Article

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2016) Ballard’s Island(s): White Heat, National Decline and Technology After Technicity Between ‘The Terminal Beach’ and Concrete Island. Literary geographies, 2 (1). pp. 96-113.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2014) Literary studies after the spatial turn. Journal of Urban Cultural Studies, 3 (3). pp. 395-405.

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and Martin, Daryl (2016) Introduction - ‘Ballard’s Island: Histories, Modernities and Materialities.’. Literary Geographies, 2 (1). pp. 1-15.

Booth, Naomi (2014) Bathetic Masochism and the Shrinking Woman. New Formations (83). pp. 47-63.

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2018) Between the Stone and the Mirror: Tlatelolco 1968 Massacre and Poetic Debates on the History of Violence. Chasqui, 47 (2).

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2015) ‘You Want the Truth? You Can't Handle the Truth’: Poetic Representations of the 1968 Tlatelolco Massacre. Journal of Iberian and Latin American Research, 21 (1). pp. 35-49.

Curtis, Abi ORCID: https://orcid.org/0000-0001-6747-4356 (2024) Contemporary Women's Fiction: Speculative Fiction and reproductive rights. Foundation, 146 (52.3).

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2020) Ben Lerner's 10:04 and Climate Change. Textual Practice. p. 1.

Klaces, Caleb (2018) Frailty and Resistance: poetry of inner and outer health. Poetry London (90).

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2017) The Hatred of Lerner: Caleb Klaces on his struggle with Ben Lerner’s poetics. Poetry London.

Klaces, Caleb ORCID: https://orcid.org/0009-0005-7293-5256 (2016) The Language of Resistance. The Poetry Review, 106 (4).

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2005) Editor's Comments to 'Special Issue of World Literature Written in English', edited by Sarah Lawson Welsh. World Literature Written in English, 39 (1). pp. 3-8.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2017) Editor's Note to Journal of Postcolonial Writing 52.6 2017. Journal of Postcolonial Writing, 52 (6). pp. 641-644.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Jay Bernard’s Surge: Archival Interventions in Black British Poetry'. Journal for Literary and Intermedial Crossings, 6 (2). c1-c26.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1991) ‘Linton Kwesi Johnson's Tings an Times’, Bete Noire (Hull Poets Special Commemorative Issue (Autumn/Spring 1992), pp.406-424. Bete Noire, 1992. pp. 406-424.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Not Just a Canadian Writer: 'Membering Austin Clarke'. Canadian Literature: A Quarterly of Criticism and Review.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2022) 'Reading Against the Grain: Reading The Long Song intertextually'. ARIEL: An international Review of English, 53 (1-2). pp. 193-197.

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X, Ringrose, Chris and Wilson, Janet (2010) Editor's Note to Journal of Postcolonial Writing 46.1 2010. Journal of Postcolonial Writing, 46 (1). pp. 1-4.

López Galviz, Carlos, Bartolini, Nadia, Pendleton, Mark and Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2017) Reconfiguring Ruins: Beyond Ruinenlust. Geohumanities.

Manghani, Sunil and Velasco, R. (2005) In the study of the Letters in Red... Journal of Visual Art Practice, 4 (1). pp. 19-27.

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2015) A Novel In Every Genre: China Miéville and the problems of genre classification in the twenty-first century. Vector (282). pp. 10-16.

Saroukhani, Henghameh, Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X and Perfect, Michael (2022) Afterlives, Aftermaths: Levy Studies in the Twenty-First Century. ARIEL, 53 (1-2). pp. 7-24.

Smith, Adam James ORCID: https://orcid.org/0000-0002-3938-4836 (2024) “It just tastes better than other meat…”: Satire and cannibalism after Jonathan Swift’s Modest Proposal (1729). European Journal of Humour Research. (In Press)

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2015) The Blind Logic of Plants: Enlightenment and Evolution in John Wyndham's The Day of the Triffids. Science Fiction Studies, 42 (3). pp. 433-457.

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2016) The Future-as-past in Dystopian Fiction. Poetics Today, 37 (3). pp. 415-442.

Walkling, Saffron Vickers (2019) Ophelia’s terror: anatomising the figure of the female suicide bomber in The Al-Hamlet Summit. Cahiers Élisabéthains.

Wilson, Janet, Tolan, Fiona and Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2009) ‘Rerouting the Postcolonial’. Journal of Postcolonial Writing, 45 (2). pp. 121-123.

Wylie, Alex (2015) Bunting and the Vile Patterns of Expediency. Essays in Criticism, 65 (3). pp. 302-325.

