Article

Dorey Richmond, Jules and Richmond, David (2016) Inside the Experience of Making Personal Archive #1 [A Work in Progress]: The art of Inquiry. Memory Connection, 2 (1). pp. 112-126.

Higgins, Lee (2016) Editorial. International Journal of Community Music, 9 (2). pp. 119-120.

Higgins, Lee (2016) Editorial. International Journal of Community Music, 9 (3). pp. 219-221.

Hind, Claire and Winters, Gary (2016) Dream Yards. Performance Research, 21 (1). pp. 132-137.

Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 (2016) Review of Judy Lochhead, Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis (New York and London: Routledge, 2016). Tempo, 70 (208). pp. 104-106.

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2016) The Artist's Hand. TRACEY.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2016) Archive, Empathy, Memory: The Resurrection of Joyce Reason. Memory Connection, 2 (1). pp. 89-110.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 and Heinemeyer, Catherine ORCID: https://orcid.org/0000-0001-6300-5544 (2016) Storytelling, story-retelling, storyknowing: towards a participatory practice of storytelling. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (4). pp. 558-573.

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236, Jola, Corinne, Kay, Rosie, Reynolds, Dee, Kauppi, Jukka-Pekka, Grobras, Marie-Helene, Tohka, Jussi and Pollcik, Frank (2016) Spectators’ aesthetic experience of sound and movement in dance performance: A transdisciplinary investigation. Psychology of Aesthetics, Creativity, and the Arts, 10 (1). pp. 42-55.

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2016) Condensations. Uniformagazine, 7.

Book Section

Corby, Vanessa ORCID: https://orcid.org/0000-0002-4019-9195 (2016) Art Matters: Studios, Material Diversity and Neoliberalism. In: Future Now : Aesthetica Art Prize Anthology 2016. York, Aesthetica Magazine, pp. 10-12

Currie, Ruth, Gibson, Jo, Murata, Mary and Higgins, Lee (2016) Lines of Flight: International Centre for Community Music as a Crucible for PhD Research. In: Cohen, Mary L., (ed.) Innovation and Change in Community Music: Proceedings of the XV International Seminar of the. ISME, pp. 49-59

Hatton, Nicky ORCID: https://orcid.org/0000-0002-7896-0197 (2016) Participatory Theatre and Dementia. In: Baxter, Veronica, Low, Katharine E. and Preston, Sheila, (eds.) Applied Theatre: Performing Health and Wellbeing. Bloomsbury Methuen, pp. 77-89

Higgins, Lee (2016) Community Music as Cultural Capital: Non-formal Music Experiences and Young People. In: Bildiriler Proceedings: Muzed Regional Conference: Music, Culture & Education on the Silk Road. Sevda - Canap and Muzik Vakfi, pp. 27-30

Higgins, Lee (2016) Community orchestras and community music: working together towards a dynamic future. In: The International Community Orchestra Forum. Seoul, Sejong Center of Performing Arts, pp. 39-36

Higgins, Lee (2016) International Corporation in Music Teaching and Learning: Perspectives from the International Society of Music Education. In: De Baets, T and Sammer, G, (eds.) European Perspectives on Music Education 5: International Collaboration. Esslingen, Germany, Helbling Verlag

Hind, Claire and Winters, Gary (2016) You say, we say. In: Schwaegermann, Maria Magdalena and Ely, Karmenlara, (eds.) Infinite Record: Archive, Memory, Performance. Brooklyn Arts Press, pp. 120-129

Hind, Claire and Winters, Gary (2016) The crying channel. In: Kartsaki, Eirini, (ed.) On repetition : writing, performance & art. Intellect

Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 and Howell, Tim (2016) Imagined Structures: Creative Approaches towards Teaching Musical Analysis. In: Haddon, Liz and Burnard, Pamela, (eds.) Creative Teaching for Creative Learning in Higher Academic Music Education. London, Routledge, pp. 153-167

Jola, Corinne and Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2016) Audiences’ Experience of Proximity and Co-Presence in Live Dance Performance. In: Falletti, Clelia, Sofia, Gabriele and Jacono, Victor, (eds.) Theatre and Cognitive Neuroscience. London, Bloomsbury Methuen

Jola, Corinne and Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2016) Audiences’ Experience of Proximity and Co-Presence in live Dance Performance. In: Theatre and Cognitive Neuroscience. London, Bloomsbury

Kean, Jenny (2016) It’s real life but is it fair? One approach to marking a final year team assessment for journalism students. In: Whatley, J and Nerantzi, C, (eds.) Teaching with Team Projects in Higher Education. Santa Rosa, California, Informing Science Press, pp. 107-115

