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Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2015) Contemporary British Fiction and the Cultural Politics of Disenfranchisement : freedom and the city. Basingstoke, Palgrave Macmillan

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2018) Dystopia and Euphoria: Time-Space Compression and the City. In: Pollard, Eileen and Schoene, Berthold, (eds.) Accelerated Times: British Literature in Transition, 1980-2000. British Literature in Transition . Cambridge, Cambridge University Press, pp. 273-288

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2014) Exile and Freedom in Jeanette Winterson’s The Passion: Venice, the British Inner Cities, and the Cultural Politics of Disenfranchisement. Contemporary Literature, 55 (2). pp. 270-303.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2012) From Subculture to Urban Pastoral: Mapping the City, Mapping the Left. British politics review : journal of the British Politics Society, Norway, 7 (4). pp. 12-13.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2015) Original Modern or a New Kind of Ordinary? Alluvium, 4 (3).

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2015) Reproductive Politics and the Public Sphere: Natalism, Natality and Apocalypse. In: Dillon, Sarah and Edwards, Caroline, (eds.) Maggie Gee : critical essays. Canterbury, Gylph, pp. 51-77

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2022) Sarah Hall's Material Imagination. In: Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D’hoker, Elke, (eds.) Sarah Hall: Critical Essays. Canterbury, Gylphi, pp. 195-220

Booth, Naomi (2014) Bathetic Masochism and the Shrinking Woman. New Formations (83). pp. 47-63.

Booth, Naomi (2014) Feeling Too Much: The Swoon and the (In)Sensible Woman. Women's Writing, 21 (4). pp. 575-591.

Booth, Naomi (2015) The Felicity of Falling : Fifty Shades of Grey and the Feminine Art of Sinking. Women : A Cultural Review, 26 (1-2). pp. 22-39.

Booth, Naomi (2015) Restricted view: the problem of perspective in the novels of Ian McEwan. Textual Practice, 29 (5). pp. 845-868.

Booth, Naomi (2021) Swoon: the poetics of passing out. Manchester University Press

Booth, Naomi (2015) The lost art of sinking. London, Penned in the Margins

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Campanello, Kimberly (2015) Consent. Doire Press

Campanello, Kimberly (2019) MotherBabyHome. Zimzalla

Campanello, Kimberly (2015) Strange Country. The Dreadful Press

Campanello, Kimberly, Dwyer, Benjamin and Knox, Garth (2015) Imagines. Dublin, New Dublin Press

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2017) The Black Cab. Poetry Salzburg Review

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2022) Hallsong. New Writing North

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2023) 'The Knowledge'. In: Greening, John and Gardner, Kevin, (eds.) Contraflow: Lines of Englishness 1922-2022. Renard Press, pp. 52-53

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2021) 'The Last Good Market'. In: The Forward Book of Poetry 2022. Forward Arts Foundation; Faber & Faber, p. 86

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2023) Poem: 'Featherweight'. The Telegraph.

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2023) Poem: 'Junctions'. Poetry London (104). p. 34.

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2021) Poem: 'Thames'. The Guardian.

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2023) Poem: 'The Love'. Pratik: A Magazine of Contemporary Writing. pp. 97-98.

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2021) The Resurrectionists. Bloodaxe Books

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2020) Two Poems: ‘Night Change’ and ‘Where the devil gets in’. Poetry Ireland Review (132). pp. 18-19.

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 (2023) Two Poems: ‘Signs’ and ‘Horses on Lower Sloane Street’. Poetry Salzburg Review (40). pp. 112-113.

Challis, John ORCID: https://orcid.org/0009-0005-1898-6458 and Astley, Neil (2023) ‘In Person: Bloodaxe Books, Neil Astley on Translation, interviewed by John Challis’. Poetry Salzburg Review (40). pp. 98-107.