Wylie, Alex (2021) The Bureaucratic Sublime: On the Secret Joys of Contemporary Poetry. PN Review, 48 (2).

Wylie, Alex (2020) Democratic Rags: On the 'democratic' in contemporary poetry. PN Review, 46 (3).

Wylie, Alex (2011) Eros in Geoffrey Hill's Scenes from Comus. English: Journal of the English Association, 60 (230). pp. 198-211.

Wylie, Alex (2015) 'It is not anyone's dream': C.H. Sisson's Utopias. The Cambridge Quarterly, 44 (1). pp. 25-42.

Wylie, Alex (2018) Ivor Gurney's Imperfection. Essays in Criticism, 68 (1). pp. 54-73.

Wylie, Alex (2009) Prophet and Citizen: Fifty Years of Geoffrey Hill's For the Unfallen. PN Review, 36 (2).

Wylie, Alex (2022) A Proxy for Submission: On Taste and Tastefulness in Contemporary Poetry. PN Review (267).

Wylie, Alex (2014) Sisson's Troy. PN Review, 40 (5).

Wylie, Alex (2015) 'Soft aftershocks of calm': Order and Anarchy in Geoffrey Hill's For the Unfallen. Literary Imagination, 17 (3). pp. 259-273.

Wylie, Alex (2014) “Things that other people have desired”: The Contexts of TS Eliot’s Portrait of A Lady. Journal of the TS Eliot Society (UK).

Wylie, Alex (2014) “'This: “Ad Socium”?': Verbal Power in Geoffrey Hill's The Triumph of Love.”. English: Journal of the English Association, 63 (423). pp. 330-346.

Book Section

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2018) Dystopia and Euphoria: Time-Space Compression and the City. In: Pollard, Eileen and Schoene, Berthold, (eds.) Accelerated Times: British Literature in Transition, 1980-2000. British Literature in Transition . Cambridge, Cambridge University Press, pp. 273-288

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 (2022) Sarah Hall's Material Imagination. In: Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D’hoker, Elke, (eds.) Sarah Hall: Critical Essays. Canterbury, Gylphi, pp. 195-220

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D'hoker, Elke (2022) Introduction. In: Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D'hoker, Elke, (eds.) Sarah Hall: Critical Essays. Canterbury, Gylphi, pp. 5-29

Bradbury, Janine ORCID: https://orcid.org/0000-0001-6904-3592 (2019) Grace Jones: Cyborg Memoirist. In: Mann, Fraser, Pleasance, Helen and Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605, (eds.) Music, Memory, and Memoir. London, Bloomsbury, pp. 65-80

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2019) ‘2 October Is Not Forgotten’: Tlatelolco 1968 Massacre and Social Memory Frameworks. In: Göttsche, Dirk, (ed.) Memory and Postcolonial Studies: Synergies and New Directions across Literatures from Europe, Africa and the Americas. Oxford; Bern, Peter Lang, pp. 363-392

Carpenter, Victoria ORCID: https://orcid.org/0000-0003-3880-6555 (2018) Introduction. In: The Tlatelolco Massacre, Mexico 1968, and the emotional triangle of anger, grief and shame : discourse of truth (s). Cardiff, University of Wales Press

Evans, Anne-Marie (2017) “Funny Women: Political Transgressions and Celebrity Autobiography”. In: Fuchs-Abrams, Sabrina, (ed.) Transgressive Humor of American Women Writers. Palgrave studies in comedy . Palgrave MacMillan, pp. 155-173

King, Liesl (2022) 'Woman to Woman, Sister to Sister - Feminine Connections in Chitra Banerjee Divakaruni'. In: Singh, Amritjit, Field, Robin E. and Najmi, Samina, (eds.) Critical Perspectives on Chitra Banerjee Divakaruni :feminism and diaspora. Rowman & Littlefield

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1997) ‘Experiments in Brokenness: The Creative Use of Creole in David Dabydeen’s Slave Song’. In: The Art of David Dabydeen. Leeds, Peepal Tree Press, pp. 27-46

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2017) Introduction to Kumar Mahabir, Multiple Identities: Essays in Caribbean Literature. In: Multiple Identities:essays in Caribbean Literature. Trinidad, Chakra Press

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2002) 'Out from under the shadow of Jean': critical bias and critical neglect in the construction of a tradition of Caribbean women’s writing: the case of Elma Napier. In: Anim-Addo, J., (ed.) Centre of remembrance: memory and Caribbean women's literature. Mango Publishing, pp. 134-144

