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Group by: Creators | Item Type
Number of items at this level: 73.

Article

Beaumont, Alexander (2014) Exile and Freedom in Jeanette Winterson’s The Passion: Venice, the British Inner Cities, and the Cultural Politics of Disenfranchisement. Contemporary Literature, 55 (2). pp. 270-303.

Beaumont, Alexander (2012) From Subculture to Urban Pastoral: Mapping the City, Mapping the Left. British politics review : journal of the British Politics Society, Norway, 7 (4). pp. 12-13.

Beaumont, Alexander (2015) Original Modern or a New Kind of Ordinary? Alluvium, 4 (3).

Booth, Naomi (2014) Bathetic Masochism and the Shrinking Woman. New formations: a journal of culture, theory, politics (83). pp. 47-63.

Booth, Naomi (2014) Feeling Too Much: The Swoon and the (In)Sensible Woman. Women's Writing, 21 (4). pp. 575-591.

Booth, Naomi (2015) The Felicity of Falling : Fifty Shades of Grey and the Feminine Art of Sinking. Women : A Cultural Review, 26 (1-2). pp. 22-39.

Booth, Naomi (2015) Restricted view: the problem of perspective in the novels of Ian McEwan. Textual Practice, 29 (5). pp. 845-868.

Curtis, Abi (2009) Rethinking the unconscious in creative writing pedagogy. New Writing, 6 (2). pp. 105-116.

Heinemeyer, Catherine ORCID: https://orcid.org/0000-0001-6300-5544 (2019) The whole story, the whole student: ‘big’ stories as a playground for dialogic learning. The Use of English, Spring.

Hind, Claire (2019) Les Masses noires. Subversion d’un concept du xviiie siècle ou La transformation de la Page noire de Laurence Sterne en fenêtre sur le paysage shandynien, une oeuvre de Gary Winters et Claire Hind. Theatre Public, 231.

Joyce, Laura (2014) Writing Violence: JonBenet Ramsey and the Legal, Moral and Aesthetic Implications of Creative Non-Fiction. New Writing, 11 (2). pp. 202-207.

Klaces, Caleb (2018) Extract of Fatherhood and Interview with JT Welsch. Prac Crit, 10.

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2012) The Limits of Genre: Women and 'History' in Frances Sheridan's The Memoirs of Miss Sidney Bidulph and Elizabeth Griffith's The History of Lady Barton. ABO: Interactive Journal for Women in the Arts, 1640-1830, 2 (1).

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2009) Women and Property in Late Eighteenth-Century Fiction: Gendered Property and Generic Belonging in Charlotte Smith and Mary Wollstonecraft. Literature Compass, 6 (6). pp. 1145-1158.

Litvin, Margaret, Walkling, Saffron Vickers and Cormack, Raphael (2016) Full of noises: when “World Shakespeare” met the “Arab Spring”. Shakespeare, 12 (3). pp. 300-315.

Mann, Fraser (2019) “The road bare and white”: Hemingway, Europe and the artifice of ritualised space. Alicante Journal of English Studies, 31. pp. 15-32.

Raby, Julie (2015) Review of Shakespeare's Henry IV Parts One and Two (directed by Gregory Doran for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 23 August 2014, Theatre Royal Newcastle, 1 October 2014 and Lowry, Manchester, 22 October 2014. Shakespeare, 11 (3). pp. 325-327.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2018) Brexit Britain is Easy Fodder for Satirists: But They Should Learn from Eighteenth-Century Masters How to do it Properly. The Conversation.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2017) Property, Patriotism and Independence: The Figure of the Freeholder in Eighteenth-Century Partisan Print. Journal for Eighteenth Century Studies, 40 (3). pp. 345-362.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2015) The Blind Logic of Plants: Enlightenment and Evolution in John Wyndham's The Day of the Triffids. Science Fiction Studies, 42 (127). pp. 433-457.

Walkling, Saffron Vickers (2019) Ophelia’s terror: anatomising the figure of the female suicide bomber in The Al-Hamlet Summit. Cahiers Élisabéthains.

Waugh, JS (2016) 'Staying Calm and Seizing the Iron: Contagion, Fermentation, and the Management of the Rabies Threat in Charlotte Bronte's Shirley'. Victorian Review, 42 (1). pp. 149-166.

Waugh, Jo (2018) How the stigma of contagion keeps alive Romantic notions of how the Brontës died. The Conversation.

Wylie, Alex (2015) Bunting and the Vile Patterns of Expediency. Essays in Criticism, 65 (3). pp. 302-325.

