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Bailey, Alicia Jade (2025) “It’s so confusing sometimes to be a girl” (Charli XCX) An exploration of the link between Girlhood, Queerness, and Survival as shown in The Wilds and Yellowjackets. Masters thesis, York St John University.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2016) Ballard’s Island(s): White Heat, National Decline and Technology After Technicity Between ‘The Terminal Beach’ and Concrete Island. Literary geographies, 2 (1). pp. 96-113.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2018) Dystopia and Euphoria: Time-Space Compression and the City. In: Pollard, Eileen and Schoene, Berthold, (eds.) Accelerated Times: British Literature in Transition, 1980-2000. British Literature in Transition . Cambridge, Cambridge University Press, pp. 273-288

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2026) Introduction. In: Literary Geography in Later Covid. University of Wales Press (Submitted)

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2026) Literary Geography in Later Covid. Cardiff, University of Wales Press (Submitted)

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2014) Literary studies after the spatial turn. Journal of Urban Cultural Studies, 3 (3). pp. 395-405.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2022) Sarah Hall's Material Imagination. In: Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D’hoker, Elke, (eds.) Sarah Hall: Critical Essays. Canterbury, Gylphi, pp. 195-220

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D'hoker, Elke (2022) Introduction. In: Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D'hoker, Elke, (eds.) Sarah Hall: Critical Essays. Canterbury, Gylphi, pp. 5-29

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and Martin, Daryl (2016) Introduction - ‘Ballard’s Island: Histories, Modernities and Materialities.’. Literary Geographies, 2 (1). pp. 1-15.

Booth, Naomi (2014) Bathetic Masochism and the Shrinking Woman. New Formations (83). pp. 47-63.

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2019) Grace Jones: Cyborg Memoirist. In: Mann, Fraser, Pleasance, Helen and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, (eds.) Music, Memory, and Memoir. London, Bloomsbury, pp. 65-80

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Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2019) ‘2 October Is Not Forgotten’: Tlatelolco 1968 Massacre and Social Memory Frameworks. In: Göttsche, Dirk, (ed.) Memory and Postcolonial Studies: Synergies and New Directions across Literatures from Europe, Africa and the Americas. Oxford; Bern, Peter Lang, pp. 363-392

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2018) Between the Stone and the Mirror: Tlatelolco 1968 Massacre and Poetic Debates on the History of Violence. Chasqui, 47 (2).

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2018) Introduction. In: The Tlatelolco Massacre, Mexico 1968, and the emotional triangle of anger, grief and shame : discourse of truth (s). Cardiff, University of Wales Press

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2015) ‘You Want the Truth? You Can't Handle the Truth’: Poetic Representations of the 1968 Tlatelolco Massacre. Journal of Iberian and Latin American Research, 21 (1). pp. 35-49.

Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356 (2024) Contemporary Women's Fiction: Speculative Fiction and reproductive rights. Foundation, 146 (52.3).

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Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2026) Liquid Realism: Hauntology, Lack, and Mourning as Method. Open Philosophy, 9 (1). p. 20250116.

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2023) Unsuitable for Miners: Trauma in contemporary British mining narratives. In: Haunted Landscapes, 4-6 July 2023, Falmouth University. (Unpublished)

Evans, Anne-Marie (2017) “Funny Women: Political Transgressions and Celebrity Autobiography”. In: Fuchs-Abrams, Sabrina, (ed.) Transgressive Humor of American Women Writers. Palgrave studies in comedy . Palgrave MacMillan, pp. 155-173

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Henty, Dylan ORCID: https://orcid.org/0009-0002-8853-5765 (2025) Emergency Alert systems and affective historical sound in Analog Horror. In: Haunted Soundscapes Symposium October 2025, 22 October 2025, York St John University.

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King, Liesl (2022) 'Woman to Woman, Sister to Sister - Feminine Connections in Chitra Banerjee Divakaruni'. In: Singh, Amritjit, Field, Robin E. and Najmi, Samina, (eds.) Critical Perspectives on Chitra Banerjee Divakaruni :feminism and diaspora. Rowman & Littlefield

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2025) 41 Numbered Paragraphs About Dementia and Fiction. The London Magazine.