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2000) ‘"Out in the Open”: ‘Under-represented Sexualities in Shani Mootoo’s Cereus Blooms at Night and Lawrence Scott’s Aelred’s Sin’. In: The Vitality of West Indian Literature: Caribbean and Indian Essays. India, Dvanyaloka Publications, pp. 208-223

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1999) ‘The Shape-Shifting Fictions of Pauline Melville’. In: Conde, Mary and Lonsdale, Thorunn, (eds.) Caribbean Women Writers: Fiction in English. Basingstoke, Palgrave Macmillan, pp. 144-171

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2020) ‘This Is London, This Is Life’: ‘Migrant Time’ in Sam Selvon’s The Lonely Londoners. In: Evans, Anne-Marie and Kramer, Kaley ORCID: https://orcid.org/0000-0003-0394-1554, (eds.) Time, the City, and the Literary Imagination. Literary Urban Studies . Basingstoke, Palgrave, pp. 87-103

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (1997) ‘(Un) belonging Citizens - Unmapped Territory: Immigration and Black British Identity in the post 1945 period’. In: Murray, Stuart, (ed.) Not On Any Map - Essays on Postcoloniality and Cultural Nationalism. Exeter, Exeter University Press, pp. 43-66

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2019) More Human Than Humans. In: Bunce, Robin and McCrossin, Trip, (eds.) Blade Runner 2049 and Philosophy: This Breaks the World. & Philosophy series (127). Open Court Publishing, pp. 51-59

Reifenstein, Tilo (2024) (Elektrographisches) Schreiben als Praxis in Bild, Schrift und Material. In: Bartelmus, Martin and Nebrig, Alexander, (eds.) Digitale Schriftlichkeit: Programmieren, Prozessieren und Codieren von Schrift. Literatur in der digitalen Gesellschaft (8). Bielefeld, transcript, pp. 65-82

Reifenstein, Tilo (2023) On Writing: propositions for art history as literary practice. In: Kovač, Leonida, Lerm Hayes, Christa-Maria, van Rijn, Ilse and Saloul, Ihab, (eds.) W.G. Sebald's Artistic Legacies : Memory, Word and Image. Amsterdam University Press, pp. 195-226

Reifenstein, Tilo (2023) Von den Verflechtungen der künstlerischen Forschung mit dem Schreiben als Praxis. In: Bader, Nadia, Krauß, Lennart and Johns, Stefanie, (eds.) How to Arts Education Research? Wissenspraxen zwischen Kunst und Bildung. Kunst Medien Bildung (10). Munich, kopaed Verlag, pp. 147-156

Reifenstein, Tilo (2018) The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing. In: Kennedy, David and Meek, Richard, (eds.) Ekphrastic Encounters: New Interdisciplinary Essays on Literature and the Visual Arts. Manchester, Manchester University Press, pp. 203-218

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2012) Of Pigs and Men: The Politics of Nature in the Fiction of George Orwell. In: Keeble, Richard Lance, (ed.) George Orwell Today. Bury St Edmunds, Abramis Press, pp. 38-53

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2022) Twentieth-Century Utopian Literature. In: Marks, Peter, Wagner-Lawlor, Jennifer and Vieira, Fátima, (eds.) The Palgrave Handbook of Utopian and Dystopian Literatures. 1 ed. Cham, Switzerland, Palgrave Macmillan, pp. 137-148

Stripe, Adelle (2019) Introduction. In: Alma Cogan. London, Faber & Faber

Wylie, Alex (2023) 'Here Lies a Civil Servant': C.H. Sisson and the Possibility of Honesty. In: Moul, V. and Talbot, J., (eds.) C.H. Sisson Reconsidered. The New Antiquity . Palgrave MacMillan

Conference or Workshop Item

Edgar, Robert ORCID: https://orcid.org/0000-0003-3483-8605 (2023) Unsuitable for Miners: Trauma in contemporary British mining narratives. In: Haunted Landscapes, 4-6 July 2023, Falmouth University. (Unpublished)

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2020) “The Navel Between Cities”: Copula Hall and the representation of Borders and Liminal Space in China Mieville’s The City & The City. In: Walls and Barriers: Science Fiction in the Age of Brexit, 12 September 2020, Anglia Ruskin Centre for Science Fiction and Fantasy. (Unpublished)

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2018) ‘Ted Chiang and the Deferred Effect: “Afterwardsness” in the Science Fiction Worlds of “Exhalation” and “Story of Your Life”'. In: After Fantastika Conference, 6 to 7 July 2018, Lancaster University. (Unpublished)

