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Article

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2016) Ballard’s Island(s): White Heat, National Decline and Technology After Technicity Between ‘The Terminal Beach’ and Concrete Island. Literary geographies, 2 (1). pp. 96-113.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2014) Literary studies after the spatial turn. Journal of Urban Cultural Studies, 3 (3). pp. 395-405.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and Martin, Daryl (2016) Introduction - ‘Ballard’s Island: Histories, Modernities and Materialities.’. Literary Geographies, 2 (1). pp. 1-15.

Booth, Naomi (2014) Bathetic Masochism and the Shrinking Woman. New formations: a journal of culture, theory, politics (83). pp. 47-63.

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2018) Between the Stone and the Mirror: Tlatelolco 1968 Massacre and Poetic Debates on the History of Violence. Chasqui, 47 (2).

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2015) ‘You Want the Truth? You Can't Handle the Truth’: Poetic Representations of the 1968 Tlatelolco Massacre. Journal of Iberian and Latin American Research, 21 (1). pp. 35-49.

Klaces, Caleb (2020) Ben Lerner's 10:04 and Climate Change. Textual Practice.

Klaces, Caleb (2018) Frailty and Resistance: poetry of inner and outer health. Poetry London (90).

Klaces, Caleb (2017) The Hatred of Lerner: Caleb Klaces on his struggle with Ben Lerner’s poetics. Poetry London.

Klaces, Caleb (2016) The Language of Resistance. The Poetry Review, 106 (4).

López Galviz, Carlos, Bartolini, Nadia, Pendleton, Mark and Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2017) Reconfiguring Ruins: Beyond Ruinenlust. Geohumanities.

Manghani, Sunil and Velasco, R. (2005) In the study of the Letters in Red... Journal of Visual Art Practice, 4 (1). pp. 19-27.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2015) The Blind Logic of Plants: Enlightenment and Evolution in John Wyndham's The Day of the Triffids. Science Fiction Studies, 42 (127). pp. 433-457.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2016) The Future-as-past in Dystopian Fiction. Poetics Today, 37 (3). pp. 415-442.

Walkling, Saffron Vickers (2019) Ophelia’s terror: anatomising the figure of the female suicide bomber in The Al-Hamlet Summit. Cahiers Élisabéthains.

Wylie, Alex (2015) Bunting and the Vile Patterns of Expediency. Essays in Criticism, 65 (3). pp. 302-325.

Wylie, Alex (2020) Democratic Rags: On the 'democratic' in contemporary poetry. PN Review, 46 (3).

Wylie, Alex (2011) Eros in Geoffrey Hill's Scenes from Comus. English: Journal of the English Association, 60 (230). pp. 198-211.

Wylie, Alex (2015) 'It is not anyone's dream': C.H. Sisson's Utopias. The Cambridge Quarterly, 44 (1). pp. 25-42.

Wylie, Alex (2018) Ivor Gurney's Imperfection. Essays in Criticism, 68 (1). pp. 54-73.

Wylie, Alex (2009) Prophet and Citizen: Fifty Years of Geoffrey Hill's For the Unfallen. PN Review, 36 (2).

Wylie, Alex (2014) Sisson's Troy. PN Review, 40 (5).

Wylie, Alex (2015) 'Soft aftershocks of calm': Order and Anarchy in Geoffrey Hill's For the Unfallen. Literary Imagination, 17 (3). pp. 259-273.

Wylie, Alex (2014) “Things that other people have desired”: The Contexts of TS Eliot’s Portrait of A Lady. Journal of the TS Eliot Society (UK).

Wylie, Alex (2014) “'This: “Ad Socium”?': Verbal Power in Geoffrey Hill's The Triumph of Love.”. English : Journal of the English Association, 63 (423). pp. 330-346.

Book Section

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2018) Dystopia and Euphoria: Time-Space Compression and the City. In: Pollard, Eileen and Schoene, Berthold, (eds.) Accelerated Times: British Literature in Transition, 1980-2000. British Literature in Transition . Cambridge, Cambridge University Press, pp. 273-288

Bradbury, Janine (2019) Grace Jones: Cyborg Memoirist. In: Mann, Fraser, Pleasance, Helen and Edgar, Robert, (eds.) Music, Memory, and Memoir. Bloomsbury, pp. 65-80

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2019) ‘2 October Is Not Forgotten’: Tlatelolco 1968 Massacre and Social Memory Frameworks. In: Göttsche, Dirk, (ed.) Memory and Postcolonial Studies: Synergies and New Directions across Literatures from Europe, Africa and the Americas. Oxford; Bern, Peter Lang, pp. 363-392

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2018) Introduction. In: The Tlatelolco Massacre, Mexico 1968, and the emotional triangle of anger, grief and shame : discourse of truth (s). Cardiff, University of Wales Press

Evans, Anne-Marie (2017) “Funny Women: Political Transgressions and Celebrity Autobiography”. In: Fuchs-Abrams, Sabrina, (ed.) Transgressive Humor of American Women Writers. Palgrave studies in comedy . Palgrave MacMillan, pp. 155-173

King, Liesl (2016) 'Woman to Woman, Sister to Sister - Feminine Connections in Chitra Banerjee Divakaruni'. In: Feminism and Diaspora: Critical Perspectives on Chitra Divakaruni. Rawat Books (Submitted)

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2019) 2020 ‘”This is London, This is Life!”: time and space in Sam Selvon’s The Lonely Londoners’ in Anne-Marie Evans and Kaley Kramer (Eds) Strange Phenomena: Time, the City, and the Literary Imagination. In: Evans, Anne-Marie and Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554, (eds.) 2020 ‘”This is London, This is Life!”: time and space in Sam Selvon’s The Lonely Londoners’ in Anne-Marie Evans and Kaley Kramer (Eds) Strange Phenomena: Time, the City, and the Literary Imagination. Basingstoke, Palgrave (Submitted)

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2002) 'Out from under the shadow of Jean': critical bias and critical neglect in the construction of a tradition of Caribbean women’s writing: the case of Elma Napier. In: Anim-Addo, J., (ed.) Centre of remembrance: memory and Caribbean women's literature. Mango Publishing, pp. 134-144

Reifenstein, Tilo (2018) The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing. In: Kennedy, David and Meek, Richard, (eds.) Ekphrastic Encounters: New Interdisciplinary Essays on Literature and the Visual Arts. Manchester, Manchester University Press, pp. 203-218

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2012) Of Pigs and Men: The Politics of Nature in the Fiction of George Orwell. In: Keeble, Richard Lance, (ed.) George Orwell Today. Bury St Edmunds, Abramis Press, pp. 38-53

Stripe, Adelle (2019) Introduction. In: Alma Cogan. London, Faber & Faber

Conference or Workshop Item

Reifenstein, Tilo (2019) Writing (art history) as material practice. In: Quarto Congresso Svizzero di Storia dell’Arte (Fourth Swiss Congress for Art History), 06-08 Jun 2019, Mendrisio, Switzerland. (Unpublished)

Reifenstein, Tilo (2019) Writing Art: Challenges to a literary practice. In: Association for Art History Annual Conference 2019, 4th - 6th April 2019, Brighton, UK. (Unpublished)

Book

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2018) Modern Dystopian Fiction and Political Thought: Narratives of World Politics. Popular Culture and World Politics . Routledge

Wylie, Alex (2019) Geoffrey Hill's Later Work: Radiance of Apprehension. 1 ed. Manchester, Manchester University Press

This list was generated on Wed Apr 8 20:35:28 2020 UTC.