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2020) Ben Lerner's 10:04 and Climate Change. Textual Practice. p. 1.

Klaces, Caleb (2018) Frailty and Resistance: poetry of inner and outer health. Poetry London (90).

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2017) The Hatred of Lerner: Caleb Klaces on his struggle with Ben Lerner’s poetics. Poetry London.

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2025) I Gave You Eyes and You Looked Toward Darkness by Irene Solà review. The Guardian.

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2016) The Language of Resistance. The Poetry Review, 106 (4).

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Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2005) Editor's Comments to 'Special Issue of World Literature Written in English', edited by Sarah Lawson Welsh. World Literature Written in English, 39 (1). pp. 3-8.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2017) Editor's Note to Journal of Postcolonial Writing 52.6 2017. Journal of Postcolonial Writing, 52 (6). pp. 641-644.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1997) ‘Experiments in Brokenness: The Creative Use of Creole in David Dabydeen’s Slave Song’. In: The Art of David Dabydeen. Leeds, Peepal Tree Press, pp. 27-46

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2017) Introduction to Kumar Mahabir, Multiple Identities: Essays in Caribbean Literature. In: Multiple Identities:essays in Caribbean Literature. Trinidad, Chakra Press

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Jay Bernard’s Surge: Archival Interventions in Black British Poetry'. Journal for Literary and Intermedial Crossings, 6 (2). c1-c26.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1991) ‘Linton Kwesi Johnson's Tings an Times’, Bete Noire (Hull Poets Special Commemorative Issue (Autumn/Spring 1992), pp.406-424. Bete Noire, 1992. pp. 406-424.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Not Just a Canadian Writer: 'Membering Austin Clarke'. Canadian Literature: A Quarterly of Criticism and Review.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2002) 'Out from under the shadow of Jean': critical bias and critical neglect in the construction of a tradition of Caribbean women’s writing: the case of Elma Napier. In: Anim-Addo, J., (ed.) Centre of remembrance: memory and Caribbean women's literature. Mango Publishing, pp. 134-144

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2000) ‘"Out in the Open”: ‘Under-represented Sexualities in Shani Mootoo’s Cereus Blooms at Night and Lawrence Scott’s Aelred’s Sin’. In: The Vitality of West Indian Literature: Caribbean and Indian Essays. India, Dvanyaloka Publications, pp. 208-223

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Reading Against the Grain: Reading The Long Song intertextually'. ARIEL: An international Review of English, 53 (1-2). pp. 193-197.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2023) Review article on Robyn Cope, The Pen and the Pan: Food, Fiction and Homegrown Caribbean Feminism(s). Kingston: University Press of the West Indies, 2021. x + 260 pp. (Cloth US$45.00). Koninklijke Brill (Netherlands).

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1999) ‘The Shape-Shifting Fictions of Pauline Melville’. In: Conde, Mary and Lonsdale, Thorunn, (eds.) Caribbean Women Writers: Fiction in English. Basingstoke, Palgrave Macmillan, pp. 144-171

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2020) ‘This Is London, This Is Life’: ‘Migrant Time’ in Sam Selvon’s The Lonely Londoners. In: Evans, Anne-Marie and Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554, (eds.) Time, the City, and the Literary Imagination. Literary Urban Studies . Basingstoke, Palgrave, pp. 87-103

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1997) ‘(Un) belonging Citizens - Unmapped Territory: Immigration and Black British Identity in the post 1945 period’. In: Murray, Stuart, (ed.) Not On Any Map - Essays on Postcoloniality and Cultural Nationalism. Exeter, Exeter University Press, pp. 43-66

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X, Ringrose, Chris and Wilson, Janet (2010) Editor's Note to Journal of Postcolonial Writing 46.1 2010. Journal of Postcolonial Writing, 46 (1). pp. 1-4.

López Galviz, Carlos, Bartolini, Nadia, Pendleton, Mark and Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2017) Reconfiguring Ruins: Beyond Ruinenlust. Geohumanities.