Cregan-Reid, Vybarr ORCID: https://orcid.org/0000-0003-4346-3833 (2006) Mr Smith and Dr Suess: Originary Narrative and the Late-Victorians. In: Pearson, Richard, (ed.) The Victorians and the Ancient World: Archaeology and Classicism in Nineteenth-Century Culture. Cambridge Scholars, pp. 109-123

Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356 (2020) Freud's Uncanny and Speculative Elegy. Oxford Literary Review, 42 (2). pp. 175-178.

Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356 (2009) Rethinking the unconscious in creative writing pedagogy. New Writing, 6 (2). pp. 105-116.

Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356 (2017) Water & Glass. London, Cloud Lodge Books

Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356 (2012) The glass delusion. Salt Publishing

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Duché, Elodie ORCID: https://orcid.org/0000-0003-2677-6854 (2023) Palatable Bugs for the Victorians: Entomophagy, Class and Colonialism in Vincent M. Holt’s Why Not Eat Insects? Journal of Victorian Culture.

Duché, Elodie ORCID: https://orcid.org/0000-0003-2677-6854 (2016) ‘A sea of stories’: Maritime imagery and imagination in Napoleonic narratives of war captivity. In: Mathieson, Charlotte, (ed.) Sea Narratives: Cultural Responses to the Sea, 1600–Present. Palgrave, pp. 47-79

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Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2016) The Arena Concert: Live and Recorded. In: Salford Postgraduate Workshop, June 2016, Salford University.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2016) Beast. Online. (Submitted)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2022) Chatting With Jarvis - Venue Stories and Music Memoir. In: IASPM Conference, 26-28th May 2022, University of Michigan. (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2023) Chatting with Jarvis. In: Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen, (eds.) Venue Stories From Backroom to Rave Room, from the Toilet Circuit to the Town Hall. Equinox, pp. 40-50

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2016) Creativity, Practice and Praxis. In: IASPM Conference, BIMM Brighton.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2019) The Driver. In: King, Liesl and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, (eds.) Science Fiction for Survival. Valley Press

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2023) Folk Horror. In: Leeds Salon, 21st June 2023, Carriageworks Leeds. (Unpublished)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (1998) 'Go Baby Go: the Primal Scream of the American Underground. In: Faces of Conference, June 1998, York St John University.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2017) Hiatus: Music, Memory and Liminal Authenticity. In: Storying the Self, Brighton University.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2024) ‘If a bunch of ‘em tell you, it must be true.’: Lonely Boy, The Sex Pistols and Adaption. In: The Routledge Companion to the Sex Pistols. Routledge (Submitted)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2019) Lonely This Christmas. In: Christmas Horror Stories from Horrified. Horrified Magazine

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2024) Monitoring as developmental practice in the supervision of PhD students. In: Innovative Approaches to Doctoral Supervision: Selected Case Studies. Edward Elgar (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2011) Narrative Tropes in Hitchcock. In: Partners in Suspense: Hitchcock and Hermann, March 2011, York St John University.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (1995) The Nature of Survival in the 21st Century: The Survival of Concern in 1995: John Brunner's "The Long Result" (1965) and "Stand On Zanzibar" (1968). Vector.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2019) Slippery Customers. In: King, Liesl and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, (eds.) Science Fiction for Survival. Valley Press

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2021) Teaching Satire: Death of Stalin. In: English Shared Futures, 7-8th July 2022, Manchester University. (In Press)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2006) Will Hay - Ealing Originator. In: Ealing Conference, November 2006, University of Hull.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2018) Woody Allen Schlemiel: Programmed for Subjugation. In: Men Writing Women: Women in the Work of Woody Allen and Beyond, York St John University.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Johnson, Wayne (2023) The Routledge Companion to Folk Horror. Routledge

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2018) Music, Memory and Memoir – an emerging genre. In: Subculture Network, University of Reading.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2023) Venue Stories From Backroom to Rave Room, from the Toilet Circuit to the Town Hall. Equinox

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Marland, John (2024) The Edwardian Legacy: Adaptation and Children's Fiction. In: Horrifying Children: Hauntology and the Legacy of Children's television. Bloomsbury

