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Number of items at this level: 97.


Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2016) Ballard’s Island(s): White Heat, National Decline and Technology After Technicity Between ‘The Terminal Beach’ and Concrete Island. Literary geographies, 2 (1). pp. 96-113.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2013) Epidemics of the Will” and the Uses of Freedom. evekosofskysedgwick.net.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2014) Literary studies after the spatial turn. Journal of Urban Cultural Studies, 3 (3). pp. 395-405.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and Magennis, Caroline (2017) Melancholy Island Introduction. C21 Literature: Journal of 21st-century Writings, 5 (1).

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and Martin, Daryl (2016) Introduction - ‘Ballard’s Island: Histories, Modernities and Materialities.’. Literary Geographies, 2 (1). pp. 1-15.

Campanello, Kimberly (2014) Birthing Stone (with accompanying audio and interview). New Dublin Press Journal.

Campanello, Kimberly (2015) Chloran, St John’s Well, From a Concerned Citizen (three poems). Tears in the Fence (61).

Campanello, Kimberly (2014) Excursion (poem). Honest Ulsterman.

Campanello, Kimberly (2017) Six poems from MOTHERBABYHOME. Poetry Wales, 53 (1).

Campanello, Kimberly (2016) Three poems from MOTHERBABYHOME. thosethatthis.

Campanello, Kimberly (2015) Three poems translated into Polish by Kamila Pawluś. Artpapier.

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2018) “La Plaza era una trampa”: Emotional Violence of Tlatelolco 1968 in Luis Spota’s La Plaza. Confluencia, 33 (2). pp. 40-52.

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2015) ‘You Want the Truth? You Can't Handle the Truth’: Poetic Representations of the 1968 Tlatelolco Massacre. Journal of Iberian and Latin American Research, 21 (1). pp. 35-49.

Curtis, Abi (2020) Freud's Uncanny and Speculative Elegy. Oxford Literary Review, 42 (2). pp. 175-178.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2019) Music, Memory and Memoir: Critical and creative engagement with an emerging genre. Journal of Writing in Creative Practice, 12 (1-2). pp. 181-199.

Evans, Anne-Marie (2018) Everything you need to know about ‘femoir’ – the bestselling books that celebrate female success. The Conversation.

Geesin, Beverly and Mollan, Simon (2017) This Sporting Life: the antithetical novel's revelation of the organization and work of sport. Culture and Organization.

Heinemeyer, Catherine ORCID: https://orcid.org/0000-0001-6300-5544 (2018) Adventures in Storyhacking - facilitating indirect inter-community dialogue through story. Teaching Artist Journal, 16 (3-4). pp. 83-90.

Heinemeyer, Catherine R ORCID: https://orcid.org/0000-0001-6300-5544 and Durham, Sally (2017) Is narrative an endangered species in schools? Secondary pupils' understanding of 'storyknowing'. Research in Education, 99 (1). pp. 31-55.

Klaces, Caleb (2020) Ben Lerner's 10:04 and Climate Change. Textual Practice. p. 1.

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2012) The Limits of Genre: Women and 'History' in Frances Sheridan's The Memoirs of Miss Sidney Bidulph and Elizabeth Griffith's The History of Lady Barton. ABO: Interactive Journal for Women in the Arts, 1640-1830, 2 (1).

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2019) Andrea Levy: her important body of work set out what it is to be black and British. The Conversation.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2018) Culinary Cultures: Food and the Postcolonial. Journal of Postcolonial Writing, 54 (4). pp. 439-441.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2018) “If I could mix drinks like my grandfather I would be worth marrying”: Reading race, class and gender in Mrs H. Graham Yearwood’s West Indian and Other Recipes (1911 and 1932). Journal of Postcolonial Writing, 54 (4). pp. 442-455.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2017) ‘On the “not translated”: rethinking translation and food in cross-cultural contexts: a response to “Translation and food: The case of mestizo writers” by Ma Carmen Africa Vidal Claramonte and Pamela Faber’. Journal of Multicultural Discourses, 12 (3). pp. 205-213.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2013) “A Table of Plenty.” Representations of Food and Social Order in Caribbean Writing: Some Early Accounts, Caryl Phillips’s Cambridge, and Andrea Levy’s The Long Song. EnterText (10). pp. 73-89.