MacDonald, Juliet ORCID: https://orcid.org/0000-0003-4069-0408 (2016) Drawing on the Front Line. In: Liddle, Peter, (ed.) Britain and a Widening War 1915-1916: Gallipoli to the Somme. Barnsley, UK, Pen & Sword Books Ltd, pp. 304-315

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2016) Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing. In: Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149 and Hodgson, Jay, (eds.) Mixing music. 1 ed. Perspectives on Music Production (1). New York, Routledge, pp. 199-215

Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2016) Reconciling theory with practice in the teaching of songwriting. In: Williams, Katherine and Williams, Justin A., (eds.) Cambridge Companion to the Singer Songwriter. Cambridge, Cambridge University Press, pp. 267-277

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Mediating Cultures and Musics: an intercultural production of A Midsummer Night’s Dream’. In: Burnard, Pamela, MacKinley, Elizabeth and Powell, Kimberly, (eds.) The Routledge international handbook of intercultural arts research. Routledge international handbooks . Abingdon, U.K., Routledge, pp. 417-430

Ndlovu, Everett (2016) The Positioning of Citizen-Influenced Radio in the Battle for the Control of Minds. In: Mutsvairo, Bruce, (ed.) Participatory Politics and Citizen Journalism in a Networked Africa : A Connected Continent. Springer, pp. 59-76

Nedelkopoulou, Eirini (2016) Reconsidering Liveness in the Age of Digital Implication. In: Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 and Lindelof, Anja, (eds.) Experiencing liveness in contemporary performance: interdisciplinary perspectives. Routledge, pp. 215-228

Peters, Gary (2016) What is a Live Event? In: Reason, Matthew and Lindelof, Anja, (eds.) Experiencing liveness in contemporary performance: interdisciplinary perspectives. 1 ed. Routledge, pp. 163-177

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 (2016) Conversation and Criticism: Audiences and Unfinished Critical Thinking. In: Radosavljevic, Duska, (ed.) Theatre Criticism: Changing Landscapes. London, Methuen

Conference or Workshop Item

Creech, Andrea and Higgins, Lee (2016) Resilience/Resistance: Are there ways Sistema-Inspired Programmes could be reframed as a context for community music or is it fundamentality quiet different? In: Reframing El Sistema, 8-9 April 2016, University of Maryland Baltimore County (UMBC). (Unpublished)

Fearn, Warren ORCID: https://orcid.org/0000-0002-2029-630X (2016) The Future of Furniture in Higher Education. In: The Future of Furniture in Higher Education, Tent Design, London. (Submitted)

Higgins, Lee (2016) Community Music as a Site for Social Justice. In: Community Music:, Feb 2016, Zurich University of Applied Sciences, Switzerland. (Unpublished)

Higgins, Lee (2016) Community Music as a Site for Social Justice. In: I'm Inclusive Too, 27 Feb 2016, University of York, UK. (Unpublished)

Higgins, Lee (2016) Music education for the many not the few: a transformative approach to collaborative music learning based on the practices of popular musicians. In: Shanghai Music Live, October 2016, China. (Unpublished)

Higgins, Lee (2016) The call, the welcome and the “yes”: Community music and music education. In: Public Lecture Series, 15 Feb 2016, University of Sheffield, UK. (Unpublished)

McCaleb, J Murphy ORCID: https://orcid.org/0000-0002-9867-9909 (2016) 'Heart of Tones' and the Dilation of Time. In: RMA Study Day: Keeping Time? New Approaches to Temporality, 13 June 2016, University of York. (Unpublished)

McCaleb, J Murphy ORCID: https://orcid.org/0000-0002-9867-9909 (2016) Playing Together: developing ensembles through musical play. In: Performance Studies Network Fourth International Conference, 14–17 July 2016, Bath Spa University. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) Panel: ‘Advocacy and Policy: National Association for Music in Higher Education’, with Pamela Burnard Charles Wiffen and Zaina Shihabi,. In: International Society for Music Education, July 2016, Glasgow. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Redefining Intercultural musicology as a mode of artistic and cultural translation: reassessing the National Gallery’s Soundscape exhibition (2015)’. In: Annual general meeting of Aldworth Philharmonic Orchestra, September 2016, Reading, UK. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) Redefining intercultural musicology as a mode of artistic and cultural translation: reassessing the National Gallery’s soundscapes exhibition (2015), with critical comparison to 'Pictures at Our Exhibition', Aldworth Philharmonic Orchestra (2016). In: Building Interdisciplinary Bridges Across Cultures (BIBAC2016), 30 July - 1 August 2016, Cambridge.