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Smith, Alan (2023) Thomas Hardy and the Folk Horror Tradition: Darkness in the Fields 2. In: Darkness in the Fields 2, 23/06/23, Online. (Unpublished)

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Stephenson, Lauren ORCID: https://orcid.org/0000-0002-2646-0043 and Marland, John (2024) Horrifying Children: Hauntology and the Legacy of Children's Television. Bloomsbury

Enstone, Zoe ORCID: https://orcid.org/0000-0002-8035-8103 (2019) Alliterative Morte Arthure. In: The Literary Encyclopedia. The Literary Encyclopedia

Enstone, Zoe ORCID: https://orcid.org/0000-0002-8035-8103 (2019) On Aldous Huxley’s Brave New World. Terra Two: An Ark for Off-World Survival.

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Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 (2023) The Total Mountain: Nan Shepherd and the Virtual Qualities of Landscape. In: Hall, Jenny ORCID: https://orcid.org/0000-0002-5200-4308 and Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175, (eds.) The Mountain and the Politics of Representation. Liverpool Studies in the Politics of Popular Culture . Liverpool University Press

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Heinemeyer, Catherine ORCID: https://orcid.org/0000-0001-6300-5544 (2019) The whole story, the whole student: ‘big’ stories as a playground for dialogic learning. The Use of English, Spring.

Hind, Claire (2019) Les Masses noires. Subversion d’un concept du xviiie siècle ou La transformation de la Page noire de Laurence Sterne en fenêtre sur le paysage shandynien, une oeuvre de Gary Winters et Claire Hind. Theatre Public, 231.

Hind, Claire (2008) York/NEW YORK. [Show/Exhibition]

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Joyce, Laura (2014) Writing Violence: JonBenet Ramsey and the Legal, Moral and Aesthetic Implications of Creative Non-Fiction. New Writing, 11 (2). pp. 202-207.

Joyce, Laura Ellen (2012) The museum of atheism. Salt

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King, Liesl (2017) On Becoming a Human Animal. In: Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356, (ed.) The York St John Pollination Project: An Anthology of Poetry, prose and Artwork. York St John University, York St John University

King, Liesl (2018) Terra Two: An Ark for Off-World Survival—A York St John University Project on Sustainability, Spirituality and Science Fiction. In: Leal Filho, Walter and Consorte-McCrea, Adriana, (eds.) Sustainability and the Humanities. Springer, Cham, pp. 189-203

King, Liesl (2022) 'Woman to Woman, Sister to Sister - Feminine Connections in Chitra Banerjee Divakaruni'. In: Singh, Amritjit, Field, Robin E. and Najmi, Samina, (eds.) Critical Perspectives on Chitra Banerjee Divakaruni :feminism and diaspora. Rowman & Littlefield

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2021) Away From Me. Prototype

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2013) Bottled Air. London, Eyewear

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2019) 'Camelot'. Granta.

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2023) 'The Carrier Bag Theory of Fiction'. In: Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356, (ed.) Blood and Cord: Writers on Early Parenthood. The Emma Press

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2018) Extract of Fatherhood and Interview with JT Welsch. Prac Crit, 10.

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2019) Fatherhood. London, Prototype

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2023) My Work by Olga Ravn Review. The Guardian.

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2022) 'The Portal'. In: Carson, Jan and Lugea, Jane, (eds.) A Little Unsteadily Into the Light: New Dementia-Inspired Fiction. New Island Books

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2019) Short story: 'Camelot'. Granta.

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2024) 'Stream of Consciousness'. The Poetry Review, 114 (3).

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2023) 'The Weight of Words' Review. e-flux.