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Manghani, Sunil and Velasco, R. (2005) In the study of the Letters in Red... Journal of Visual Art Practice, 4 (1). pp. 19-27.

Mann, Fraser (2019) Book Review: Anders Engberg-Pedersen (ed.). Literature and Cartography: Theories, Histories, Genres. Cambridge, MA: The MIT Press, 2017. ISBN: 9780262036740. 480 pgs. American Studies Center, Warsaw.

Mann, Fraser (2025) ‘A tidal wave of dopesickness’: Addiction, music and pathography in Mark Lanegan’s Sing Backwards and Weep. In: Attah, Tom, Lloyd, Christian and Fairclough, Kirsty, (eds.) Rereading Musicians and Their Audiences: Popular Music Autobiographies. New York, Bloomsbury

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O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2019) More Human Than Humans. In: Bunce, Robin and McCrossin, Trip, (eds.) Blade Runner 2049 and Philosophy: This Breaks the World. & Philosophy series (127). Open Court Publishing, pp. 51-59

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2020) “The Navel Between Cities”: Copula Hall and the representation of Borders and Liminal Space in China Mieville’s The City & The City. In: Walls and Barriers: Science Fiction in the Age of Brexit, 12 September 2020, Anglia Ruskin Centre for Science Fiction and Fantasy. (Unpublished)

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2015) A Novel In Every Genre: China Miéville and the problems of genre classification in the twenty-first century. Vector (282). pp. 10-16.

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2018) ‘Ted Chiang and the Deferred Effect: “Afterwardsness” in the Science Fiction Worlds of “Exhalation” and “Story of Your Life”'. In: After Fantastika Conference, 6 to 7 July 2018, Lancaster University. (Unpublished)

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2016) ‘Weird Pictures, Monster Mansions and Time Pockets: Gothic Obscurities and Temporal Displacement in Miss Peregrine’s Home for Peculiar Children’. In: Temporal Discombobulations conference, 22-24 August 2016, University of Surrey. (Unpublished)

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Pheby-McGarvey, Sam ORCID: https://orcid.org/0009-0000-5954-0237 (2024) “Always Greener”: Deconstructing the Nature Culture Divide. In: Pint of Science.

Pheby-McGarvey, Sam ORCID: https://orcid.org/0009-0000-5954-0237 (2024) “Changing Bodies, Changing Minds”: Non-human Narratives and the Language Binary. In: Narrating the Nonhuman, 30-31 May 2024, Ormskirk.

Pheby-McGarvey, Sam ORCID: https://orcid.org/0009-0000-5954-0237 (2023) “Knowledge from the Non-Human”: Zoosemiotics, transferring and recording non-human animal knowledge. In: Making Waves Symposium, 13th June 2023, York St John University.

Pheby-McGarvey, Sam ORCID: https://orcid.org/0009-0000-5954-0237 (2019) On a Wing and a Prayer. In: King, Liesl and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, (eds.) Science Fiction for Survival: An Archive for Mars: 1 (Terra Two). Scarborough, Valley Press

Pheby-McGarvey, Sam ORCID: https://orcid.org/0009-0000-5954-0237 (2021) Would the Stones Like Fries with That. Horrified Magazine.

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Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2024) Monstrosity and Global Crisis in Transnational Film, Media and Literature. 1 ed. Newcastle, Cambridge Scholars Publishing

Reese, Sam ORCID: https://orcid.org/0000-0003-0023-3333 (2019) Blue Notes: Jazz, Literature, and Loneliness. LSU Press

Reifenstein, Tilo (2015) Always already fragmentary. In: Theme and Variation conference, 12–13 Jun. 2015, University of Łódź, Poland. (Unpublished)

Reifenstein, Tilo (2013) Between the visible and the legible: words and images caught in translation. In: Intersemiotic Translation conference, 25–27 Sep. 2013, University of Łódź, Poland. (Unpublished)

Reifenstein, Tilo (2024) (Elektrographisches) Schreiben als Praxis in Bild, Schrift und Material. In: Bartelmus, Martin and Nebrig, Alexander, (eds.) Digitale Schriftlichkeit: Programmieren, Prozessieren und Codieren von Schrift. Literatur in der digitalen Gesellschaft (8). Bielefeld, transcript, pp. 65-82