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Taking Race Live: Interdisciplinary Challenges and Opportunities’. In: Higher Education Race Action Group Think Tank, 20 June 2016, London, UK. (Unpublished)

Nattress, Clare ORCID: https://orcid.org/0000-0002-3296-4264 (2016) The Art of integrating Employability skills in Art & Design Education: Introducing effective strategies for developing the professional toolkit for adult learners. In: Conference, 4-6 April 2016, University of Huddersfield. (Unpublished)

Peters, Gary (2016) 6 Myths (or Half-Truths) About Research. In: Research Reflections Conference, 8th September 2016, York St John University. (Unpublished)

Taylor, Sally (2016) Confused heads. In: About Face Symposium, 21 January 2016, Hauser and Wirth, Somerset. (Unpublished)

Book

Reason, Matthew ORCID: https://orcid.org/0000-0003-0536-4236 and Lindelof, Anja Molle, eds. (2016) Experiencing liveness in contemporary performance : interdisciplinary perspectives. New York, Routledge

Hepworth-Sawyer, Russ ORCID: https://orcid.org/0000-0001-8266-0149 and Hodgson, Jay, eds. (2016) Mixing Music. Routledge

Hutchinson, Mark ORCID: https://orcid.org/0000-0002-2026-2871 (2016) Coherence in new music : experience, aesthetics, analysis. London, Routledge

Thesis

Galloway, Morag ORCID: https://orcid.org/0000-0002-3103-0611 (2016) The Dynamics of Mutuality in the Composer and Performer Relationship. Other thesis, University of York.

Starzynski, Joanna Louise (2016) “We’re all in our private traps… and none of us can ever get out” (Psycho, Hitchcock, 1960) - How depictions of Identity and Alienation in the City vary within the films of Alfred Hitchcock. Masters thesis, York St John University.

Artefact

Brooks, Duncan (2016) Truck design. [Artefact]

Show/Exhibition

Adams, Mark ORCID: https://orcid.org/0009-0002-7952-3877 (2016) Waterways by Mark Adams. [Show/Exhibition]

Black, Kate (2016) The Prison Drawing Project. [Show/Exhibition]

Cullen, Charlotte (2016) Curators Choice. [Show/Exhibition]

Exley, Chantelle, Coombs, George, Bowe, Rachel and Batty, Lois (2016) Exhibiting artist at Human Transferral Exhibition at the New School House Gallery, York. [Show/Exhibition]

Hind, Claire and Winters, Gary (2016) Fresh Grass Flesh Glass. [Show/Exhibition]

Hind, Claire and Winters, Gary (2016) In dreams you are mine. [Show/Exhibition]

Kolaiti, Christina (2016) Synomilies. [Show/Exhibition]

Taylor, Sally (2016) Group Exhibition, Ink Art Fair, Miami, USA, Rabley Contemporary. [Show/Exhibition]

Taylor, Sally (2016) Group Exhibition, London Art Fair, Rabley Contemporary. [Show/Exhibition]

Taylor, Sally (2016) Guest Speaker, ‘About Face’ Research Group, University of the Arts, London and Bath Spa University, Hauser and Wirth, Somerset. [Show/Exhibition]

Taylor, Sally (2016) Guest at ‘About Face’ Symposium, National Portrait Gallery, London, July 2016 – digital and printed publication including my work and short statement. [Show/Exhibition]

Taylor, Sally (2016) The Prison Drawing Project. [Show/Exhibition]

Taylor, Sally (2016) SALLY TAYLOR: That Head, That Head - Solo Exhibition. [Show/Exhibition]

Taylor, Sally (2016) To draw is to be Human. [Show/Exhibition]

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2016) Conceptual Poetics Exhibition at The Poetry Library. [Show/Exhibition]

Composition

Burrows, Ben ORCID: https://orcid.org/0009-0005-1212-2173 (2016) A Couple of Down and Outs. [Composition] (Unpublished)

Galloway, Morag ORCID: https://orcid.org/0000-0002-3103-0611 (2016) We are not for names [composition/score]. [Composition]

Lancaster, David ORCID: https://orcid.org/0000-0002-1691-4320 (2016) Breathless - for brass quintet. [Composition]

Lancaster, David ORCID: https://orcid.org/0000-0002-1691-4320 (2016) Hiraeth - for piano trio. [Composition]

Other

Kolaiti, Christina (2016) Mal de Débarquement. York St John University. (Submitted)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) Keynote Panel, Panel contribution: ‘Succeeding in Music in HE, RMA Research Students Conference’, January 2016. n/a. (Unpublished)

Minors, Helen Julia ORCID: https://orcid.org/0000-0002-0212-9030 (2016) ‘Lost and Found in Translation’, Club Inégales, in conversation with composer Michael Finnisey, London, June. n/a. (Unpublished)

Pattison, Simon (2016) Processional Cross, Durham Cathedral. Simon Pattison.

Walker, Nathan ORCID: https://orcid.org/0000-0001-8419-9018 (2016) Action Score Generator. Nathan Walker. (Unpublished)