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2020) 'You'. [Audio]

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256, Wildgust, Patrick, Mee, Jon and Thurston, Nick (2018) A Sentimental Painting. [Show/Exhibition]

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2014) Haunting History: Women, Catholicism, and the Writing of National History in Sophia Lee's The Recess. In: Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 and Chappell, Julie, (eds.) Women During the English Reformations: renegotiating gender and religious identity. New York and London, Palgrave Macmillan (USA), pp. 129-144

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2017) "How do you like my darkness now?": Women, Violence, and the 'Good Bad' Girl in Buffy the Vampire Slayer. In: Chappell, Julie and Young, Mallory, (eds.) Bad girls and transgressive women in popular television, fiction and film. USA, Palgrave Macmillan, pp. 15-31

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2012) The Limits of Genre: Women and 'History' in Frances Sheridan's The Memoirs of Miss Sidney Bidulph and Elizabeth Griffith's The History of Lady Barton. ABO: Interactive Journal for Women in the Arts, 1640-1830, 2 (1).

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2015) Property, Loss, and Mourning in Sophia Lee's The Recess. In: Chappell, Julie and Stone Stanton, Kamille, (eds.) Spectacle, Sex, and Property in Eighteenth-Century Literature and Culture. AMS Studies in the Eighteenth Century (72). AMS Press

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2009) Women and Property in Late Eighteenth-Century Fiction: Gendered Property and Generic Belonging in Charlotte Smith and Mary Wollstonecraft. Literature Compass, 6 (6). pp. 1145-1158.

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Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2016) 'Black British Poetry'. In: Edward, Larrissy, (ed.) The Cambridge Companion to British poetry 1945-2010. 1st ed. Cambridge Companion series . Cambridge, Cambridge University Press, pp. 178-196

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1998) ‘Critical Myopia and Black British Literature: Reassessing the literary contribution of the post-Windrush generation(s)’. Kunapipi, 20 (1). pp. 132-142.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2017) Editor's Note to Journal of Postcolonial Writing 52.6 2017. Journal of Postcolonial Writing, 52 (6). pp. 641-644.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2013) 'En/Countering the Elephant in the (Class)room: Teaching Race and Ethnicity', HEA Postcolonial Pedagogies paper 2014. In: Towards a postcolonial pedagogy: Engaging with literary representations of ‘race’, racism and ethnicity, 14.04.2014, University of Reading. (Unpublished)

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1997) ‘Experiments in Brokenness: The Creative Use of Creole in David Dabydeen’s Slave Song’. In: The Art of David Dabydeen. Leeds, Peepal Tree Press, pp. 27-46

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2007) Grace Nichols. Tavistock, Northcote House Publishers Ltd

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) Levy, Andrea. In: Oxford Dictionary of National Biography. Oxford University Press

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1991) ‘Linton Kwesi Johnson's Tings an Times’, Bete Noire (Hull Poets Special Commemorative Issue (Autumn/Spring 1992), pp.406-424. Bete Noire, 1992. pp. 406-424.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2003) ‘New Wine in New Bottles: The Critical Reception of West Indian Writing in Britain in the 1950s and the early 1960s’. In: Open University A430 – Post-Colonial Literatures in English: readings and interpretations (course materials). Milton Keynes, Open University

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2000) ‘"Out in the Open”: ‘Under-represented Sexualities in Shani Mootoo’s Cereus Blooms at Night and Lawrence Scott’s Aelred’s Sin’. In: The Vitality of West Indian Literature: Caribbean and Indian Essays. India, Dvanyaloka Publications, pp. 208-223

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2014) Performing Cross-cultural culinary discourse: the Case of Levi Roots. In: Beushausen, Wiebke, Bruske, Anne, Commichau, Ana-Sofia, Helber, Patrick and Kloss, Sinah, (eds.) Caribbean Food Cultures: Culinary Practices and Consumption in the Caribbean and Its Diasporas. Bielefeld, Transcript Verlag, pp. 153-174

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Reading Against the Grain: Reading The Long Song intertextually'. ARIEL: An international Review of English, 53 (1-2). pp. 193-197.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X and Reid, Susan (2016) Editor's Note to Journal of Postcolonial Writing 50.6. Journal of Postcolonial Writing, 50 (6). pp. 631-634.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X, Ringrose, Chris and Wilson, Janet (2010) Editor's Note to Journal of Postcolonial Writing 46.1 2010. Journal of Postcolonial Writing, 46 (1). pp. 1-4.