Wylie, Alex (2011) Eros in Geoffrey Hill's Scenes from Comus. English: Journal of the English Association, 60 (230). pp. 198-211.

Wylie, Alex (2015) 'It is not anyone's dream': C.H. Sisson's Utopias. The Cambridge Quarterly, 44 (1). pp. 25-42.

Wylie, Alex (2018) Ivor Gurney's Imperfection. Essays in Criticism, 68 (1). pp. 54-73.

Wylie, Alex (2009) Prophet and Citizen: Fifty Years of Geoffrey Hill's For the Unfallen. PN Review, 36 (2).

Wylie, Alex (2014) Sisson's Troy. PN Review, 40 (5).

Wylie, Alex (2015) 'Soft aftershocks of calm': Order and Anarchy in Geoffrey Hill's For the Unfallen. Literary Imagination, 17 (3). pp. 259-273.

Wylie, Alex (2014) “Things that other people have desired”: The Contexts of TS Eliot’s Portrait of A Lady. Journal of the TS Eliot Society (UK).

Wylie, Alex (2014) “'This: “Ad Socium”?': Verbal Power in Geoffrey Hill's The Triumph of Love.”. English : Journal of the English Association, 63 (423). pp. 330-346.

Book Section

Beaumont, Alexander (2018) Dystopia and Euphoria: Time-Space Compression and the City. In: Pollard, Eileen and Schoene, Berthold, (eds.) Accelerated Times: British Literature in Transition, 1980-2000. British Literature in Transition . Cambridge, Cambridge University Press, pp. 273-288

Beaumont, Alexander (2015) Reproductive Politics and the Public Sphere: Natalism, Natality and Apocalypse. In: Dillon, Sarah and Edwards, Caroline, (eds.) Maggie Gee : critical essays. Gylph, pp. 51-77

Duché, Elodie ORCID: https://orcid.org/0000-0003-2677-6854 (2016) ‘A sea of stories’: Maritime imagery and imagination in Napoleonic narratives of war captivity. In: Mathieson, Charlotte, (ed.) Sea Narratives: Cultural Responses to the Sea, 1600–Present. Palgrave, pp. 47-79

Enstone, Zoe ORCID: https://orcid.org/0000-0002-8035-8103 (2019) Alliterative Morte Arthure. In: The Literary Encyclopedia. The Literary Encyclopedia

King, Liesl (2017) On Becoming a Human Animal. In: Curtis, Abi, (ed.) The York St John Pollination Project: An Anthology of Poetry, prose and Artwork. York St John University, York St John University

King, Liesl (2018) Terra Two: An Ark for Off-World Survival—A York St John University Project on Sustainability, Spirituality and Science Fiction. In: Leal Filho, Walter and Consorte-McCrea, Adriana, (eds.) Sustainability and the Humanities. Springer, Cham, pp. 189-203

King, Liesl (2016) 'Woman to Woman, Sister to Sister - Feminine Connections in Chitra Banerjee Divakaruni'. In: Feminism and Diaspora: Critical Perspectives on Chitra Divakaruni. Rawat Books (Submitted)

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2014) Haunting History: Women, Catholicism, and the Writing of National History in Sophia Lee's The Recess. In: Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 and Chappell, Julie, (eds.) Women During the English Reformations: renegotiating gender and religious identity. New York and London, Palgrave Macmillan (USA), pp. 129-144

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2017) "How do you like my darkness now?": Women, Violence, and the 'Good Bad' Girl in Buffy the Vampire Slayer. In: Chappell, Julie and Young, Mallory, (eds.) Bad girls and transgressive women in popular television, fiction and film. USA, Palgrave Macmillan, pp. 15-31

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2015) Property, Loss, and Mourning in Sophia Lee's The Recess. In: Chappell, Julie and Stone Stanton, Kamille, (eds.) Spectacle, Sex, and Property in Eighteenth-Century Literature and Culture. AMS Studies in the Eighteenth Century (72). AMS Press

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2016) 'Black British Poetry'. In: Edward, Larrissy, (ed.) The Cambridge Companion to British poetry 1945-2010. 1st ed. Cambridge Companion series . Cambridge, Cambridge University Press, pp. 178-196

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2014) Performing Cross-cultural culinary discourse: the Case of Levi Roots. In: Beushausen, Wiebke, Bruske, Anne, Commichau, Ana-Sofia, Helber, Patrick and Kloss, Sinah, (eds.) Caribbean Food Cultures: Culinary Practices and Consumption in the Caribbean and Its Diasporas. Bielefeld, Transcript Verlag, pp. 153-174

