A

Adams, Mark ORCID: https://orcid.org/0009-0002-7952-3877 (2016) Waterways by Mark Adams. [Show/Exhibition]

B

Black, Kate (2016) The Prison Drawing Project. [Show/Exhibition]

Brooks, Duncan (2016) Truck design. [Artefact]

Burrows, Ben ORCID: https://orcid.org/0009-0005-1212-2173 (2016) A Couple of Down and Outs. [Composition] (Unpublished)

C

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2016) Art Matters: Studios, Material Diversity and Neoliberalism. In: Future Now : Aesthetica Art Prize Anthology 2016. York, Aesthetica Magazine, pp. 10-12

Creech, Andrea and Higgins, Lee (2016) Resilience/Resistance: Are there ways Sistema-Inspired Programmes could be reframed as a context for community music or is it fundamentality quiet different? In: Reframing El Sistema, 8-9 April 2016, University of Maryland Baltimore County (UMBC). (Unpublished)

Cullen, Charlotte (2016) Curators Choice. [Show/Exhibition]

Currie, Ruth, Gibson, Jo, Murata, Mary and Higgins, Lee (2016) Lines of Flight: International Centre for Community Music as a Crucible for PhD Research. In: Cohen, Mary L., (ed.) Innovation and Change in Community Music: Proceedings of the XV International Seminar of the. ISME, pp. 49-59

D

Dorey Richmond, Jules and Richmond, David (2016) Inside the Experience of Making Personal Archive #1 [A Work in Progress]: The art of Inquiry. Memory Connection, 2 (1). pp. 112-126.

E

Exley, Chantelle, Coombs, George, Bowe, Rachel and Batty, Lois (2016) Exhibiting artist at Human Transferral Exhibition at the New School House Gallery, York. [Show/Exhibition]

F

Fearn, Warren ORCID: https://orcid.org/0000-0002-2029-630X (2016) The Future of Furniture in Higher Education. In: The Future of Furniture in Higher Education, Tent Design, London. (Submitted)

G

Galloway, Morag ORCID: https://orcid.org/0000-0002-3103-0611 (2016) The Dynamics of Mutuality in the Composer and Performer Relationship. Other thesis, University of York.

Galloway, Morag ORCID: https://orcid.org/0000-0002-3103-0611 (2016) We are not for names [composition/score]. [Composition]

H

Hatton, Nicky ORCID: https://orcid.org/0000-0002-7896-0197 (2016) Participatory Theatre and Dementia. In: Baxter, Veronica, Low, Katharine E. and Preston, Sheila, (eds.) Applied Theatre: Performing Health and Wellbeing. Bloomsbury Methuen, pp. 77-89

Higgins, Lee (2016) Community Music as Cultural Capital: Non-formal Music Experiences and Young People. In: Bildiriler Proceedings: Muzed Regional Conference: Music, Culture & Education on the Silk Road. Sevda - Canap and Muzik Vakfi, pp. 27-30

Higgins, Lee (2016) Community Music as a Site for Social Justice. In: Community Music:, Feb 2016, Zurich University of Applied Sciences, Switzerland. (Unpublished)

Higgins, Lee (2016) Community Music as a Site for Social Justice. In: I'm Inclusive Too, 27 Feb 2016, University of York, UK. (Unpublished)

Higgins, Lee (2016) Community orchestras and community music: working together towards a dynamic future. In: The International Community Orchestra Forum. Seoul, Sejong Center of Performing Arts, pp. 39-36

Higgins, Lee (2016) Editorial. International Journal of Community Music, 9 (2). pp. 119-120.

Higgins, Lee (2016) Editorial. International Journal of Community Music, 9 (3). pp. 219-221.

Higgins, Lee (2016) International Corporation in Music Teaching and Learning: Perspectives from the International Society of Music Education. In: De Baets, T and Sammer, G, (eds.) European Perspectives on Music Education 5: International Collaboration. Esslingen, Germany, Helbling Verlag

Higgins, Lee (2016) Music education for the many not the few: a transformative approach to collaborative music learning based on the practices of popular musicians. In: Shanghai Music Live, October 2016, China. (Unpublished)

Higgins, Lee (2016) The call, the welcome and the “yes”: Community music and music education. In: Public Lecture Series, 15 Feb 2016, University of Sheffield, UK. (Unpublished)

Hind, Claire and Winters, Gary (2016) Dream Yards. Performance Research, 21 (1). pp. 132-137.