O'Connor, Robert ORCID: https://orcid.org/0000-0001-8892-5929 (2016) ‘Weird Pictures, Monster Mansions and Time Pockets: Gothic Obscurities and Temporal Displacement in Miss Peregrine’s Home for Peculiar Children’. In: Temporal Discombobulations conference, 22-24 August 2016, University of Surrey. (Unpublished)

Reifenstein, Tilo (2015) Always already fragmentary. In: Theme and Variation conference, 12–13 Jun. 2015, University of Łódź, Poland. (Unpublished)

Reifenstein, Tilo (2013) Between the visible and the legible: words and images caught in translation. In: Intersemiotic Translation conference, 25–27 Sep. 2013, University of Łódź, Poland. (Unpublished)

Reifenstein, Tilo (2017) Graphic reading—graphic writing. In: Graphic Reading conference, 19 May 2017, University of Birmingham. (Unpublished)

Reifenstein, Tilo (2016) Image and text: art-history writing as literary practice. In: 5th Annual International Conference in Paragone Studies, 22-24 Sep. 2016, Manchester. (Unpublished)

Reifenstein, Tilo (2014) Image and word interpenetrations in Raymond Pettibon. In: Word & Image Crossovers conference and 5th English Literary Meeting, 29–30 Sep. 2014, Kazimierz Wielki University, Bydgoszcz, Poland. (Unpublished)

Reifenstein, Tilo (2020) Reading between the lines: W.G. Sebald’s words and pictures as propositions for art history as a literary practice. In: PERLEGO: Critical Perspectives on Image and Text, 19-22 Oct 2020, Oxford, UK. (Unpublished)

Reifenstein, Tilo (2013) Transposition im/possible. In: Writing into Art conference, 18–19 Jun. 2013, University of Strathclyde and Kelvingrove Museum & Art Gallery, Glasgow. (Unpublished)

Reifenstein, Tilo (2019) Writing (art history) as material practice. In: Quarto Congresso Svizzero di Storia dell’Arte (Fourth Swiss Congress for Art History), 06-08 Jun 2019, Mendrisio, Switzerland. (Unpublished)

Reifenstein, Tilo (2019) Writing Art: Challenges to a literary practice. In: Association for Art History Annual Conference 2019, 4th - 6th April 2019, Brighton, UK. (Unpublished)

Reifenstein, Tilo (2017) Writing about pictures about pictures with writing about writing with pictures. In: Images and Texts Reproduced, 11th International IAWIS/AIERTI conference, 10–14 Jul 2017, Université de Lausanne, Switzerland. (Unpublished)

Reifenstein, Tilo (2015) Writing on drawing | drawing on writing. In: Images of Identity conference, 30–31 Jan. 2015, University of Zürich, Switzerland. (Unpublished)

Reifenstein, Tilo (2013) The graphics of ekphrastic writing: Raymond Pettibon’s drawing-writing. In: Ekphrasis: From Paragone to Encounter conference, 3–5 Jul. 2013, University of Hull.

Reifenstein, Tilo (2017) The sense of the line between drawing and writing. In: Drawing Matters, 14 Jul 2017, York St. John University.

Book

Beaumont, Alexander ORCID: https://orcid.org/0000-0002-8154-3300 and D'hoker, Elke, eds. (2022) Sarah Hall: Critical Essays. Canterbury, Gylphi

Rawle, Steven ORCID: https://orcid.org/0000-0002-7908-8249 and Hall, Martin ORCID: https://orcid.org/0000-0001-5671-8175 (2024) Monstrosity and Global Crisis in Transnational Film, Media and Literature. 1 ed. Newcastle, Cambridge Scholars Publishing

Reese, Sam ORCID: https://orcid.org/0000-0003-0023-3333 (2019) Blue Notes: Jazz, Literature, and Loneliness. LSU Press

Stock, Adam ORCID: https://orcid.org/0000-0002-6172-0971 (2018) Modern Dystopian Fiction and Political Thought: Narratives of World Politics. Popular Culture and World Politics . London, Routledge

Wylie, Alex (2019) Geoffrey Hill's Later Work: Radiance of Apprehension. 1 ed. Manchester, Manchester University Press

Other

Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2023) Review article on Robyn Cope, The Pen and the Pan: Food, Fiction and Homegrown Caribbean Feminism(s). Kingston: University Press of the West Indies, 2021. x + 260 pp. (Cloth US$45.00). Koninklijke Brill (Netherlands).

Mann, Fraser (2019) Book Review: Anders Engberg-Pedersen (ed.). Literature and Cartography: Theories, Histories, Genres. Cambridge, MA: The MIT Press, 2017. ISBN: 9780262036740. 480 pgs. American Studies Center, Warsaw.