Reifenstein, Tilo (2017) Graphic reading—graphic writing. In: Graphic Reading conference, 19 May 2017, University of Birmingham. (Unpublished)

Reifenstein, Tilo (2016) Image and text: art-history writing as literary practice. In: 5th Annual International Conference in Paragone Studies, 22-24 Sep. 2016, Manchester. (Unpublished)

Reifenstein, Tilo (2014) Image and word interpenetrations in Raymond Pettibon. In: Word & Image Crossovers conference and 5th English Literary Meeting, 29–30 Sep. 2014, Kazimierz Wielki University, Bydgoszcz, Poland. (Unpublished)

Reifenstein, Tilo (2023) On Writing: propositions for art history as literary practice. In: Kovač, Leonida, Lerm Hayes, Christa-Maria, van Rijn, Ilse and Saloul, Ihab, (eds.) W.G. Sebald's Artistic Legacies : Memory, Word and Image. Amsterdam University Press, pp. 195-226

Reifenstein, Tilo (2020) Reading between the lines: W.G. Sebald’s words and pictures as propositions for art history as a literary practice. In: PERLEGO: Critical Perspectives on Image and Text, 19-22 Oct 2020, Oxford, UK. (Unpublished)

Reifenstein, Tilo (2013) Transposition im/possible. In: Writing into Art conference, 18–19 Jun. 2013, University of Strathclyde and Kelvingrove Museum & Art Gallery, Glasgow. (Unpublished)

Reifenstein, Tilo (2023) Von den Verflechtungen der künstlerischen Forschung mit dem Schreiben als Praxis. In: Bader, Nadia, Krauß, Lennart and Johns, Stefanie, (eds.) How to Arts Education Research? Wissenspraxen zwischen Kunst und Bildung. Kunst Medien Bildung (10). Munich, kopaed Verlag, pp. 147-156

Reifenstein, Tilo (2019) Writing (art history) as material practice. In: Quarto Congresso Svizzero di Storia dell’Arte (Fourth Swiss Congress for Art History), 06-08 Jun 2019, Mendrisio, Switzerland. (Unpublished)

Reifenstein, Tilo (2019) Writing Art: Challenges to a literary practice. In: Association for Art History Annual Conference 2019, 4th - 6th April 2019, Brighton, UK. (Unpublished)

Reifenstein, Tilo (2017) Writing about pictures about pictures with writing about writing with pictures. In: Images and Texts Reproduced, 11th International IAWIS/AIERTI conference, 10–14 Jul 2017, Université de Lausanne, Switzerland. (Unpublished)

Reifenstein, Tilo (2015) Writing on drawing | drawing on writing. In: Images of Identity conference, 30–31 Jan. 2015, University of Zürich, Switzerland. (Unpublished)

Reifenstein, Tilo (2018) The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing. In: Kennedy, David and Meek, Richard, (eds.) Ekphrastic Encounters: New Interdisciplinary Essays on Literature and the Visual Arts. Manchester, Manchester University Press, pp. 203-218

Reifenstein, Tilo (2013) The graphics of ekphrastic writing: Raymond Pettibon’s drawing-writing. In: Ekphrasis: From Paragone to Encounter conference, 3–5 Jul. 2013, University of Hull.

Reifenstein, Tilo (2025) A medial-material grammatology of Teju Cole’s photographic writing. In: IAWIS Panel at the Inaugural Max Nänny Lecture, 28 March 2025, University of Amsterdam. (Unpublished)

Reifenstein, Tilo (2017) The sense of the line between drawing and writing. In: Drawing Matters, 14 Jul 2017, York St. John University.