Raby, Julie (2018) A View from the Stalls: The Audience's Experience in the Theatre During the RSC Live from Stratford-upon-Avon Broadcasts. In: Aebischer, Pascale, Greenhalgh, Susanne and Osborne, Laurie, (eds.) Shakespeare and the 'Live' Theatre Broadcast Experience. The Arden Shakespeare

Reason, Matthew (2018) What Makes a Theatre Goer? Habitus, Identity and Interest Development in Adolescent Audiences to Shakespeare. In: Banks, Fiona, (ed.) Shakespeare: Actors and Audience. Bloomsbury

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2019) Deceive, Inveigle, Obfuscate: Post-Structuralism and the Staggered Retirement of Fox Mulder. In: Szanter, Ashley, (ed.) At the Mercy of Monsters: Essays on the Supernatural Procedural Drama. McFarland (Submitted)

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2018) ‘How Proudly Shines the Crazy Clock’: Temporal Displacement and the Miasma of York in the Urban Topographic Poetry of James Montgomery. In: Evans, Anne-Marie and Kramer, Kaley, (eds.) Time and the City. Literary Urban Studies . Palgrave (Submitted)

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2015) Little Nephews: Big Brother's Literary Offspring. In: Keeble, Richard Lance, (ed.) George Orwell now! Peter Lang

Walkling, Saffron (2018) Denmark’s a Prison: Appropriating Modern Myths of Hamlet After 1989 in Lin Zhaohua’s Hamulaite and Jan Klata’s H. In: Mancewicz, Aneta and Joubin, Alexa Alice, (eds.) Local and Global Myths in Shakespearean Performance. Reproducing Shakespeare . Springer, pp. 155-171

Watson, Nick J. and White, J. (2007) 'Winning at all Costs' in Modern Sport: Reflections on Pride and Humility in the Writings of C.S. Lewis. In: Parry, Jim, Robinson, Simon, Watson, Nick J. and Nesti, Mark, (eds.) Sport and Spirituality: An Introduction. London, Routledge, pp. 61-79

Williams, Gweno (2004) Margaret Cavendish, Marchioness (later Duchess) of Newcastle, Youths Glory and Deaths Banquet (1662). In: Ostovich, H. and Sauer, E., (eds.) Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1500-1700. Routledge, pp. 432-434

Williams, Gweno (2013) Novels for teenage readers. In: Birketveit, Anna and Williams, Gweno, (eds.) Literature for the English classroom: theory into practice. Fagbokforlaget

Book

Hurley, Ursula and Pleasance, Helen, eds. (2019) Purple Reign. First ed. Liverpool, UK, Erbacce-press

Chappell, Julie and Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554, eds. (2014) Women During the English Reformations: renegotiating gender and religious identity. New York and London, Palgrave Macmillan (USA)

Beaumont, Alexander (2015) Contemporary British Fiction and the Cultural Politics of Disenfranchisement : freedom and the city. Palgrave Macmillan

Booth, Naomi (2015) The lost art of sinking. Penned in the Margins

Campanello, Kimberly (2015) Consent. Doire Press

Campanello, Kimberly (2015) Strange Country. The Dreadful Press

Campanello, Kimberly, Dwyer, Benjamin and Knox, Garth (2015) Imagines. Dublin, New Dublin Press

Curtis, Abi (2017) Water & Glass. Cloud Lodge Books

Curtis, Abi (2012) The glass delusion. Salt Publishing

Joyce, Laura Ellen (2012) The museum of atheism. Salt

Klaces, Caleb (2013) Bottled Air. London, Eyewear

Klaces, Caleb (2019) Fatherhood. Prototype

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2006) Grace Nichols. Tavistock, Northcote House Publishers Ltd

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2018) Modern Dystopian Fiction and Political Thought: Narratives of World Politics. Popular Culture and World Politics . Routledge

Welsch, Jonathan (2010) Orchids. Salt Publishing

Wylie, Alex (2019) Geoffrey Hill's Later Work: Radiance of Apprehension. 1 ed. Manchester, Manchester University Press

Wylie, Alex (2018) Secular games. Eyewear Publishing

Show/Exhibition

Hind, Claire (2008) York/NEW YORK. [Show/Exhibition]

Klaces, Caleb, Wildgust, Patrick, Mee, Jon and Thurston, Nick (2018) A Sentimental Painting. [Show/Exhibition]

Video

Williams, Gweno (2004) Margaret Cavendish: plays in performance. [Video]

This list was generated on Sat Dec 14 15:30:12 2019 UTC.