López Galviz, Carlos, Bartolini, Nadia, Pendleton, Mark and Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2017) Reconfiguring Ruins: Beyond Ruinenlust. Geohumanities.

Manghani, Sunil and Velasco, R. (2005) In the study of the Letters in Red... Journal of Visual Art Practice, 4 (1). pp. 19-27.

Mann, Fraser (2019) Book Review: Anders Engberg-Pedersen (ed.). Literature and Cartography: Theories, Histories, Genres. Cambridge, MA: The MIT Press, 2017. ISBN: 9780262036740. 480 pgs. New Americanist, 1 (2). pp. 125-127.

Nesfield, Victoria and Smith, P. (2013) Holocaust literature and historiography in Anne Michaels' Fugitive Pieces. Journal of European Studies, 43 (1). pp. 14-26.

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 (2011) Transnational, Transgeneric, Transgressive: Tracing Miike Takashi’s Yakuza Cyborgs to Sukiyaki Westerns. Asian Cinema, 22 (1). pp. 83-98.

Samiei, Catherine (2018) Special Issue Guest Editorial: Literary Visions—Exploring Education Through the Lens of Literature. Other Education: The Journal of Educational Alternatives, 7 (2). pp. 3-7.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2017) Property, Patriotism and Independence: The Figure of the Freeholder in Eighteenth-Century Partisan Print. Journal for Eighteenth Century Studies, 40 (3). pp. 345-362.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2015) The Blind Logic of Plants: Enlightenment and Evolution in John Wyndham's The Day of the Triffids. Science Fiction Studies, 42 (3). pp. 433-457.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2016) The Future-as-past in Dystopian Fiction. Poetics Today, 37 (3). pp. 415-442.

Wylie, Alex (2015) Bunting and the Vile Patterns of Expediency. Essays in Criticism, 65 (3). pp. 302-325.

Wylie, Alex (2015) 'It is not anyone's dream': C.H. Sisson's Utopias. The Cambridge Quarterly, 44 (1). pp. 25-42.

Wylie, Alex (2018) Ivor Gurney's Imperfection. Essays in Criticism, 68 (1). pp. 54-73.

Wylie, Alex (2009) Prophet and Citizen: Fifty Years of Geoffrey Hill's For the Unfallen. PN Review, 36 (2).

Wylie, Alex (2014) Sisson's Troy. PN Review, 40 (5).

Wylie, Alex (2015) 'Soft aftershocks of calm': Order and Anarchy in Geoffrey Hill's For the Unfallen. Literary Imagination, 17 (3). pp. 259-273.

Wylie, Alex (2014) “Things that other people have desired”: The Contexts of TS Eliot’s Portrait of A Lady. Journal of the TS Eliot Society (UK).

Wylie, Alex (2014) “'This: “Ad Socium”?': Verbal Power in Geoffrey Hill's The Triumph of Love.”. English: Journal of the English Association, 63 (423). pp. 330-346.

Book Section

Bradbury, Janine (2013) Critical reception: Zora Neale Hurston and the paradox of patronage. In: Jones, Sharon, (ed.) Zora Neale Hurston. Critical insights . Salem Press

Campanello, Kimberly (2016) Colon. In: Tondut, Tiffany, (ed.) Asterism: an anthology of Poems Inspired by Punctuation. London, Laudanum Publishing

Campanello, Kimberly (2015) The Green. In: Hallelujah for 50 ft Women: Poems About Women’s Relationship to Their Bodies. London, Bloodaxe, pp. 77-78

Campanello, Kimberly (2015) Poem in response to Alban Berg. In: Fowler, S. J., (ed.) Kakania: An Anthology of New Works. London, Austrian Cultural Forum

Campanello, Kimberly (2015) entry in Ireland section of Poetry International. In: Ramsell, Billy and Makris, Christodoulos, (eds.) Poetry International. Rotterdam, Poetry International

Campanello, Kimberly (2016) to displace. In: Brennan, Oliver and Swift, Todd, (eds.) The Poet’s Quest for God: 21st Century Poems of Spirituality. London, Eyewear Publishing

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2018) Introduction. In: The Tlatelolco Massacre, Mexico 1968, and the emotional triangle of anger, grief and shame : discourse of truth (s). Cardiff, University of Wales Press

Curtis, Abi (2018) 'The Eye'. In: Topiwala, Kirty, (ed.) Beneath the Skin: Great Writers on the Body. 1 ed. London, Wellcome Collection, pp. 55-67