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Saroukhani, Henghameh, Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X and Perfect, Michael (2022) Afterlives, Aftermaths: Levy Studies in the Twenty-First Century. ARIEL, 53 (1-2). pp. 7-24.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2025) “It just tastes better than other meat…”: Satire and cannibalism after Jonathan Swift’s Modest Proposal (1729). European Journal of Humour Research, 13 (1). pp. 91-103.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2015) The Blind Logic of Plants: Enlightenment and Evolution in John Wyndham's The Day of the Triffids. Science Fiction Studies, 42 (3). pp. 433-457.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2025) Desert Settings and How to See the Apocalypse. Apocalyptica, 3 (1). pp. 103-129.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2016) The Future-as-past in Dystopian Fiction. Poetics Today, 37 (3). pp. 415-442.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2018) Modern Dystopian Fiction and Political Thought: Narratives of World Politics. Popular Culture and World Politics . London, Routledge

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2012) Of Pigs and Men: The Politics of Nature in the Fiction of George Orwell. In: Keeble, Richard Lance, (ed.) George Orwell Today. Bury St Edmunds, Abramis Press, pp. 38-53

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2022) Twentieth-Century Utopian Literature. In: Marks, Peter, Wagner-Lawlor, Jennifer and Vieira, Fátima, (eds.) The Palgrave Handbook of Utopian and Dystopian Literatures. 1 ed. Cham, Switzerland, Palgrave Macmillan, pp. 137-148

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Walkling, Saffron Vickers (2019) Ophelia’s terror: anatomising the figure of the female suicide bomber in The Al-Hamlet Summit. Cahiers Élisabéthains.

Wilson, Janet, Tolan, Fiona and Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2009) ‘Rerouting the Postcolonial’. Journal of Postcolonial Writing, 45 (2). pp. 121-123.

Wylie, Alex (2015) Bunting and the Vile Patterns of Expediency. Essays in Criticism, 65 (3). pp. 302-325.

Wylie, Alex (2021) The Bureaucratic Sublime: On the Secret Joys of Contemporary Poetry. PN Review, 48 (2).

Wylie, Alex (2020) Democratic Rags: On the 'democratic' in contemporary poetry. PN Review, 46 (3).

Wylie, Alex (2011) Eros in Geoffrey Hill's Scenes from Comus. English: Journal of the English Association, 60 (230). pp. 198-211.

Wylie, Alex (2019) Geoffrey Hill's Later Work: Radiance of Apprehension. 1 ed. Manchester, Manchester University Press

Wylie, Alex (2023) 'Here Lies a Civil Servant': C.H. Sisson and the Possibility of Honesty. In: Moul, V. and Talbot, J., (eds.) C.H. Sisson Reconsidered. The New Antiquity . Palgrave MacMillan

Wylie, Alex (2015) 'It is not anyone's dream': C.H. Sisson's Utopias. The Cambridge Quarterly, 44 (1). pp. 25-42.

Wylie, Alex (2018) Ivor Gurney's Imperfection. Essays in Criticism, 68 (1). pp. 54-73.

Wylie, Alex (2025) 'Not by an act of God': Capital in the Work of Basil Bunting. The Cambridge Quarterly, 54 (2). pp. 135-148.

Wylie, Alex (2009) Prophet and Citizen: Fifty Years of Geoffrey Hill's For the Unfallen. PN Review, 36 (2).

Wylie, Alex (2022) A Proxy for Submission: On Taste and Tastefulness in Contemporary Poetry. PN Review (267).

Wylie, Alex (2026) Saying the Unsayable: Contemporary Poetry and the Structure of Feeling. In: Gildea, Niall and Braddock, Louise, (eds.) Raymond Williams and Structures of Feeling. University of Wales Press

Wylie, Alex (2014) Sisson's Troy. PN Review, 40 (5).

Wylie, Alex (2015) 'Soft aftershocks of calm': Order and Anarchy in Geoffrey Hill's For the Unfallen. Literary Imagination, 17 (3). pp. 259-273.

Wylie, Alex (2014) “Things that other people have desired”: The Contexts of TS Eliot’s Portrait of A Lady. Journal of the TS Eliot Society (UK).

Wylie, Alex (2014) “'This: “Ad Socium”?': Verbal Power in Geoffrey Hill's The Triumph of Love.”. English: Journal of the English Association, 63 (423). pp. 330-346.