Litvin, Margaret, Walkling, Saffron Vickers and Cormack, Raphael (2016) Full of noises: when “World Shakespeare” met the “Arab Spring”. Shakespeare, 12 (3). pp. 300-315.

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Mann, Fraser (2023) Finding the Dirt: Nesh at Electrowerkz. In: Pleasance, Helen, Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Mann, Fraser, (eds.) Venue Stories: Narratives, Memories and Histories from Britian's Independent Music Spaces. Sheffield, Equinox

Mann, Fraser (2019) Portrait of the Artists as an Indie Star: Kristin Hersh and the memoir of process. In: Mann, Fraser, Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Pleasance, Helen, (eds.) Music, Memory and Memoir. London, Bloomsbury Academic, pp. 39-51

Mann, Fraser (2019) “The road bare and white”: Hemingway, Europe and the artifice of ritualised space. Alicante Journal of English Studies (31). pp. 15-32.

McCarthy, Amy ORCID: https://orcid.org/0000-0002-2183-3816 (2023) Glitter, rubber ducks, and dinghies: A retrospective look at the Georgian Theatre and the Teesside gigging community during the early-2010s. In: Mann, Fraser, Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Pleasance, Helen, (eds.) Venue Stories. Equinox Publishing, pp. 231-237

McDonald, Keith ORCID: https://orcid.org/0000-0002-7477-5963 (2007) Days of past futures: Kazuo Ishiguro's never let me go as "speculative memoir". Biography, 30 (1). pp. 74-83.

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O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2019) Going Home. In: Science Fiction for Survival: An Archive for Mars. Terra Two Anthology: Volume One. Valley Press, pp. 13-22

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2020) A Miéville Bestiary: Monsters as Commentary on the Hybridity of Real and Conceptual Landscapes in the Work of China Miéville. Doctoral thesis, University of Leeds.

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2019) More Human Than Humans. In: Bunce, Robin and McCrossin, Trip, (eds.) Blade Runner 2049 and Philosophy: This Breaks the World. & Philosophy series (127). Open Court Publishing, pp. 51-59

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2020) “The Navel Between Cities”: Copula Hall and the representation of Borders and Liminal Space in China Mieville’s The City & The City. In: Walls and Barriers: Science Fiction in the Age of Brexit, 12 September 2020, Anglia Ruskin Centre for Science Fiction and Fantasy. (Unpublished)

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2015) A Novel In Every Genre: China Miéville and the problems of genre classification in the twenty-first century. Vector (282). pp. 10-16.

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2021) Storm. In: Over Yonder: An Anthology. Greenteeth Press, pp. 14-18

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2018) ‘Ted Chiang and the Deferred Effect: “Afterwardsness” in the Science Fiction Worlds of “Exhalation” and “Story of Your Life”'. In: After Fantastika Conference, 6 to 7 July 2018, Lancaster University. (Unpublished)

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2022) A Tentacular Teratology: The Abcanny Monstrous. Fantastika Journal, 6 (1). pp. 56-72.

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2016) “A Tourist Guide to Besźel and Ul Qoma”: Unseeing, the Brutality of Borders and the Re-interpretation of Psychogeography in China Miéville’s The City and the City. The Luminary, 7 (1). pp. 75-87.

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Raby, Julie (2015) Review of Shakespeare's Henry IV Parts One and Two (directed by Gregory Doran for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 23 August 2014, Theatre Royal Newcastle, 1 October 2014 and Lowry, Manchester, 22 October 2014. Shakespeare, 11 (3). pp. 325-327.

Raby, Julie (2018) A View from the Stalls: The Audience's Experience in the Theatre During the RSC Live from Stratford-upon-Avon Broadcasts. In: Aebischer, Pascale, Greenhalgh, Susanne and Osborne, Laurie, (eds.) Shakespeare and the 'Live' Theatre Broadcast Experience. The Arden Shakespeare

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2018) What Makes a Theatre Goer? Habitus, Identity and Interest Development in Adolescent Audiences to Shakespeare. In: Banks, Fiona, (ed.) Shakespeare: Actors and Audience. Bloomsbury

Rebecca, Tamas (2021) The Digger's Green Roots. Tribune.