Duché, Elodie ORCID: https://orcid.org/0000-0003-2677-6854 (2016) ‘A sea of stories’: Maritime imagery and imagination in Napoleonic narratives of war captivity. In: Mathieson, Charlotte, (ed.) Sea Narratives: Cultural Responses to the Sea, 1600–Present. Palgrave, pp. 47-79

King, Liesl (2016) 'Woman to Woman, Sister to Sister - Feminine Connections in Chitra Banerjee Divakaruni'. In: Feminism and Diaspora: Critical Perspectives on Chitra Divakaruni. Rawat Books (Submitted)

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2014) Haunting History: Women, Catholicism, and the Writing of National History in Sophia Lee's The Recess. In: Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 and Chappell, Julie, (eds.) Women During the English Reformations: renegotiating gender and religious identity. New York and London, Palgrave Macmillan (USA), pp. 129-144

Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554 (2015) Rethinking Surrender: Elizabeth Inchbald and the 'Catholic Novel'. In: Barnard, Teresa, (ed.) British Women and the Intellectual World in the Long Eighteenth Century. Abingdon, Routledge, pp. 87-106

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2020) 2020 (commissioned) ‘British Caribbean Connections’ in volume 3 of Caribbean Literature in Transition, edited by Alison Donnell and Ronald Cummings (Cambridge University Press). In: Cummings, Ronald and Donnell, Alison, (eds.) 2020 (commissioned) ‘British Caribbean Connections’ in volume 3 of Caribbean Literature in Transition, edited by Alison Donnell and Ronald Cummings (Cambridge University Press). Caribbean Literature in Transition (3 vols), 3 . Cambridge, CUP (In Press)

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2018) 'Caribbean Cravings: Literature and food in the Anglophone Caribbean'. In: Piatti-Farnell, Lorna and Donna, Brien, (eds.) The Routledge Companion to Food and Literature. Routledge Literature Companions . Routledge, pp. 194-208

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2002) Imposing narratives: European incursions and intertexts in Pauline Melville’s The Ventriloquist’s Tale (1997). In: Stiltz, G., (ed.) Missions of Interdependence: A Literary Directory. Rodopi Press, pp. 107-120

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2010) Introduction to Section 3: Literary Reroutings, ethics, aesthetics and the Postcolonial canon. In: Wilson, Janet, Sandru, Cristina and Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X, (eds.) Rerouting the Postcolonial: New Directions for a new millenium. London & New York, Routledge, pp. 165-169

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2002) 'Out from under the shadow of Jean': critical bias and critical neglect in the construction of a tradition of Caribbean women’s writing: the case of Elma Napier. In: Anim-Addo, J., (ed.) Centre of remembrance: memory and Caribbean women's literature. Mango Publishing, pp. 134-144

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2014) Performing Cross-cultural culinary discourse: the Case of Levi Roots. In: Beushausen, Wiebke, Bruske, Anne, Commichau, Ana-Sofia, Helber, Patrick and Kloss, Sinah, (eds.) Caribbean Food Cultures: Culinary Practices and Consumption in the Caribbean and Its Diasporas. Bielefeld, Transcript Verlag, pp. 153-174

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2020) ‘This Is London, This Is Life’: ‘Migrant Time’ in Sam Selvon’s The Lonely Londoners. In: Evans, Anne-Marie and Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554, (eds.) Time, the City, and the Literary Imagination. Literary Urban Studies . Basingstoke, Palgrave, pp. 87-103

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2020) 'Vernacular Voices: Black British Poetry'. In: Nasta, Susheila and Stein, Mark, (eds.) The Cambridge History of Black and British Asian Writing. Cambridge, Cambridge University Press, pp. 329-352

Reifenstein, Tilo (2021) On Writing: propositions for art history as literary practice. In: Lerm Hayes, Christa-Maria, Kovač, Leonida, van Rijn, Ilse and Saloul, Ihab, (eds.) Heritage and Memory Studies. Amsterdam UP (Submitted)

Reifenstein, Tilo (2018) The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing. In: Kennedy, David and Meek, Richard, (eds.) Ekphrastic Encounters: New Interdisciplinary Essays on Literature and the Visual Arts. Manchester, Manchester University Press, pp. 203-218

