cham, Switzerland, Palgrave Macmillan, pp. 105-122

S

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2018) Brexit Britain is Easy Fodder for Satirists: But They Should Learn from Eighteenth-Century Masters How to do it Properly. The Conversation.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2022) Bridgerton: the real 18th-century writers who used pseudonyms to stoke controversy. The Conversation.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2021) The ‘Crazy Clock’ of York: Collapsing Time and Unstable Reality in James Montgomery Urban Topographic Poetry. In: Evans, Anne-Marie and Kramer, Kaley, (eds.) Time, The City and the Literary Imagination. Literary Urban Studies . Palgrave, pp. 15-32

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2020) Deceive, Inveigle, Obfuscate: Post-Structuralism and the Staggered Retirement of Fox Mulder. In: Szanter, Ashley, (ed.) Policing the Monstrous: Essays on the Supernatural Crime Procedural. McFarland, pp. 9-28

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2020) Echoes of Meaning: Cheap Print, Ephemerality, and the Digital Archive. Eighteenth-Century Fiction, 33 (1). pp. 10-12.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2017) Property, Patriotism and Independence: The Figure of the Freeholder in Eighteenth-Century Partisan Print. Journal for Eighteenth Century Studies, 40 (3). pp. 345-362.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2021) Taking Tea with Joseph Addison: Virginia Woolf and the Eighteenth Century in Orlando (1928). 1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era. (In Press)

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 and Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 (2021) ‘A Green Parrot for a Good Speaker’: Writing with a Birds-eye View in Eliza Haywood’s The Parrot (1746). In: Mckay, Robert and McHugh, Susan, (eds.) Satire and Animals. Animal Studies . Palgrave (Submitted)

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2015) The Blind Logic of Plants: Enlightenment and Evolution in John Wyndham's The Day of the Triffids. Science Fiction Studies, 42 (3). pp. 433-457.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2015) Little Nephews: Big Brother's Literary Offspring. In: Keeble, Richard Lance, (ed.) George Orwell now! Peter Lang

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2018) Modern Dystopian Fiction and Political Thought: Narratives of World Politics. Popular Culture and World Politics . London, Routledge

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2021) Temporal Politics: Entangling Fictions, Futures, and Histories in Contemporary and Historical Speculative Fiction. In: Fisiak, Tomasz and Ostalska, Katarzyna, (eds.) The Postworld In-Between Utopia and Dystopia Intersectional, Feminist, and Non-Binary Approaches in 21st Century Speculative Literature and Culture. Routledge, pp. 109-125

T

Tamás, Rebecca (2021) 'The Breather I.'. In: Simpson, Kate, (ed.) Out of Time: Poetry from the Climate Emergency. Valley Press.

Tamás, Rebecca (2019) 'Medusa in Venice.'. The London Review of Books, 41 (24).

Tamás, Rebecca (2020) Review of Daisy Lafarge's 'Life Without Air.'. The Guardian.

Tamás, Rebecca (2020) Review of Margaret Atwood's 'Dearly.'. The i Newspaper.

Tamás, Rebecca (2020) Strangers: Essays on the Human and Nonhuman. Makina Books

W

Walkling, Saffron (2018) Denmark’s a Prison: Appropriating Modern Myths of Hamlet After 1989 in Lin Zhaohua’s Hamulaite and Jan Klata’s H. In: Mancewicz, Aneta and Joubin, Alexa Alice, (eds.) Local and Global Myths in Shakespearean Performance. Reproducing Shakespeare . Springer, pp. 155-171

Walkling, Saffron Vickers (2019) Ophelia’s terror: anatomising the figure of the female suicide bomber in The Al-Hamlet Summit. Cahiers Élisabéthains.

Watson, Nick J. and White, J. (2007) 'Winning at all Costs' in Modern Sport: Reflections on Pride and Humility in the Writings of C.S. Lewis. In: Parry, Jim, Robinson, Simon, Watson, Nick J. and Nesti, Mark, (eds.) Sport and Spirituality: An Introduction. London, Routledge, pp. 61-79

Waugh, JS (2016) 'Staying Calm and Seizing the Iron: Contagion, Fermentation, and the Management of the Rabies Threat in Charlotte Bronte's Shirley'. Victorian Review, 42 (1). pp. 149-166.

Waugh, Jo (2018) How the stigma of contagion keeps alive Romantic notions of how the Brontës died. The Conversation.

Waugh, Jo (2022) Jane Eyre – content warnings are as old as the novel itself. The Conversation.

Welsch, Jonathan (2010) Orchids. Salt Publishing

Williams, Gweno (2004) Margaret Cavendish, Marchioness (later Duchess) of Newcastle, Youths Glory and Deaths Banquet (1662). In: Ostovich, H. and Sauer, E., (eds.) Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1500-1700. Routledge, pp. 432-434

Williams, Gweno (2004) Margaret Cavendish: plays in performance. [Video]

Williams, Gweno (2013) Novels for teenage readers. In: Birketveit, Anna and Williams, Gweno, (eds.) Literature for the English classroom: theory into practice. Fagbokforlaget

Wylie, Alex (2015) Bunting and the Vile Patterns of Expediency. Essays in Criticism, 65 (3). pp. 302-325.

Wylie, Alex (2021) The Bureaucratic Sublime: On the Secret Joys of Contemporary Poetry. PN Review, 48 (2).

Wylie, Alex (2011) Eros in Geoffrey Hill's Scenes from Comus. English: Journal of the English Association, 60 (230). pp. 198-211.

Wylie, Alex (2019) Geoffrey Hill's Later Work: Radiance of Apprehension. 1 ed. Manchester, Manchester University Press

Wylie, Alex (2015) 'It is not anyone's dream': C.H. Sisson's Utopias. The Cambridge Quarterly, 44 (1). pp. 25-42.

Wylie, Alex (2018) Ivor Gurney's Imperfection. Essays in Criticism, 68 (1). pp. 54-73.

Wylie, Alex (2009) Prophet and Citizen: Fifty Years of Geoffrey Hill's For the Unfallen. PN Review, 36 (2).

Wylie, Alex (2018) Secular games. Eyewear Publishing

Wylie, Alex (2014) Sisson's Troy. PN Review, 40 (5).

Wylie, Alex (2015) 'Soft aftershocks of calm': Order and Anarchy in Geoffrey Hill's For the Unfallen. Literary Imagination, 17 (3). pp. 259-273.

Wylie, Alex (2014) “Things that other people have desired”: The Contexts of TS Eliot’s Portrait of A Lady. Journal of the TS Eliot Society (UK).

Wylie, Alex (2014) “'This: “Ad Socium”?': Verbal Power in Geoffrey Hill's The Triumph of Love.”. English: Journal of the English Association, 63 (423). pp. 330-346.

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