Rebecca, Tamas (2021) Full Moon in Scorpio. Magma Poetry, 79.

Rebecca, Tamas (2018) Palermo. The London Review of Books, 40 (19).

Rebecca, Tamas (2020) 'Whales'. In: Maria, Sledmere and Rhian, Williams, (eds.) The Weird Folds: Everyday Poems from the Anthropocene. Dostoevsky Wannabe

Reese, Sam VH ORCID: https://orcid.org/0000-0003-0023-3333 (2019) Come the Tide. Platypus Press

Reifenstein, Tilo (2019) Ideal identities and impossible translations: drawing on writing and writing on drawing. In: Riquet, Johannes and Heusser, Martin, (eds.) Imaging identity: text, mediality and contemporary visual culture. Cham, Switzerland, Palgrave Macmillan, pp. 105-122

Reifenstein, Tilo (2024) 'To organize the rectangle': Teju Cole, art history, autobiography, fiction. In: Cooke, Jennifer, Roussillon-Constanty, Laurence and Varallo, Franca, (eds.) Nello specchio della scrittura: autobiografia e storia dell’arte tra Otto e Novecento. Studi Storici Carocci (420). Rome, Carocci, pp. 247-263

Reifenstein, Tilo (2023) Tracing layers and iterations in Moyra Davey’s writing and photographs. In: Sedimentation: Towards and Archaeology of Word and Image, 11th International IAWIS/AIERTI conference, 28 Aug –1 Sep 2023, Universidade Federal de Minas Gerais, Brazil. (Unpublished)

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Saroukhani, Henghameh, Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X and Perfect, Michael (2023) The Death of an Author. ariel: A Review of International English Literature, 54 (1). pp. 131-134.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2018) Brexit Britain is Easy Fodder for Satirists: But They Should Learn from Eighteenth-Century Masters How to do it Properly. The Conversation.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2022) Bridgerton: the real 18th-century writers who used pseudonyms to stoke controversy. The Conversation.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2021) The ‘Crazy Clock’ of York: Collapsing Time and Unstable Reality in James Montgomery Urban Topographic Poetry. In: Evans, Anne-Marie and Kramer, Kaley, (eds.) Time, The City and the Literary Imagination. Literary Urban Studies . Palgrave, pp. 15-32

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2020) Deceive, Inveigle, Obfuscate: Post-Structuralism and the Staggered Retirement of Fox Mulder. In: Szanter, Ashley, (ed.) Policing the Monstrous: Essays on the Supernatural Crime Procedural. McFarland, pp. 9-28

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Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2024) “Our satirists prove such very slaughter-men”: The Character of the Satirist in Eighteenth-Century Print. In: Davies-Shuck, Montana and Buckley, Jennifer, (eds.) Conceptualising Character. Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print . Palgrave

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2017) Property, Patriotism and Independence: The Figure of the Freeholder in Eighteenth-Century Partisan Print. Journal for Eighteenth Century Studies, 40 (3). pp. 345-362.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2023) Satire and Folk Horror. In: Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 and Johnson, Wayne, (eds.) The Routledge Companion to Folk Horror. Routledge

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2023) Taking Tea with Joseph Addison: Virginia Woolf and the Eighteenth Century in Orlando (1928). In: Cope, Kevin L. and Cahill, Samara Anne, (eds.) 1650-1850 Ideas, Aesthetics, and Inquiries in the Early Modern Era. Bucknell University Press

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 and Garlick, Ben ORCID: https://orcid.org/0000-0001-7257-0430 (2023) ‘A Green Parrot for a Good Speaker’: Writing with a Birds-eye View in Eliza Haywood’s The Parrot (1746). In: Mckay, Robert and McHugh, Susan, (eds.) Animal satire. Palgrave Studies in Animals and Literature . Palgrave, pp. 137-153

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