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2012) Of Pigs and Men: The Politics of Nature in the Fiction of George Orwell. In: Keeble, Richard Lance, (ed.) George Orwell Today. Bury St Edmunds, Abramis Press, pp. 38-53

Conference or Workshop Item

Reifenstein, Tilo (2017) Graphic reading—graphic writing. In: Graphic Reading conference, 19 May 2017, University of Birmingham. (Unpublished)

Reifenstein, Tilo (2020) Reading between the lines: W.G. Sebald’s words and pictures as propositions for art history as a literary practice. In: PERLEGO: Critical Perspectives on Image and Text, 19-22 Oct 2020, Oxford, UK. (Unpublished)

Reifenstein, Tilo (2019) Writing (art history) as material practice. In: Quarto Congresso Svizzero di Storia dell’Arte (Fourth Swiss Congress for Art History), 06-08 Jun 2019, Mendrisio, Switzerland. (Unpublished)

Reifenstein, Tilo (2019) Writing Art: Challenges to a literary practice. In: Association for Art History Annual Conference 2019, 4th - 6th April 2019, Brighton, UK. (Unpublished)


Campanello, Kimberly (2015) Consent. Doire Press

Campanello, Kimberly (2016) Hymn to Kālī. Eyewear aviator pamphlet series . London, Eyewear Publishing

Campanello, Kimberly (2015) Strange Country. The Dreadful Press

Campanello, Kimberly and Birch, Simon (2017) Prideaux Angels. Valley Press

Campanello, Kimberly, Dwyer, Benjamin and Knox, Garth (2015) Imagines. Dublin, New Dublin Press

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, Mann, Fraser and Pleasance, Helen (2019) Music, Memory and Memoir. London, Bloomsbury

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2019) Food, text and culture in the Anglophone Caribbean. Rowman & Littlefield International

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2009) Rerouting the Postcolonial: new directions for the new millennium. Routledge

Parry, Abigail, Campanello, Kimberly and Lock, Frances (2017) Chapbook Anthology: Volume Two (Abigail Parry, Kimberly Campanello, Frances Lock). London, Laudanum Publishing

Peters, Gary (2017) Improvising improvisation : from out of philosophy, music, dance, and literature. Chicago, University of Chicago Press

Walker, Nathan (2015) Action Score Generator. First ed. If P then Q


Birch, Simon, Campanello, Kimberly, Hughes, Jon and Ingleheart, Claire (2017) Prideaux Angels. [Performance]

Campanello, Kimberly (2016) European Camaradefest (collaborating with Kinga Tóth). [Performance]

Campanello, Kimberly (2016) Eyewear Poets (w/Lindsey Holland, Ken Evans, Paul Deaton). [Performance]

Campanello, Kimberly (2016) Eyewear Publishing event at Free Verse Poetry Book Fair. [Performance]

Campanello, Kimberly (2016) Laudanum Publishing Asterism anthology launch. [Performance]

Campanello, Kimberly (2015) Launches of Strange Country in Dublin, Cork and Galway. [Performance]

Campanello, Kimberly (2016) Penny Dreadful Reading (with Dylan Brennan). [Performance]

Campanello, Kimberly (2016) Poetry Reading for New Dublin Press (w/Annemarie Ní Churreáin & Kinga Tóth). [Performance]

Campanello, Kimberly (2016) Poetry reading for International Literature Festival, Dublin. [Performance]

Campanello, Kimberly (2016) Poetry reading for The Other Room Series. [Performance]

Campanello, Kimberly (2016) Poetry reading for the Irish Literary Society (Rattlebag). [Performance]

Campanello, Kimberly (2015) Reading for Paris Poets Live Series. [Performance]

Campanello, Kimberly and Dwyer, Benjamin (2015) Poetry reading at Prague Microfestival. [Performance]

Campanello, Kimberly, Dwyer, Benjamin and Griffith, Dylan (2015) Premiere of SacrumProfanum at the Belfast Book Festival. [Performance]

Campanello, Kimberly, Dwyer, Benjamin and Knox, Garth (2015) Preimiere of imagines obesae et aspectui ingratae at Barrow River Arts Festival. [Performance]

Campanello, Kimberly and Hughes, Jonathan (2016) Premiere of cases of sudden conversion. [Performance]

This list was generated on Thu Jun 17 22:55:13 2021 UTC.