Hind, Claire and Winters, Gary (2016) Fresh Grass Flesh Glass. [Show/Exhibition]

Hind, Claire and Winters, Gary (2016) In dreams you are mine. [Show/Exhibition]

Hind, Claire and Winters, Gary (2016) You say, we say. In: Schwaegermann, Maria Magdalena and Ely, Karmenlara, (eds.) Infinite Record: Archive, Memory, Performance. Brooklyn Arts Press, pp. 120-129

Hind, Claire and Winters, Gary (2016) The crying channel. In: Kartsaki, Eirini, (ed.) On repetition : writing, performance & art. Intellect

Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 (2016) Coherence in new music : experience, aesthetics, analysis. London, Routledge

Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 (2016) Review of Judy Lochhead, Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis (New York and London: Routledge, 2016). Tempo, 70 (208). pp. 104-106.

Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 and Howell, Tim (2016) Imagined Structures: Creative Approaches towards Teaching Musical Analysis. In: Haddon, Liz and Burnard, Pamela, (eds.) Creative Teaching for Creative Learning in Higher Academic Music Education. London, Routledge, pp. 153-167

J

Jola, Corinne and Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2016) Audiences’ Experience of Proximity and Co-Presence in Live Dance Performance. In: Falletti, Clelia, Sofia, Gabriele and Jacono, Victor, (eds.) Theatre and Cognitive Neuroscience. London, Bloomsbury Methuen

Jola, Corinne and Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2016) Audiences’ Experience of Proximity and Co-Presence in live Dance Performance. In: Theatre and Cognitive Neuroscience. London, Bloomsbury

K

Kean, Jenny (2016) It’s real life but is it fair? One approach to marking a final year team assessment for journalism students. In: Whatley, J and Nerantzi, C, (eds.) Teaching with Team Projects in Higher Education. Santa Rosa, California, Informing Science Press, pp. 107-115

Kolaiti, Christina (2016) Mal de Débarquement. York St John University. (Submitted)

Kolaiti, Christina (2016) Synomilies. [Show/Exhibition]

L

Lancaster, David ORCID: https://orcid.org/0000-0002-1691-4320 (2016) Breathless - for brass quintet. [Composition]

Lancaster, David ORCID: https://orcid.org/0000-0002-1691-4320 (2016) Hiraeth - for piano trio. [Composition]

M

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2016) The Artist's Hand. TRACEY.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2016) Drawing on the Front Line. In: Liddle, Peter, (ed.) Britain and a Widening War 1915-1916: Gallipoli to the Somme. Barnsley, UK, Pen & Sword Books Ltd, pp. 304-315

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2016) Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149 and Hodgson, Jay, (eds.) Mixing music. 1 ed. Perspectives on Music Production (1). New York, Routledge, pp. 199-215

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2016) Reconciling theory with practice in the teaching of songwriting. In: Williams, Katherine and Williams, Justin A., (eds.) Cambridge Companion to the Singer Songwriter. Cambridge, Cambridge University Press, pp. 267-277

McCaleb, J Murphy ORCID: https://orcid.org/0000-0002-9867-9909 (2016) 'Heart of Tones' and the Dilation of Time. In: RMA Study Day: Keeping Time? New Approaches to Temporality, 13 June 2016, University of York. (Unpublished)

McCaleb, J Murphy ORCID: https://orcid.org/0000-0002-9867-9909 (2016) Playing Together: developing ensembles through musical play. In: Performance Studies Network Fourth International Conference, 14–17 July 2016, Bath Spa University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) Keynote Panel, Panel contribution: ‘Succeeding in Music in HE, RMA Research Students Conference’, January 2016. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Lost and Found in Translation’, Club Inégales, in conversation with composer Michael Finnisey, London, June. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Mediating Cultures and Musics: an intercultural production of A Midsummer Night’s Dream’. In: Burnard, Pamela, MacKinley, Elizabeth and Powell, Kimberly, (eds.) The Routledge international handbook of intercultural arts research. Routledge international handbooks . Abingdon, U.K., Routledge, pp. 417-430

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) Panel: ‘Advocacy and Policy: National Association for Music in Higher Education’, with Pamela Burnard Charles Wiffen and Zaina Shihabi,. In: International Society for Music Education, July 2016, Glasgow. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Redefining Intercultural musicology as a mode of artistic and cultural translation: reassessing the National Gallery’s Soundscape exhibition (2015)’. In: Annual general meeting of Aldworth Philharmonic Orchestra, September 2016, Reading, UK. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) Redefining intercultural musicology as a mode of artistic and cultural translation: reassessing the National Gallery’s soundscapes exhibition (2015), with critical comparison to 'Pictures at Our Exhibition', Aldworth Philharmonic Orchestra (2016). In: Building Interdisciplinary Bridges Across Cultures (BIBAC2016), 30 July - 1 August 2016, Cambridge.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Taking Race Live: Interdisciplinary Challenges and Opportunities’. In: Higher Education Race Action Group Think Tank, 20 June 2016, London, UK. (Unpublished)

N

Nattress, Clare ORCID: https://orcid.org/0000-0002-3296-4264 (2016) The Art of integrating Employability skills in Art & Design Education: Introducing effective strategies for developing the professional toolkit for adult learners. In: Conference, 4-6 April 2016, University of Huddersfield. (Unpublished)

Ndlovu, Everett (2016) The Positioning of Citizen-Influenced Radio in the Battle for the Control of Minds. In: Mutsvairo, Bruce, (ed.) Participatory Politics and Citizen Journalism in a Networked Africa : A Connected Continent. Springer, pp. 59-76

Nedelkopoulou, Eirini (2016) Reconsidering Liveness in the Age of Digital Implication. In: Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 and Lindelof, Anja, (eds.) Experiencing liveness in contemporary performance: interdisciplinary perspectives. Routledge, pp. 215-228

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Pattison, Simon (2016) Processional Cross, Durham Cathedral. Simon Pattison.

Peters, Gary (2016) 6 Myths (or Half-Truths) About Research. In: Research Reflections Conference, 8th September 2016, York St John University. (Unpublished)

Peters, Gary (2016) What is a Live Event? In: Reason, Matthew and Lindelof, Anja, (eds.) Experiencing liveness in contemporary performance: interdisciplinary perspectives. 1 ed. Routledge, pp. 163-177

R

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2016) Archive, Empathy, Memory: The Resurrection of Joyce Reason. Memory Connection, 2 (1). pp. 89-110.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2016) Conversation and Criticism: Audiences and Unfinished Critical Thinking. In: Radosavljevic, Duska, (ed.) Theatre Criticism: Changing Landscapes. London, Methuen

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 and Heinemeyer, Catherine ORCID: https://orcid.org/0000-0001-6300-5544 (2016) Storytelling, story-retelling, storyknowing: towards a participatory practice of storytelling. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (4). pp. 558-573.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236, Jola, Corinne, Kay, Rosie, Reynolds, Dee, Kauppi, Jukka-Pekka, Grobras, Marie-Helene, Tohka, Jussi and Pollcik, Frank (2016) Spectators’ aesthetic experience of sound and movement in dance performance: A transdisciplinary investigation. Psychology of Aesthetics, Creativity, and the Arts, 10 (1). pp. 42-55.

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Starzynski, Joanna Louise (2016) “We’re all in our private traps… and none of us can ever get out” (Psycho, Hitchcock, 1960) - How depictions of Identity and Alienation in the City vary within the films of Alfred Hitchcock. Masters thesis, York St John University.

T

Taylor, Sally (2016) Confused heads. In: About Face Symposium, 21 January 2016, Hauser and Wirth, Somerset. (Unpublished)

Taylor, Sally (2016) Group Exhibition, Ink Art Fair, Miami, USA, Rabley Contemporary. [Show/Exhibition]

Taylor, Sally (2016) Group Exhibition, London Art Fair, Rabley Contemporary. [Show/Exhibition]

Taylor, Sally (2016) Guest Speaker, ‘About Face’ Research Group, University of the Arts, London and Bath Spa University, Hauser and Wirth, Somerset. [Show/Exhibition]

Taylor, Sally (2016) Guest at ‘About Face’ Symposium, National Portrait Gallery, London, July 2016 – digital and printed publication including my work and short statement. [Show/Exhibition]

Taylor, Sally (2016) The Prison Drawing Project. [Show/Exhibition]

Taylor, Sally (2016) SALLY TAYLOR: That Head, That Head - Solo Exhibition. [Show/Exhibition]

Taylor, Sally (2016) To draw is to be Human. [Show/Exhibition]

W

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2016) Action Score Generator. Nathan Walker. (Unpublished)

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2016) Conceptual Poetics Exhibition at The Poetry Library. [Show/Exhibition]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2016) Condensations. Uniformagazine, 7.